FaderPort® 8 provides precise tactile control over mix and automation functions. With eight touch-sensitive, motorized, 100 mm faders and 65 buttons covering 78 different functions, you can quickly zoom in to edit audio, adjust your tempo with a simple tap, edit plug-ins, and control track levels. Designed to work seamlessly with your mouse and keyboard, the FaderPort 8 follows your mouse selection, so the track you want to control is always under your fingertips. Illuminated buttons make it easy to find the function you need. Eight digital scribble strips provide visual feedback. With the FaderPort 8, you'll enjoy the fastest, most efficient workflow you've ever experienced. The FaderPort 8's unique Session Navigator provides easy access to mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline or work measure by measure; zoom in and out on the timeline; adjust track size; navigate and drop markers; even maintain constant control of your main level. Once you start using the Session Navigator, you'll wonder how you mixed without it. Customized modes provide deep integration with both Studio One Pro and Ableton Live. Support for both Mackie Control and HUI protocols also makes it fast and easy to control Logic Pro X, Cubase, Pro Tools, and more. No driver installation is necessary; just plug the control surface into a USB port and take command of your mix.

A superior solution for anyone who mixes in the box, only the FaderPort 16 provides 16 100 mm touch-sensitive, motorized faders in a compact chassis that easily sits on any desk. Like PreSonus®' popular FaderPort 8, the FaderPort 16 features digital scribble strip displays; mute and solo for every channel; complete automation and transport control; plus level, pan, send, and plug-in control modes for every fader. The unique Session Navigator makes mixing and controlling your favorite DAW application quick and easy by putting eight critical functions under your fingers, including navigation, zoom, and master fader control. The FaderPort 16 is compatible with virtually any DAW host for Mac® or Windows®, with support for HUI and Mackie Control, including customized Mackie Control modes for Logic, Cubase, and Sonar. Its native Studio One Pro support provides even more functionality with PreSonus' easy-to-use DAW, including Control Link support as well as parameter follow, allowing you quick access to any control under your mouse. Its ergonomic design makes it a comfortable companion to your keyboard and mouse.

Capture your creativity with the Quantum ES 2 - the recording interface for self-made musicians and audio creators. The culmination of 30 years of innovation, the Quantum ES 2 features two newly redesigned high-definition MAX-HD mic preamps with +75 dB of gain, making it ideally suited for today's most popular microphones. Guitarists and bassists will love the instrument input, co-developed with Fender engineers. An Auto Gain button sets the perfect gain level for your microphones and instruments, while an illuminated push encoder provides flexible control over gain level and output volume. And bright and responsive LED metering provides easy visual feedback for your inputs and outputs, making it great for self-produced recording.

The Eris® Studio 4 sets a new standard for compact studio monitors. With its surprising amount of low-end and wide, well-controlled sweet spot, you can enjoy premium, accurate monitoring in even the smallest of mixing spaces. The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response that allows you to hear the finest details in your mix, while a wide 120-degree horizontal dispersion creates a broad sweet spot with lifelike stereo imaging. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction. The 4.5-inch, woven-composite, low-frequency driver produces tight, clear bass with plenty of punch that defies the Eris Studio 4's space-saving size. The ported enclosure and 50W of biamped power combine to maximize bass response and allow the Eris Studio 4 to reach down to an astonishing 55 Hz. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 4 combines flexible connectivity with sonic accuracy that puts it a class all its own.

PreSonus® HD9 professional studio headphones feature 45 mm dynamic, neodymium drivers in a closed-back acoustic design that provides superior listening isolation and reduces headphone bleed. Its tailored frequency response extends all the way from 10 Hz to 26 kHz, with accurate bass response, enabling precise mixes. The HD9 offers high power handling (900 mW per channel into 40 ohms) while providing comfort, durability, and reduced listening fatigue.

Features Low noise Class A FET amplifier 28 dB amplification XLR input/output Custom nickel core transformer Frequency response 30hz-100 kHz Circuit is powered with 48V phantom power PhilosophyFetHead Transformer is a high quality inline microphone preamplifier. It provides a very warm andthick yet articulate sound for dynamic and ribbon microphones. FetHead Transformer’s desirablecharacter is a really great addition to (interface) preamps which sound rather neutral. Our tried andtrue FET technology combined with a custom wound nickel core transformer delivers 28dB oftransformer infused gain. OperationYour Fethead Transformer will latch straight onto any XLR equipped microphone, or anywhere else inthe signal path between microphone and preamp/mixer. The electronics are housed in a robust metalchassis with a balanced female XLR input and a balanced male XLR output, rugged enough for use athome, in the studio or on tour. Recommended applicationOur FetHead Transformer is recommended in the following situations: For tracking vocals and making podcasts Adding transformer sound to your signal chain Recording direct into a DAW interface Mixers/preamps that negatively impact the sound at higher gain setting Adding warm and thick focus to the sound source Circuit topologyOur FetHead Transformer utilizes a low noise Class A FET amplifier with a nickel core outputtransformer. A low impedance output buffer provides output drive to long cables.

Germanium microphone preamp FetHead Germanium is a high quality, in-line microphone preamplifier. It provides a punchy and direct, ‘larger than life’ germanium sound for ribbon and dynamic microphones, adding classy Germanium harmonics. Sounding full and rich it is reminiscent of much higher priced vintage gear, making FetHead Ge's desirable coloration a really great addition to (Interface) preamps which sound rather neutral. Germanium flavour Germanium transistors were widely used in earliest transistor designs by Neve, EMI, Telefunken, and Fairchild, and have developed a reputation for a decidedly vintage mojo that remains sought after today. We created a novel hybrid circuit that consists of low noise JFets and a hand-selected ‘new old stock’ germanium transistor to take full advantage of the "Germanium" sound and at the same time achieve the same sonic quality we are known for. Protects the microphone Some ribbon microphone do not tolerate phantom power. FetHead Germanium circuit uses 48v phantom power but shields it from the microphone, your microphone is protected. Germanium microphone preamp For Ribbon and Dynamic microphones Great addition to neutral sounding preamps New old stock Germanium transistor 29dB amplification Shielded Enclosure Easy install - 2 clicks and done

Novel chaotic oscillator has 8 types: Double Pendulum, Vortex, Pulsar, Discharge, Turbine, Helix, Crescent, and Magma Wavefolders based on the Buchla 259 Complex Waveform Generator, Fractals, and a special Animated Equation Low Pass Gate based on the Buchla 292 adds controls for POLES and RESONANCE Modulate all controls with MIDI/MPE, two Looping Envelopes, two LFOs, Sample and Hold/Random, and a Step Sequencer Innovative modulation UI allows modulation over almost every control from the main page, allowing up to 957 modulation routings in a single pane Innovative EQ, Chorus, Delay, Reverb, and Limiter effects to turn the sounds into magic MPE support allows amazing control from expressive controllers All mod sources have multiple outputs generated at once, and they can modulate each other, just like a modular synth Animations! The Double Pendulum, Wavefolder, and Low Pass Gate modules each have animations to show how each module responds to your input, and to modulation Color Schemes! Don’t like the look of it, change it Resizable UI Over 600 Presets, including many renowned artists

PITCHMAP is the world's first and only plug-in that allows processing the pitch of individual sounds within mixed signals in real-time. It lets you change the melodies and harmonies of any recording by simply playing your own on a MIDI keyboard or creating a pitch map using our stream-lined GUI, and optionally corrects any tuning issues at the same time. As if that weren't enough, PITCHMAP provides functions to suppress individual sounds within a mix, and can apply advanced synthesizer-like sound transformations to your audio. In short, it is an inspiring musical instrument, a precision corrective tool and the only processor that literally lets you shape music with your hands. PITCHMAP has so many uses we haven't yet discovered all of them ourselves. Here's a couple of the applications we're aware of: Engineers can correct tuning inaccuracies in mixed recordings Composers can try different harmonies for their works in an immediate, hassle-free and inspiring manner Music producers that work with sampled material can now sculpt the music inside the samples as if they were clay in the hands of a potter DJs can adapt the key/scale of their songs to fit into a seamless set Sound designers get a bunch of unique new ways of creating the sounds that make the films and games of today so immersive Mash-Up artists and Re-Mixers now spend minutes instead of hours (or days) adapting the components they use to fit each other Rapid song/score prototyping using existing recordings that can be transformed to be something new on-the-fly Mix element suppression under MIDI control Creating unique synthesizer sounds based on a live input Create instant remixes and professional accompaniment tracks directly from your favorite songs or play list   MAP That Pitch Based on our Mixed-Signal Audio Processing technology (MAP), PITCHMAP internally de-mixes the input signal into individual sounds, including their harmonics and transients. This technique is quite literally rocket science, and is done using perceptive modeling and pattern recognition techniques also used in artificial intelligence applications. The separated sounds can then be individually tuning-corrected and mapped to other pitches, a process we call Pitch Mapping. MAP also enables PITCHMAP's simple-to-use, yet very effective functions for suppressing or isolating mix elements. In real-time, of course.   Natural Our MAP process is based on a model of the human perceptive system, including the cochlea and the brain region responsible for interpreting its data. Hence our process is inherently very natural sounding with correct settings and reasonable amounts of pitch modification. The human voice, however, has a very specific sonic topology that is very different from any musical instrument, and human hearing is trained to detect even the most subtle sonic variations in a voice. As a result, processing voice simultaneously with other instruments has been a challenge in the past. To accommodate for this, we've added an extra layer of intelligence that recognizes voice elements and processes them separately. We've called this Natural Mode.   Electric & Creative Certain pitch correction algorithm artifacts have become quite popular. We've got those, too, if you want them. But our MAP process has more sonic options than that. We've added parameters called Purify and Electrify that allow making your sound more or less synthetic sounding, and threw in a polyphonic Portamento option named Glide, for good measure. In combination with the live MIDI function, these parameters can basically turn PITCHMAP into a unique synthesizer allowing some very far out sound design.   No PhD Required Although the DSP code itself is insanely complex, the process of Mapping Pitch is as simple as playing some notes on a MIDI keyboard or dragging sliders on our super-slick GUI to assign source pitches to target pitches. Or you can let your computer do the pitch mapping by using dedicated macro controls to go from one key/scale to another with just a couple of clicks. Changing pitches in a mixed signal has never been so intuitive and musical. Instant correction of tuning issues, straight-forward re-harmonisation or intricate restructuring of a composition's pitches... the choice is yours, PITCHMAP does the rest.   Lightning Fast To increase workflow efficiency even more, we've provided comprehensive Snapshot functionality. 8 Snapshot slots let you compare multiple settings, adapt the process to different parts of a recording individually and create parameter automation without a headache. Summed up, PITCHMAP gives you near-instant results while at the same time giving you access to every little detail.

Heard on countless songs in multiple genres worldwide, ORANGE VOCODER AU is indeed THE classic software vocoder plug-in. Originally developed by Prosoniq in 1998, ORANGE VOCODER has since evolved through numerous iterations, always staying at the cutting edge right to this day. It has a reputation for being the single most transparent sounding and flexible vocoder plug-in available...and we at Zynaptiq agree. ORANGE VOCODER features a built-in 32-voice synthesizer, 8 different vocoder algorithms ranging from analog modelled circuits to far-out digital cross-synthesis modes, filter-bank freezing and reverb, a 10-band graphic EQ, and more...a dream-machine for creating new sounds!   The ORANGE VOCODER features at a glance:    Realtime vocoder effects plug-in for the Apple AudioUnits (AU) format. Flexible Carrier/Modulator Routing, including side-chain input. Integrated 32-voice virtual analog synthesizer. 8 unique vocoder algorithms. HF Passthrough & Voiced/Unvoiced Detector with noise generator. Filterbank Freeze & Filterbank Reverb. 10-band Graphic EQ with Analyzer. Integrated Hall Reverb.

Funktionen: MASTER Bundle bestehend aus drei Plugins für den Mastering Prozess. AU (32/64 Bit), AAX Native (32/64 Bit), VST 2.4 (32/64 Bit), VST 3 (32/64 Bit). UNFILTER: Adaptive Tonal-Contour-Linearisierung. UNMIX::DRUMS: Schlagzeug im Mix verstärken oder abschwächen. INTENSITY: Verdichte den Sound und behalte bei hoheer Lautheit alle Details.

Detail | Clarity | Density | LoudnessINTENSITY is a new kind of audio processor for mixing, mastering and sound design. Built on techniques typically found in facial recognition algorithms, INTENSITY brings out a sound’s inherent detail, increases its perceived loudness and density, and adds insane amounts of clarity. The unique algorithm carves out important signal features – making sounds sound more like themselves – and is operated with essentially one control. Between the proprietary algorithm and an optional soft-knee saturating limiter in the plugin’s output stage, INTENSITY also excels at attaining maximum loudness and creating a beautifully aggressive tone. The key INTENSITY features at a glance: Mastering-grade processing for more detail, clarity, density and loudness.  Intuitive and fast workflow using a streamlined set of controls.  Proprietary INTENSITY circuit with optional frequency-dependent BIAS function.  Additional precision soft-knee saturating limiter at the output stage.  Think "Compressor"So what IS this thing, then? You can think of INTENSITY like an infinite-band compressor operating in relative terms – whose time constants are zero, and which is controlled by an artificial intelligence at audio rate – making it possible to adjust the process with essentially just one knob. Or Actually, do NOT Think "Compressor"Well, except that this description would be completely inaccurate, as INTENSITY is absolutely NOT a compressor, and works in a completely different way. There's no RMS detector, no threshold, no ratio, no attack or release time. It doesn't pump or modulate in any other way. It doesn't overshoot and it works regardless of absolute levels and input type. That said, the compressor analogy does serve to give you an idea of when to use it and what for. Across the BoardINTENSITY is equally suited for processing individual tracks like speech, SFX, instruments – including guitars, bass and piano – as well as full mixes, multi-channel film stems, drum busses, and other complex content. This makes INTENSITY an indispensable tool for music producers, mastering engineers, sound designers, video producers, broad/podcasters, forensics professionals, audiophiles, or virtually anyone to quickly and easily add clarity, definition, and perceived loudness to their audio projects. Fast, Faster, INTENSITYThis plugin is probably the fastest way to get great sound. No kidding. The actual, real-world usage story goes pretty much exactly like this: Insert plugin Adjust INTENSITY amount Enjoy the result. In some cases, you may additionally: Adjust BIAS Amount and/or Curve Switch LEVEL COMPENSATION off Activate the saturation. ...that is literally it. TL;DR – Summarize that in Plain English, Please.OK, we'll drop the geek. It's a high-tech thing that makes everything sound way more awesome.Which is why we call it The AWESOME!-Knob in our offices.Put it on everything, all of the time. Be careful, it's highly addictive.Plain enough? :-)

Wouldn't it be cool to have a reverb that auto-magically adapts to your sound and blends with perfection? A reverb that doesn't clutter up your mix, and doesn't push your sounds into the background. A reverb designed to sound beautiful and lush, rather than just realistic. A reverb so organically smooth it's as if your sounds had a longer sustain to begin with. A reverb that loves creating organic ambient sonic textures. We thought so. Say "hello" to ADAPTIVERB.   The key ADAPTIVERB features at a glance:  Revolutionary new reverberation approach with unique sonic characteristics. Bionic Sustain Resynthesis creates stunningly organic tails, eliminating noisy components from the input for clear, harmonic results free of graininess. Harmonic Contour Filter (HCF) circuit for removing effect components not in tune with the input, a captured harmonic fingerprint, or a set of notes defined using an on-screen keyboard. Filtering and pitch quantization based HCF Keyboard modes to conform the effect to a specific key. HCF HOLD mode for creating cross-filtering effects. Ray Tracing and Allpass based reverb engines. Input FREEZE function for creating drones, pads or infinite reverb type sounds. SIMPLIFY function that recreates the input’s harmonic content with a small amount of oscillators for additive synthesis type sounds — without the warbliness.  RICHNESS parameter for adding octave, fifth or unison interval harmonics into the reverb. Pre-Processing section including harmonic synthesis based AIR. More than 400 presets covering a broad range of effects, including bread-and-butter reverbs, “invisible” reverbs, instrument-/voice-colored reverbs, cross-filtering, adaptively filtered delays, and pads/drones that play without input signal.  MIDI control of all key parameters.

Fix The UNfixable, UNleash Sonic Detail The REPAIR Bundle: all three of our UN-Plugins, one UN-dispensable toolkit. Boost or suppress reverb in your music, field or dialog recordings and fine-tune overall clarity – with award-winning quality – using the critically acclaimed UNVEIL. Remove resonances, roll-offs, comb-filtering and solve any EQ problem (including mastering applications) automatically, and with the highest precision and quality available using our award-winning UNFILTER. Restore poorly encoded audio and add clarity, definition and punch to your recordings with UNCHIRP. Whether you are a sound designer, re-recording mixer, mixing engineer, music producer or dialog editor, the REPAIR Bundle will save you massive amounts of time while providing unbeatable results! What's included in the REPAIR Bundle: UNVEIL: De-Reverberation & Signal Focusing Processor. UNFILTER: Adaptive Tonal Contour Linearization. UNCHIRP: Codec Artifact Removal & Transient Retrieval.

MORPH 3 PRO offers a massive upgrade to the classic MORPH 2, expanding the sonic range of the classic with new algorithms, a patent-pending real-time style transfer module, file playback, transient bypass functionality, a redesigned and scalable user interface and much, much more. MORPH can be heard in cinema films and shows, AAA+ games and current music productions. It takes two input sounds and creates a new, hybrid sound that has the characteristics of both sounds and can seamlessly transition from one to the other. Mossy voices, alien machines, futuristic ambience, unique new instruments - MORPH has everything you need.Features:6 new morphing algorithms: INTERWEAVE V3, IMPRINT SMOOTH, IMPRINT CRYSTAL, ENHARMONIC, FUSION and SONANCE.Complete suite of V2 algorithms, 11 algorithms in total.MODELER module based on particle/granular synthesisStyle transfer functionality and direct file playback.FORMANT SHIFTER with a range of +-24 semitonesTRANSIENT BYPASS module that can significantly improve morphing results.Additional DETAIL mode for the TRANSIENT BYPASS.Internal processing can be switched to 64 bit.New soft-knee output limiter.Redesigned, scalable user interface with up to 200% UI scaling for 4k and larger displays.Lowcut/highcut filter for all four mixer channelsThe software is activated via the Pace iLok License Manager. Initial registration requires a computer with internet connection.Apple: Apple Silicon CPU, or Intel CPU with at least 2 cores (i7 or better recommended), macOS 10.15.x or later, 64 bit.Windows: CPU with at least 2 cores; Intel CPU recommended, i7 or better recommended, Windows 10 or newer.

MORPH 3 offers a massive upgrade to the classic MORPH 2, expanding the sonic range of the classic with new algorithms, a patent-pending real-time style transfer module, file playback, transient bypass functionality, a redesigned and scalable user interface and much, much more. MORPH can be heard in cinema films and shows, AAA+ games and current music productions. It takes two input sounds and creates a new, hybrid sound that has the characteristics of both sounds and can seamlessly transition from one to the other. Mossy voices, alien machines, futuristic ambience, unique new instruments - MORPH has everything you need.Features:6 new morphing algorithms: INTERWEAVE V3, IMPRINT SMOOTH, IMPRINT CRYSTAL and ENHARMONIC.Complete suite of V2 algorithms, 9 algorithms in total.MODELER module based on particle/granular synthesisStyle transfer functionality and direct file playback.FORMANT SHIFTER with a range of +-24 semitonesTRANSIENT BYPASS module that can significantly improve morphing results.Internal processing can be switched to 64 bit.New soft-knee output limiter.Redesigned, scalable user interface with up to 200% UI scaling for 4k and larger displays.The software is activated via the Pace iLok License Manager. Initial registration requires a computer with internet connection.Apple: Apple Silicon CPU, or Intel CPU with at least 2 cores (i7 or better recommended), macOS 10.15.x or later, 64 bit.Windows: CPU with at least 2 cores; Intel CPU recommended, i7 or better recommended, Windows 10 or newer.