The result of thoughtful engineering, The Channel Strip includes everything needed to record an audio signal. It all starts with the famed 512c Mic Preamplifier, which includes the benefit of additional Mic, Line or Instrument input switching. Next is the 527 multi-mode Compressor with fully adjustable Threshold, Attack, Release, and Ratio controls on detented pots. The patented THRUST® circuit in the 527 gives your track the "in-your-face" punch that has made this circuit an award winner. Also included in The Channel Strip is probably the most recognized and revered API EQ of all time, the 550A three-band Equalizer with its switchable frequencies and 12dB of boost or cut. The 550A's High and Low frequency bands can be individually switched to be shelving EQs, and the "B.P. Filter" switch inserts a 50Hz to 15KHz bandpass filter.At the output of the unit is the 325 Line Driver, taken directly from API console designs with an output level pot and 10 segment meter. The meter can also be switched to show the output level of the preamp. Each of The Channel Strip's processing pieces can be switched in or bypassed individually, while a flip switch internally routes the compressor after the EQ if desired. Additional features include a sidechain input and the famous API 2520/transformer combination.Features:    API 512c Mic Preamplifier    API 550A Equalizer    API 527 Compressor    API 325 Line Driver    Complete patching facilities on rear panel    Two ten segment LED VU displays    Output clips at +30dBm

The Hot Fuzz pedal is essentially two pedals in one. The left side is a high frequency boost and the right side is an English 1970's style fuzz box. The Hot Fuzz can be used independently or in series to create a high frequency distortion. All Solid State design with 4 Bipolar, low noise transistors. Transistor Noise FigureIndividual sections for High Frequency Boost and Fuzz; each section has true bypass foot switch. High Frequency Boost: single stage. Up to 5kH Fuzz: triple stage. Sonically selected film, ceramic, mica, and electrolytic capacitors. Individual gain pots for each section. Fuzz section also has control pots for Juice, Bass, and Treble. Output fully adjustable from 0 to 3.5Vrms, referenced to a 40mV input signal and all controls full. Power: Single 9V battery; can be bypassed with external power supply and 2.5mm power jack - center Negative; battery need not be removed. Total Maximum current draw:Unit is powered when input is connected, whether LEDs are on or off. Remove plug from Input jack to conserve battery power. Handbuilt in the USA BAE build quality throughout.  

The Royaltone further explorers the possibilities of vintage English fuzz circuits in a dual-stomp format featuring powerful in-series 3-band tone circuit. The Royaltone’s fuzz imparts an instantly recognizable spitting, buzzy grit that cuts right through even the densest mix. All Solid State design with 4 Bipolar, low noise transistors. Individual sections for High Frequency Boost and Fuzz; each section has true bypass foot switch. Sonically selected film, ceramic, mica, and electrolytic capacitors. Individual gain pots for each section. Fuzz section also has control pots for Juice, Bass, and Treble. Power: Single 9V battery; can be bypassed with external power supply and 2.5mm power jack - center Negative; battery need not be removed. Total Maximum current draw: <6 mA. Unit is powered when input is connected, whether LEDs are on or off. Remove plug from the input jack to conserve battery power. Handbuilt in the USA. BAE build quality throughout.

The Chandler Limited TG Microphone Cassette is a full-featured mixing console channel strip, incorporating elements of the historic EMI/Abbey Road Studios TG12345 recording and mastering desks of the late '60s and '70s.   TG Microphone Cassette Chandler Limited´s critically acclaimed TG1 Limiter, TG2 Pre-Amp, and Curve Bender EQ, each known for their remarkable reproduction of the EMI TG sound, have been combined to form the ultimate TG Microphone Cassette reimagined to work in a modern recording studio context.   Pre-amp The pre-amp section of the TG Microphone Cassette makes use of the Chandler Limited TG2 pre-amplifier based on the vintage EMI TG12428. The TG2 pre-amp section includes switchable coarse and variable fine gain adjustment controls for up to +70db overall gain, selectable LINE, DI, 48V phantom power, phase reverse, and switchable rumble filter (low cut.) The TG2 pre-amp section is coupled directly to the Curve Bender equalizer section.   EQ The TG Microphone Cassette´s equalizer section is derived from the famed and greatly expanded Chandler Limited EMI TG12345 Curve Bender EQ. The Curve Bender EQ section provides Hi and Low shelf, frequency selectable presence, output control, and bypass functionality. The Curve Bender EQ section is the second stage of the TG2 pre-amp section, and the EQ output control works as a fader would on a console.   Limiter The compressor/limiter section of the TG Microphone Cassette is a special adaptation of the Chandler Limited TG1 Limiter tracing its lineage to the historic EMI TG12413 mixing and mastering console limiters. EMI technical engineers experimented with the use of optos in their audio compressors, and now for the first time ever Chandler Limited introduces the TG1 Opto Limiter. The TG1 Opto Limiter section of the TG Microphone Cassette is patchable apart from the TG pre-amp and EQ, allowing for independent use of the compressor/limiter on other sources. The TG1 Opto is stereo linkable to a second unit via a standard 1/4" cable. The TG1 Opto Limiter´s feature-set includes: HOLD, Attack, Release, selectable sharp/rounded knee, output or makeup gain, and true bypass.   TG history In 1968 EMI and Abbey Road Studios changed their recording and mixing consoles from the valve-driven REDD to the transistorized TG12345 desk. The remarkable sonic quality of the new EMI TG12345 transistor recording console with expanded EQ, and for the first time ever, a compressor/limiter on every channel would forever leave its mark on the Beatles "Abbey Road" and Pink Floyd´s "Dark Side of the Moon" albums, as well as recordings by Paul McCartney, John Lennon, George Harrison, and the Rolling Stones. Retired from service in 1983, the TG desks were built by EMI for their studios and were never commercially available.   Features   Full-featured channel with recreated Elements of the legendary EMI/Abbey Road TG12345 desk TG2 Preamp - replication of the EMI TG12428 preamp 3-Band Curve Bender EQ - replication of the TG12345 Equalizer Legend Independently accessible TG1 Opto Limiter, linkable for stereo operation Transformer balanced Mic-/Line-inputs DI-input on the front panel +70dB Input Gain, +5 dB steps (+20 to +60db) with fine gain adjustment Low Cut-Filter with 6 frequencies EQ with Low- and High-Shelf EQ and parametric Mid-Band-EQ External PSU, PSU-1 sold separately Handmade in the U.S.A  

DAV Electronics BG No.51U rackmount high quality audio channel unit.Features:    High impedence instrument input, pad & phase.    Low noise and distortion mic amp [as in BG No1 & 2 spec]    50Hz H.P.F. [switched in/out]    2 stage EQ. [part of BG No3 Bass Treble step circuit]    Led output meter    Limiter/Compressor    Overall low noise and distortion.

DAV Electronics BG No.51U rackmount high quality audio channel unit.Features:    High impedence instrument input, pad & phase.    Low noise and distortion mic amp [as in BG No1 & 2 spec]    50Hz H.P.F. [switched in/out]    2 stage EQ. [part of BG No3 Bass Treble step circuit]    Led output meter    Limiter/Compressor    Overall low noise and distortion.

Audio enhancer. Audio destroyer. Add sparkly brilliance, or grimy roughness, to any sound source. Samplers, drum machines, synths, vocals, the master bus, you name it. Analog Heat MKII is the fiery furnace capable of igniting your music. All analog, all yours. The eight stereo analog circuits are designed to quickly access varied and powerful sound shaping. Each circuit has a distinctive way of processing sound. Clean boost, tape-like saturation, tube amp-like enhancement, overdrive, crunch, distortion, harmonic fuzz or high gain? You’ll find your favorite flavor with ease. Brighter and better The MKII version of the Analog Heat features improved durability and precision encoders, new tough back-lit keys and a crisp OLED screen. The display is bigger, sharper and brighter: perfect for performing in the dark. There is also additional visual feedback on the Amp, Filter, Envelope and LFO pages that makes overview and understanding of sound processing and modulation a whole lot easier. Clean Boost – Boosts the signal from 0 to 20 dB, run at a high internal voltage, thus giving plenty of headroom. When fully driven, it sounds similar to overdriving old mixers. Saturation – Reminiscent of tape like saturation. Wooly and warm. Enhancement – The perfect circuit for adding glow and sheen to a track or loop. Mid Drive – Mid-range focused overdrive with a solid and distinct body. Increase the Low EQ setting to add more bass. Rough Crunch – Gritty, worn and gnarly character. Full of flavor. Classic Dist – Pleasantly distorts upper mid-range frequencies. Ideal for acid bass lines. Round Fuzz – Adds a lot of harmonics and alters the signal in interesting and often unpredictable ways. High Gain – Clear sound with plenty of gain and great sustain. Probably the most aggressive of all the circuits. Very maxed out! Feratures: Sound processing 8 × Stereo analog distortion circuits 1 × Stereo analog multi-mode filter (7 filter types) 1 × 2 band adaptable stereo analog EQ 1 × Assignable envelope generator/envelope follower 1 × Assignable LFO Storage 128 user preset slots Hardware 128×64 pixel OLED screen MIDI In/Out/Thru with DIN Sync out 2 × ¼″ balanced audio out jacks 2 × ¼″ balanced audio in jacks 1 × ¼″ stereo headphones jack 2 × ¼″ CV/Expression pedal input jacks 48 kHz, 24-bit D/A and A/D converters Flash-EEPROM upgradable OS Hi-speed USB 2.0 port Audio outputs Headphones out level: +19 dBu peak Headphones output impedance: 36 Ω Impedance balanced main outputs level: +19 dBu peak Main outputs impedance: 440 Ω unbalanced Audio inputs Balanced audio input level: +19 dBu peak Audio input impedance: 39 kΩ Control inputs Input level: -5 V – +5 V Accepts CV, Expression pedals, Foot switches Physical specifications Sturdy steel casing Dimensions: W215×D184×H63 mm (8.5×7.2×2.5″) (including audio outputs, knobs and rubber feet) Weight: approximately 1.5 kg (3.3 lbs) 100×100 mm VESA mounting holes Miscellaneous Overbridge enabled (available later) Class Compliant USB Audio Included in the box Power Supply PSU-3b Elektron USB cable

Studio Quality Instrument Preamplifier / DI / EQ / Boost Like its big sibling the FELiX, ALiX is built into the same ultra-roadworthy floor unit chassis, portable enough to throw in your bag or strap to your pedalboard, but still deliver studio quality sound to the stage. With the same stunning audio performance and legendary reliability as our pro audio range, ALiX brings open, musical and nuanced sonic character to any performance situation. The same powerful eq section as the FELiX allows simple and intuitive tone shaping. The high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric midrange covers from 70Hz all the way to 8KHz, and fixed low and high controls are carefully voiced for musical shading of bass and treble. Controls are dead simple and clearly marked on the panel, making them easy to read and tweak on a dark stage. Footswitches include a mute / tune switch for muting all outputs except the dedicated tuner out, and a boost switch which activates the 10dB variable boost circuit. The instrument input has a 3 position impedance switch to ensure your pickup system sounds its very best. The isolated DI output with our custom wound transformer delivers stunning clarity and bass response with incredibly low noise. A dedicated, level controlled amplifier output can be used to drive a stage amp or personal monitor, and a dedicated tuner output stays active when all the other outputs are muted. Power is supplied by a universal 100-240VAC input module. 12V phantom is available in the line input for electret / lavalier mics, and we’ve even included a 9VDC 500mA BOSS™ style pedal power output jack, so you can power your tuner and effects right from your ALiX. A TRS insert is included for adding effects. Regardless of what you play - ALiX is designed to help you sound better, play better and deepen the bond between you and your instrument. Available early spring 2016, in black or silver.

Baby Makes Three. In a few short years, FELiX and AliX have become the preamps of choice for discerning touring and recording musicians. From Banjo to bass players, they enable performers to perfect their stage and studio sound beyond what was previously possible. And now directly from this lineage comes BiX, which shares the exact same DNA of its bigger siblings, but with an intelligently streamlined feature set and a price that puts it in reach of any performer, whether on their way to the local coffee shop or the megadome. Controls are dead simple – input gain, high and low shelving EQ, and a 10dB variable boost circuit, with footswitches for mute and boost. I/O includes the instrument input, separate send and return insert jacks, an unbalanced line output, and a balanced ISO DI output on XLR. For enhanced EQ control, rear panel DIP switches select between two different transition frequencies for both High and Low controls. And BiX is pedalboard friendly, with a 9VDC power input and a compact, rugged low-profile chassis. Sonically, BiX is a carbon copy of its bigger siblings, with crystal clear, ultra-quiet audio performance. A better than 30VDC internal operating voltage provides for incredible headroom. The highs are smooth and open, and the lows are deep and rock solid. The dynamics and tone of the instrument come alive with clarity and realism, which translates to creating a deeper bond between you and your instrument. 1/4" high impedance input Separate FX send and return 1/4" unbalanced line output Balanced XLR DI transformer iso output 10dB variable boost Mute and Boost footswitches High and Low shelving EQ Selectable EQ transition frequencies 9VDC operation Over 30V internal operating voltage Pedalboard friendly design 5 year transferable warranty Made in the USA

Der FELiX Instrumenten Vorverstärker von Grace Design ist das Flagschiff von Grace Design. Ausgeführt ist der FELiX als 2-kanal Instrumentenvorverstärker mit Mikrofoneingang und erweiterter Klangregelung, der speziell für professionelle Musiker, Toningenieure, Tonstudios und Beschallungsfirmen mit höchsten Ansprüchen entwickelt wurde.Das robuste Gehäuse von Felix ist für den harten Einsatz beim Touring entwickelt und ist natürlich auch gut gegen Feuchtigkeit und andere äußere Einflüsse geschützt.Felix verfügt über eine umfangsreiche Klangregelung mit parametrischer Mittenentzerrung von 70Hz bis 8kHz, einem High Pass Filter von 20Hz bis 1kHz, der auch als Notchfilter zur Eliminierung von Netzbrummen etc. eingesetzt werden kann. Die Bass Entzerrung erfolgt als Shelving EQ bei 125Hz, die Höhenentzerrung erfolgt als Shelving EQ bei 2kHz.Die beiden Kanäle können per Footswitch aktiviert bzw. umgeschaltet werden. Zudem sind Funktionen wie Boost und Mute über Footswitches schaltbar.Weitere Features sind: Zwei Mikrophon Eingänge mit 48V Phantomspeisung, zwei unabhängige DI Ausgänge mit Trafos, regelbarer Verstärker Ausgang, Ausgang für Stimmgeräte, der auch bei der Mute-Funktion aktiv bleibt, Inserts für Effekte sowie ein Kopfhörerausgang im 1/8″ Miniklinken Format. Ab sofort liefern wir die 2te Felix Version aus. Die neue Version verfügt über folgende zusätzliche Features: Stereo Betrieb durch Dual Mono oder True Stereo unabhängigen FX Loop auf beiden Kanälen oder Stereo FX Betrieb mit Mono oder Stereo Eingang. echter Stereo Ausgang echter Stereo Ausgang für Kopfhörer variable Phaseneinstellung für Kanal 2 erlaubt es die Phase zwischen Mikrofon und Instrument einzustellen. Verbesserter EQ: High Shelving EQ nun mit 1k und 2k Frequenzwahl für verbesserte HF Einstellung. Notch Filter mit optimiertem Q-Range. Verbessertes Netzteil vermindert Erdungsschleifen. Seitlich angebrachte Schutzpanels für Bedienelemente.

An artful blend of heritage and innovation, the PCM96 Stereo Reverb/Effects Processor delivers 28 new and legendary Lexicon reverbs, delays and modulation effects straight into your DAW.Appearing for the first time are new Room and Hall algorithms, plus an assortment of new mono reverbs and effects. With decades of legacy products to pull from, the PCM96 also includes the finest collection of factory presets available in a stereo processor – over 1200 and growing – including some recognizable classics from our immense library of sounds.The PCM96 gives new capabilities to our traditional reverbs by adding multimode filters at several spots in the audio flow. This allows more exact shaping of the reverb while still maintaining the distinctive Lexicon sound. All reverbs also have an "Infinite" switch that allows the reverb to run forever, a useful feature for creating unusual backgrounds and sound effects.Lexicon's new Room algorithm provides a more flexible alternative to convolution type reverbs. Reflection patterns can be easily selected, scaled and equalized – all while simultaneously passing audio. They can be instantly reversed or combined with a traditional reverb to extend the decay or bring a stronger sense of “liveness” to the space.With two channels XLR analog and two channels XLR AES/EBU digital I/O, along with MIDI, Ethernet and Firewire connectivity, the PCM96 easily fits into a variety of recording and live sound environments. In any application, the PCM96 delivers the versatility and sound that is unmistakably Lexicon.Features: Two channels XLR analog I/O Two channels XLR digital AES/EBU I/O Four channels streaming FireWire Automation and control via Ethernet or Firewire 32-bit floating point processing Sample rates up to 96 kHz

With 4 decades of experience, Lexicon is regarded as the gold standard in digital audio processing. Building on the legendary design of the venerable PCM81 and PCM91, and the breakthrough technology of the PCM96, the PCM92 represents the most advanced reverb and effects processor in its class.This powerhouse processor utilizes the latest DSP technology and the finest collection of classic Lexicon algorithms to offer the ultimate audio processor for live sound and studio applications. The PCM92 delivers 28 mono and stereo reverbs, delays, and modulation effects, flexible routing configurations, and a comprehensive collection of over 1200 finely-crafted presets, including recognizable classics from our immense library of sounds.Features: Comprehensive collection of over 1200 finely crafted factory presets, including recognizable classics from Lexicon’s immense library of sounds Lexicon’s flexible Room algorithm used to generate a vast array of room-related effects for music and film production Multi-voice pitch shift to enhance vocals Full system configuration and control with HiQnet™ System Architect™ 44.1 to 96 kHz sample rate, 32-bit floating point processing Two channels balanced analog I/O (XLR and 1/4") Two channels XLR digital AES/EBU I/O Ethernet connectivity and full MIDI control External BNC Word Clock Foot controller inputs make it easy to change presets and adjust parameters during live performances

Building on the success of the PCM96, the new PCM96 Surround offers more presets, more configuration options, and more inputs and outputs. The PCM96 Surround gives you industry standard reverbs and effects, with tremendous flexibility. Use the PCM96 Surround as a plug-in with your DAW, or keep it connected to your mixing board. Either way, you have a multitude of configuration options to choose from, without having to move any cables.The PCM96 Surround with 2 DB25 6-channel analog I/O and 1 DB25 6-channel digital I/O features MIDI, Wordclock, Ethernet, and FireWire®. KEY FEATURES New Parallel Stereo and Surround configurations 50 legendary Lexicon reverbs, delays, and modulation effects Lexicons new Surround Room algorithm, used to generate a vast array of room-related effects for music and post New Pitch algorithms Seamless automation and control via Ethernet or FireWire Over 2200 factory presets, including recognizable classics from Lexicon's immense library of sounds Hardware Plug-In capability inside Mac® VST®, Audio Units, or RTAS software 32-bit floating point processing Sample rates up to 96kHz External BNC Wordclock MIDI in, out, and thru 1024 user presets Compact Flash for additional storage

Building on the success of the PCM96, the new PCM96 Surround offers more presets, more configuration options, and more inputs and outputs. The PCM96 Surround gives you industry standard reverbs and effects, with tremendous flexibility. Use the PCM96 Surround as a plug-in with your DAW, or keep it connected to your mixing board. Either way, you have a multitude of configuration options to choose from, without having to move any cables. The PCM96 Surround with 6 XLR Stereo AES inputs and outputs features MIDI, Wordclock, Ethernet, and FireWire®. KEY FEATURES  New Parallel Stereo and Surround configurations50 legendary Lexicon reverbs, delays, and modulation effectsLexicons new Surround Room algorithm, used to generate a vast array of room-related effects for music and postNew Pitch algorithmsSeamless automation and control via Ethernet or FireWireOver 2200 factory presets, including recognizable classics from Lexicon's immense library of soundsHardware Plug-In capability inside Mac® VST®, Audio Units, or RTAS software32-bit floating point processingSample rates up to 96kHzExternal BNC WordclockMIDI in, out, and thru1024 user presetsCompact Flash for additional storage  Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Polymoon Features Designed to surpass requirements for studio and live use, the Meris Polymoon features 24bit A/D & D/A converters, 32 Bit floating point DSP hardware and a premium analog signal path throughout. You can select whether you want it to run in True Bypass (relay) or Analogue Buffered Bypass modes. It also has a digitally controlled analogue dry path allowing for the most natural sounding wet/dry mix possible. 1200mS real time selectable multiple-tap delay line Massive multi LFO modulation controls 6 custom tuned LFOs with adjustable waveforms for subtle to aggressive pitch shifting effects Adjustable Tilt EQ filter in delay feedback Tempo syncable stereo Barberpole Phaser Multimode stereo Dynamic Flanger w/ feedback Unique feedback topology Dimension control for smearing reflections Selectable quarter or dotted eighth note Tap Tempo Digitally controlled Analog mix control Stereo input and output Switchable input output headroom level for Guitar, Synthesizer or Line levels Expression pedal control over all parameters simultaneously Presets available via external 4-Preset switch or MIDI MIDI in/out over TRS via the EXP jack External Tap Tempo over TRS MIDI beat clock synchronization Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP Premium Analog Devices JFET input section Color – white powder coat with fine iridescent flake Designed and built in Los Angeles, California U.S.A.

In Zusammenarbeit mit der Pure Notes Company entwickelte Weiss einen neuartigen Denoiser / Declicker / Decrackler und K-Stereo Ambience Regenerator.Der DNA1 benutzt einen neuen Ansatz zur Rauschreduktion, wodurch viele Breitbandstörungen entfernt werden können, ohne den musikalischen Charakter, das Stereobild und den Raumeindruck zu beeinträchtigen. Völlig neu ist auch der Algorithmus zum Declicken und Decrackeln, der aus der R&D Abteilung von Daniel Weiss stammt.Der K-Stereo Ambience Enhancement Prozessor bringt verloren gegangene Informationen wie Atmosphäre, Raum, Tiefe, Basisbreite und Klarheit wieder zurück. Der M/S Encoder/Decoder ermöglicht die unabhängige Einstellung der Balance und Stereobreite. Features: Denoiser mit drei Arbeitsmodi (auto / semi auto / manual), die sowohl einfache, intuitive Bedienung, wie auch den detaillierten Zugriff auf die Parameter ermöglichen.Declicker und DecracklerK-Stereo process (lizenisiert von Bob Katz)M/S encoder / decoderPOW-r Bitratenkonvertierung