Multiple 10MHz outputs and an ultra-stable Word Clock signal in just 1U rack space 10MX is the newest and the premier member of the Isochrone family. It features technologies from two of Antelope's legendary products. The atomic precision of the 10M and the sophisticated jitter-management algorithm of Trinity are combined in a futuristic, 1U rack space enclosure, providing the world's most stable and musical clocking. 10MX is a fusion of proven technologies and contemporary industrial design, where no compromises are allowed and both build-quality, and performance-excellence are top priority. The new Rubidium Atomic Clock is an epiphany of more than 20 years’ expertise in the digital audio world, making vividly real the clarity, depth, width and 3-dimensionality distinctive of the analog sound. 10MX is perfectly suited for recording, mixing and mastering environments. Its form factor, occupying only 1U of rack space, makes it ideal for live sound application where rack slots are precious commodity. The multiple atomic outputs allow up to 10 devices to be clocked simultaneously over BNC outputs of 10MHz. The unit can also be used as a master clock with 4 outputs, supporting the outstanding sampling rate of up to 768 kHz via BNC. Two more clocking outputs are available via AES and two via S/PDIF. The new Rubidium Atomic Clock is equally easy manageable either from the front panel or the intuitive software control panel available for OS X and Windows, connecting via a USB port. Features Rubidium core with accuracy of 0.05 ppb (parts per BILLION) 4th generation Acoustically Focused Clocking (AFCTM ), employing 64-bit DSP Master clocking up to 768 kHz over 4 WC 2 x S/PDIF and 2 x AES/EBU master clocking outputs up to 192 kHz Atomic clocking compatible with any device that accepts 10MHz reference Utmost ease of operation, just connect it and power it on PC/Mac connection via USB, allowing remote control and firmware upgrades Intuitive Software Control Panel Extremely sturdy mechanical construction  

768 kHz HD Master Clock For over a decade, Antelope’s legendary OCX Master Clock has been a dominant force in the audio world. This legacy now continues with the newest master clock by Antelope Audio - Isochrone OCX HD. OCX HD raises the bar yet again, delivering sample rate support of up to 768 kHz, Antelope’s best-in-class 4th generation Acoustically Focused Clocking (AFC) jitter management algorithm and oven-controlled crystal oscillator. OCX HD Master Clock offers a great variety of clocking options – 10 configurable in pairs Word Clock Outputs on BNC, four AES/EBU Outputs and two more on S/PDIF. This vast assortment of connectivity makes the OCX HD the most versatile audio master clock on the market, while proven,proprietary clocking technology delivers the most musical and reliable audio sync generation on the market. Additionally, OCX HD offers two Word Clock Inputs and a Video Sync Input, which can resolve to a huge variety of SD and HD formats, as well as clock distribution with gear-boxing, and pull-up and pull-down rates, as featured in the triple clock powerhouse, Trinity Master Clock. A 10 MHz Input allows for syncing with Antelope's newest Atomic Clock – 10MX. Antelope’s latest master clock benefits from flexible firmware update functionality, as featured in all new-generation Antelope products, allowing for fast and easy firmware updates on the user-friendly software control panel, available for both OS X and Windows. The desktop app provides convenient remote control to simplify project workflow. The device is also easily configurable from an elegant front panel, which will add a futuristic aesthetic to any gear rack. Features 4th generation Acoustically Focused Clocking (AFC) jitter management algorithm Sample rate support of up to 768 kHz over WC Multipliers/dividers enabling the output of 5 different sample rates 4x AES/EBU and 2x S/PDIF clocking outputs up to 192kHz for additional connectivity Comprehensive audio gear-boxing Universal Video Input on BNC Atomic clock input for optimum accuracy and calibration 3 recallable presets Rate lock from Control Panel to avoid settings change during session Ergonomic front panel control Software Control Panel, allowing remote control and firmware updates via USB  

Antelope Isochrone TrinityUniversal high-definition master clock employing Antelope's 4th Generation of Acoustically Focused Clocking with 64-bit Digital Signal Processing (DSP) and up to 384 kHz audio streaming.A master clock that stands out:In the fickle world of Audio & Video formats, the new Trinity will be the Master Clock that stands out from the crowd for years to come, with the kind of features that other manufacturers can only aspire to. With dedicated functions and controls, the new Trinity is the best sounding and most versatile Master Clock available anywhere.The features that make it unique:There are unique features that are only available on the Trinity - such as Audio up to 384kHz, Varispeed, nine completely independent generators, and a Triple display! Of course, all of this comes in an intuitive menu-free user interface, just as you would expect from Antelope.Features:    4th Generation of Acoustically Focused Clocking employing 64 bit DSP leads to a new level in detailed & focused sound    Oven Controlled Crystal Oscillator or Atomic Input for supremely low jitter    Factory calibrated to better than +/- 0.001 ppm accuracy    A wealth of rear panel connectivity for tremendous flexibility    Comprehensive audio gear-boxing for anything in, anything out    Atomic Input for ultimate performance    3 Independent & simultaneous audio generators up to 384kHz, and varispeed control +/- 200 cents    3 Independent & simultaneous HD generators, covering 16 formats    3 Independent & simultaneous SD generators, simultaneously offering PAL & NTSC    Full Euro and USA Pull-ups / pull-downs for SD and HD video    USB connection via PC & Mac allowing full remote control, loading/saving presets and firmware upgrades    Dual redundant power supply with automatic switchover for added reliability

Halten Sie Ihr Pro Tools-System und angeschlossene Geräte stets synchron und reibungslos im Verbund - egal wie komplex Ihr Setup ist. PRO TOOLS | SYNC X dient als Bindeglied jeder Musik-, Film- oder Fernsehproduktion und bietet eine zuverlässige Taktung mit geringem Jitter, ein nahezu Sample-akkurates Einlocken und Frame-genaue Synchronisierung. Unterstützt werden alle branchenüblichen Taktquellen, Pull-Up / Down-Raten, Timecode-Raten sowie HD / SD-Formate. Dank des integrierten Video-Referenzsignalgenerators können sich Video-Peripheriegeräte direkt einrasten, wodurch die Produktionsumgebung optimiert wird. Leistungsmerkmale zuverlässige Taktung mittels Low Jitter JetPLL Clocking Technologie nahezu Sample-akkurates Einlocken und Frame-genaue Synchronisation Unterstützung aller üblichen Taktquellen Loop Sync I/O Word Clock I/O (1 Eingang, 6 Ausgänge) 10 MHz Clock In AES3 and AES3id I/O GPIO, Bi-Phase/Tach In, Pilot In LTC I/O MTC Out 9-pin (für Machine Control) integrierter Video-Referenzsignalgenerator (4 Ausgänge) Video Reference I/O (1 Eingang, 2 Ausgänge) Host Serial Port

Introducing the Micro Clock mk2, a completely revolutionary design in external clocking from Black Lion Audio. The Micro Clock mk2 is a radical departure in design from its predecessor. It features ultra-low jitter third order crystal oscillators with a revolutionary patent-pending high current parallel drive circuit designed to increase the amount of desirable harmonics within the clock's spectral band. In addition to this, our proprietary noise reduction circuitry dramatically eliminates the unwanted switching harmonics normally found in digital signals. These are musically unrelated signals that create distortion and phase cancellation within the converted audio signal. Because of these technological advances, the Micro Clock mk2 is one of the best performing external word clocks within the pro audio market today. When we introduced the Micro Clock mk2 we didn't anticipate the amount of demand and controversy that managed to accompany it. External clocking is certainly a hot button issue. Some folks maintain that there's no basis for it; that it's a sort of modern "emperor's new clothes." The reasoning behind this is that the device being clocked externally will simply filter the incoming clock signal through its phase lock loop, thereby eliminating any sort of benefit associated with the superior clock. In addition, the simple act of accepting the incoming signal and creating a new signal that's in phase will add some jitter. The biggest problem with this theory is that we know nothing about the PLL filter in question; it's completely hypothetical. Many PLL's in pro audio are designed to filter out unwanted signals that are outside of the desired bandwidth, although some are configured to filter out unwanted harmonics that lie within the signal's frequency band. It's incredibly rare to find one that does both at the same time. In the case of the Micro Clock mk2, there is very little undesirable in-band or out of band content (below 10 picoseconds using a Delta Sigma average). There is, however, an abundance of desirable harmonically related in-band spectral content; more so than the average internal clock. No PLL filter is designed to remove these desirable harmonics; they're busy trying to remove the unwanted stuff. Simply put, the Micro Clock mk2 will not only provide audible improvement to your conversion process, but it will do it as well as or better than any other external clock on the market today.SPECIFICATIONS Output: 3 galvanic-isolated BNC with fixed 75 ohm terminations @ 6 volts peak to peak Power: 9-12 volts DC Sampling rates: six selectable rates, 44.1 kHz-192 kHz Jitter: maximum 1 pico second of intrinsic jitter, less than 10 picoseconds of accumulated jitter measured using a delta sigma averaging method. The Micro Clock mk2 is simple and probably even boring looking by most standards. It's housed in a rugged yet basic 3 inch by 4 inch chassis that provides optimum RF shielding. It has no lights, no frequency display, and none of the usual visual candy that your friends might envy, but that's because those items create unwanted noise that affect the signal. For a modest black box, it does its job incredibly well and at a price that's unheard of for this level of performance! The power supply is 12 volts DC using a wall wart that's capable of accepting both 120 and 240 volts AC. It features six selectable output frequencies from 44.1 kHz on up to 192 kHz. Output level is approximately 4 volts peak to peak. Jitter at the crystal oscillator is approximately 1 picosecond RMS, and it's just under 10 picoseconds RMS at the output. Both of these figures are obtained using a Delta Sigma averaging method. The Micro Clock mk2 is compatible with all modern digital devices that have 75 ohm BNC word clock input.

Features Ultra-low jitter, harmonically-enhanced word clock signal generation Dimmable frequency display 8 selectable sample rates (44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz, 352.8kHz, and 384kHz) 6 BNC outputs with dedicated output drivers for maximum isolation RCA S/PDIF output Optical S/PDIF output AES output 1U removable rack ears The Micro Clock MkIII is a significant redesign of its predecessor, the Micro Clock MkII. Core technological improvements include lower-jitter crystal oscillators, higher-quality galvanic transformer isolation in the signal path, dedicated output drivers with better isolation, higher-precision signal division, and much heavier noise filtration throughout the circuit. All of this results in a more robust, lower-jitter clock signal than the Micro Clock MkII, with even more desirable harmonics in the clock’s spectral band that impart an undeniable musical quality to the conversion process. The feature set has expanded to include an LED frequency display, six BNC outputs capable of up to 384kHz, AES and RCA S/PDIF outputs capable of up to 192kHz, an optical S/PDIF output capable of up to 96kHz, and removable 1U rack ears. Product Description The Micro Clock MkIII is the culmination of almost 10 years of research involving jitter- reducing, harmonic-enhancing design techniques not found in any other master word clocks on the market. It not only can sync all of your digital audio gear together, but can significantly improve the sound quality as well. It may be the most significant single upgrade you can make to your digital audio setup. Get ready to hear what you’ve been missing!

We spent the better part of a year field-testing the Micro Clock MkIII XB prior to its release, and got a lot of positive feedback on the impact it made in a wide variety of setups. Its small form factor and its ability to drive up to 1,000 feet of coaxial cable make it not only the perfect solution for improving the conversion quality of an audio interface, but also for re-clocking digital mixing consoles at live shows or houses of worship, and as the master word clock in large post-production or broadcast facilities. It can easily sync all of your digital gear together, even if it’s located in different rooms, or different buildings!

The BMB1 comes standard with two DigiLink connectors for direct hookup to Avid Pro Tools. BURL AUDIO does away with the expansion port, making both primary ports. That means you can play 64 ADC or DAC channels straight out of Pro Tools with one unit! With 6 BAD8s and 4 BDA8s a 48×32 IO can be achieved. With 2 BAD8s and 8 BDA8s a 16×64 IO can be achieved. With the configurability of the MOTHERSHIP the IO possibilities are limitless.

Burl Audio B16 BMB-3

16 Channel Configurable AD/DA Burl Audio is proud to announce the release of the B16 Mothership, a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog class-A circuitry. The result is not only heard, it is felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Using a card based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4. For anyone who has yearned for a Mothership in a smaller format, this is a dream come true. A typical setup is a 4 in, 8 out system, but it can also be configured as an 8 input tracking system, or a 16-output portable mix rig. If needed, you can also use either the BAES4 card with 4 channels of AES in and out per card, or the BCLK card, which distributes 8 word clock outputs per card. Digital interconnect is also completely configurable, and controlled by a swappable motherboard. Burl Audio offers four digital motherboards, the BMB1 (Digi-link) , BMB2 (MADI), BMB3 (Dante), and BMB4 (SoundGrid). The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with DANTE enabled DAWs and any DANTE enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SOUNDGRID device, as well as low latency for a complete digital audio networking solution. The B80 Mothership is the result of over 20 years of tireless research and development. The no compromise, no BS design strategy is immediately apparent in the build quality. There are also plans for film and broadcast grade cards where channel density and price per channel are of greater concern. The B80 MOTHERSHIP takes care of virtually any music, broadcast or film recording situation, revolutionizing pro audio as we know it. In this digital era, many yearn for the tone of records past, and analog tape is becoming a lost art. The B80 MOTHERSHIP clearly bridges this analog to digital gap.   Features: 2U main chassis BMB1 (DigiLink) motherboard BMB2 (MADI) motherboard BMB3 (Dante) motherboard BMB4 (SoundGrid) Motherboard 1 BNC Word Clock In 2 BNC Word Clock Out 3 card slots All slots accept AD/DA, AES and BCLK  

16 Channel Configurable AD/DA Burl Audio is proud to announce the release of the B16 Mothership, a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog class-A circuitry. The result is not only heard, it is felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Using a card based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4. For anyone who has yearned for a Mothership in a smaller format, this is a dream come true. A typical setup is a 4 in, 8 out system, but it can also be configured as an 8 input tracking system, or a 16-output portable mix rig. If needed, you can also use either the BAES4 card with 4 channels of AES in and out per card, or the BCLK card, which distributes 8 word clock outputs per card. Digital interconnect is also completely configurable, and controlled by a swappable motherboard. Burl Audio offers four digital motherboards, the BMB1 (Digi-link) , BMB2 (MADI), BMB3 (Dante), and BMB4 (SoundGrid). The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with DANTE enabled DAWs and any DANTE enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SOUNDGRID device, as well as low latency for a complete digital audio networking solution. The B80 Mothership is the result of over 20 years of tireless research and development. The no compromise, no BS design strategy is immediately apparent in the build quality. There are also plans for film and broadcast grade cards where channel density and price per channel are of greater concern. The B80 MOTHERSHIP takes care of virtually any music, broadcast or film recording situation, revolutionizing pro audio as we know it. In this digital era, many yearn for the tone of records past, and analog tape is becoming a lost art. The B80 MOTHERSHIP clearly bridges this analog to digital gap.   Features: 2U main chassis BMB1 (DigiLink) motherboard BMB2 (MADI) motherboard BMB3 (Dante) motherboard BMB4 (SoundGrid) Motherboard 1 BNC Word Clock In 2 BNC Word Clock Out 3 card slots All slots accept AD/DA, AES and BCLK  

16 Channel Configurable AD/DA Burl Audio is proud to announce the release of the B16 Mothership, a 2U, 2-slot version of the revolutionary B80 Mothership, Burl Audio’s signature product. Simply put, the B80 Mothership has redefined digital recording, and now the legendary sound can be found in a smaller, more portable B16 Mothership. Utilizing technology developed for the B80, the new B16 Mothership uses the exact same I/O cards as the B80 Mothership, continuing Burl Audio’s deep dedication to analog class-A circuitry. The result is not only heard, it is felt. The Mothership stands out from every other interface on the market not because it is colored, but because it does not sterilize the source. Using a card based system, and a heavy-duty 2U chassis, the B16 Mothership employs 2 card slots with an internal power supply and your choice of Motherboard for Digilink, MADI, Dante or SoundGrid connectivity. Every ADC channel uses a proprietary BX1 transformer and every DAC channel has the latest Burl Audio discrete op-amp, BOPA4. For anyone who has yearned for a Mothership in a smaller format, this is a dream come true. A typical setup is a 4 in, 8 out system, but it can also be configured as an 8 input tracking system, or a 16-output portable mix rig. If needed, you can also use either the BAES4 card with 4 channels of AES in and out per card, or the BCLK card, which distributes 8 word clock outputs per card. Digital interconnect is also completely configurable, and controlled by a swappable motherboard. Burl Audio offers four digital motherboards, the BMB1 (Digi-link) , BMB2 (MADI), BMB3 (Dante), and BMB4 (SoundGrid). The BMB1 comes standard with two DigiLink connectors for direct hookup to Pro Tools. The BMB2 features two optical MADI ports for use with ASIO or CORE AUDIO PCIe MADI cards. The BMB3 features two Ethernet ports for use with DANTE enabled DAWs and any DANTE enabled device, such as a digital mixing console. The BMB4 card allows for connectivity to any SOUNDGRID device, as well as low latency for a complete digital audio networking solution. The B80 Mothership is the result of over 20 years of tireless research and development. The no compromise, no BS design strategy is immediately apparent in the build quality. There are also plans for film and broadcast grade cards where channel density and price per channel are of greater concern. The B80 MOTHERSHIP takes care of virtually any music, broadcast or film recording situation, revolutionizing pro audio as we know it. In this digital era, many yearn for the tone of records past, and analog tape is becoming a lost art. The B80 MOTHERSHIP clearly bridges this analog to digital gap.   Features: 2U main chassis BMB1 (DigiLink) motherboard BMB2 (MADI) motherboard BMB3 (Dante) motherboard BMB4 (SoundGrid) Motherboard 1 BNC Word Clock In 2 BNC Word Clock Out 3 card slots All slots accept AD/DA, AES and BCLK  

FC-1 FILMCODERFC-1 Filmcoder is our Bi-Phase to Timecode Converter which utilises our EBU/NTSC Multi Standard LTC Generator to generate Timecode derived from an external source of Bi-Phase or Pulse and Direction.Timecode generation may be referenced to XTAL, VIDEO, EXT, LINE or FILM and the integral ELECTRONIC GEARBOX allows any of the standard EBU/NTSC Timecodes to be generated from any Standard Film Speed.

Colin Broad TC-1HD Our dedicated TIMECODE/READER/GENERATOR contains the basic building block of all our TC units, our Multi Standard EBU/NTSC Longitudinal Timecode Reader/Generator. Any standard Timecode may be read and displayed, from 1/20th to 80 times play speed and visual indications of the Frame Rate, Drop Frame, Colour Frame and Good Code status of the recovered code are also provided.Generation of 24/25/29.97 Drop & Non-Drop/30 fps may be referenced to XTAL, VIDEO, EXTernal, MAINS or READER and the numeric start value may be easily pre-set or automatically JAMMED (in 4 different modes) to the Reader's input. Full PAL 8 field colour lock or 4 field NTSC are supported and User Bits may also be set in the generated code.Applications include: Pre-striping Referenced Timecode on audio & video stock; Re-clocking a poor quality Timecode track; and providing a Master Station Clock for Distribution and Resolving applications; Reading and displaying external Timecode sources.

GENERATOR, READER, CONVERTER LTC-MIDI-USB, GPIO, REAL TIME CLOCKFEATURES7 GPIO+9GPI, USB, GPO EventsReal Time ClockLTC Timecode In/Out (XLR)Dual Channel USB-MIDI Interface, bi-directional, converts to MTC and LTCMac/Windows Even Control/Setup SoftwareLarge (0.56"/ 14 mm) Ultra Bright LED DisplayWord Clock or SD/HD Video Sync Reference1U Rack mount brackets availableRS422 configured as device or controllerConverts MMC to Sony P2The TC-5B RS-422 is a professional MTC/LTC interface with LED display, Video Sync, Word Clock input and USB port. The TC-5B 422 is designed to be equally at home in Audio, Video and Lighting Environments, applications include Digital Audio Workstations, Non Linear Video Editors, Mixing Consoles, Show Control and Lighting Control. Replacement for MIF4. The dual midi interface allows for the control/setup software to be run at the same time as a user application. As a test tool the TC-5B RS-422 can check the frequency of Timecode, MTC, Video and Word Clock. The TC-5B RS-422 can also compare LTC with MTC.

FEATURES 7 GPIO+9GPI, USB, GPO Events Real Time Clock LTC Timecode In/Out (XLR) Dual Channel USB-MIDI Interface , bi-directional, converts to MTC and LTC LTC/MTC generator controlled from front panel or by MMC from USB or MIDI Mac/Windows Event Control/Setup Software Large (0.56”/ 14 mm) Ultra Bright LED Display Word Clock or SD/HD Video Sync Reference 1U Rack mount brackets available TC-5B-Midi: Midi In/Out (5 pin Din) TC-5B-RS422: RS422 configured as device or controller TC-5B-RS422: Converts MMC to Sony P2 DESCRIPTION The TC-5B-Midi/RS-422 is a professional MTC/LTC interface with LED display, Video Sync, Word Clock input and USB port. The TC-5B-Midi/RS-422 is designed to be equally at home in Audio, Video and Lighting Environments, applications include Digital Audio Workstations, Non Linear Video Editors, Mixing Consoles, Show Control and Lighting Control. Replacement for MIF4. The dual midi interface allows for the control/setup software to be run at the same time as a user application. As a test tool the TC-5B-Midi/RS-422 can check the frequency of Timecode, MTC, Video and Word Clock. The TC-5B-Midi/RS-422 can also compare LTC with MTC.