Features: Neve classic sound using Class A topology Console sizes: 10,16,24, 32 or 48 channels 1073N microphone preamp and EQ module in each channel Classic voltage mixing using 1272 balanced mixing topology 2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus Direct outputs on every channel selectable pre or post channel insert Simple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes 4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus Stereo and 5.1 monitor with passive 24 position gold plated monitor level control 3x Stereo & 1x 5.1 selectable loudspeaker output sets Comprehensive Solo system with destructive and safe/isolate modes 2x Stereo reverb returns with width, mono and balance controls & 2x mono DI to bus inputs Main Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls 25-way D-sub connectivity for easy installation into home or studio environments Optional side car stand on castors

Features: 12 Mono- und 4 Dual-Mono/ Stereo Kanäle. Mikrofonvorstufen in Spectra-Qualität Phasentreues Schaltungsdesign unter Nutzung von Mother-Daughterboards, abgeleitet aus der Spectra Serie, 19 Zoll/10 HE Pro Kanal schaltbar: 48-V-Phantomspeisung, Mic/Line, Pad und Phasendrehung Durchstimmbares High-Pass-Filter (20…400 Hz) mit 12 dB/Okt. Flankensteilheit Alle Mono-Eingangskanäle verfügen über zwei durchstimmbare Bell (MF)- sowie zwei feststehende Shelfing (HF+LF) Filterbänder Stereo-Eingangskanäle sind mit feststehenden HF und LF sowie einem durchstimmbaren MF ausgestattet. Der EQ Einschalter ist innenbleuchtet 6 Aux Sends; paarweise schaltbar pre/post Fader, kanalweise schaltbar pre/post EQ Aux Sends 5 und 6 können zum Stereopaar verschaltet werden Schaltbares Routing der Eingangskanäle auf die Busse L, C, R und/ oder die Subgruppen 1-4 Alle entsprechenden Ausgänge (einschließlich Aux) sind als symmetrische XLR-Stecker ausgeführt und verfügen zusätzlich über TRS-Eingänge und Inserts. Die Ausgänge L, C, R und Mono Mix sind wahlweise schaltbar von Line- auf Mikrofonpegel Innenbeleuchtete PFL/AFL und Mute-Schalter, eine 6-Segment-Pegelanzeige und 100-mm-Fader sorgen für übersichtliches und flüssiges Arbeiten 4 LED Pegelmesser für die Busse L, C, R und Mono oder die Gruppen 1-4; bei Solo zeigen die Meter automatisch den Pegel des entsprechenden Kanals Für zusätzliche Überwachung der Pegel steht pro Mix-Bus eine zweifarbige LED zur Verfügung (L, C, R, Mono, Gruppe 1-4 und Aux 1-6) Netzteil 100…240 V~, 50/60 Hz, steckbar, ohne Demontage des Mischers Dimmer für die optionale Schwanenhalslampe (4-pol.-XLR) Drehbares, arretierbares Anschlussfeld

API 1608 II Following the introduction of the 1608 in 2008, API delivered over 600 consoles and expanders to discerning audio professionals throughout the world. New for 2018 and based on the incredible success of the original, API proudly announces the 1608-II. Equipped with an updated feature set and debuting API's new cross-platform Final Touch Automation® system, the 1608-II continues API's rich legacy of crafting the world's highest-quality analog recording consoles. Adding valuable features for today's Engineers, Producers and Musicians, the 1608-II provides the powerful reliability and the incredible API sound that has characterized API products for nearly 50 years. 1608-II Features: 16, 32, or 48 Input Channel Frame sizes Each channel equipped with Mic Pre and Equalizer Accepts API 500 Series Equalizers 8 Multitrack Buses 8 Auxiliary Buses 1 Stereo Bus 4 Stereo Returns, 100mm faders (manual or automated) with Multitrack and Stereo Bus assign Full Center Section Control Surround 5.1 Center Section Monitoring Classic Analog Metering Global 0dB Fader Bypass Comprehensive Rear Panel IO Connectivity Standard fit: 16x 548B Inputs with Mic/Line and Direct Output 12x 550A Equalizers 4x 560 Equalizers 8x Echo Returns 1x Complete Center Facilities Section 16x Manual Faders 1x Stereo Fader

ASP4816 Powerful, flexible and intuitive, the ASP4816 delivers superb audio performance in a compact frame size. ASP4816 provides the key features of a large format recording console in a compact, cost effective form. Designed by audio guru, David Dearden and featuring Audient’s legendary analog circuitry, ASP4816 is the perfect centre piece for production studios and educational facilities. The main input channels feature Audient’s renowned Class A preamp and 4 band EQ – a combination found in hundreds of ASP8024 equipped studios where many users no longer feel the need to reach for their outboard preamps and EQ. The console features 40 faders,16 bus routing, 6 auxes, 2 dedicated cue sends, 4 stereo returns, stereo bus compressor and a comprehensive monitor section. → In-line architecture - twin inputs on each channel → 40 faders → 48 inputs at mix → 16 Audient Class-A mic pres → 16 channels of EQ → 16 record buses → 6 auxes, 2 cue sends → Stereo bus compressor → Comprehensive monitor section

INTRODUCTION With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software. A heavy duty (19" rack) RF shielded chassis, that can be used as a drop through in your furniture, houses all the vertically mounted input modules. Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console.   MIC, LINE, USB AND TELEPHONE IN-OUTPUTS This brand new AIRENCE-USB model has 4 balanced mic inputs (+48 phantom is standard) with inserts for signal processors, 6 stereo line inputs, 4x USB channels and 2x Telephone Hybrids. If you would like to call with VOIP we would advice to use the CISCO SPA112 as an interface between our 2 Telephone modules and the Internet. One physical USB connection interfaces 4 stereo audio channels from and to your PC plus all (programmable) remote controls on the right hand section of the mixer. Channel 5 and 6 have, apart from the stereo line input, also RJ-11 connectors to interface with an analogue telephone line and a common dial unit. High quality built in Hybrids with R and C balance and direct Talk back to the Hybrid channels makes conversation with callers very easy. Also by simply pushing the Cue button, conversation between DJ and caller outside the broadcast is of course possible. The illuminated front panel ON switch is electronically attached to the built in mechanical fader start enabling selection of a play-out start either by fader or via the ON switch.  Fader start generates in the Mic mode a Mic-on signaling to switch ON-Air lights. There is a 3 band Equalizer on channel 1-4 and on all 6 Triple input channels of the Extender Unit. The stereo Aux send can be set pre or post fader. All high quality low noise mic inputs have low cut jumpers.   EXTENSIVE MASTER SECTION DESIGNED WITH RADIO IN MIND The AIRENCE-USB has all the master controls such as 100 mm stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split listen function.  

With the AIRLITE mixer you can now own a modern radio mixer for a very attractive price.  This new hand built piece of precision equipment is the result of more than 42 years of experience at D&R. It is an intelligent mixer with an internal USB control section that speeds up daily use and includes a built in Silence Detector. It is a reliable workhorse for the self-op production D.J. with built in Telephone VOIP functionality.  4 in/out channels of stereo USB and 3 very low noise Mic inputs. The AIRLITE, ideal for ON-AIR, Production and perfect for streaming to the web. The AIRLITE accepts and instantly controls a maximum of 4 in/out stereo channels from your Play-out software. It is built into a metal, heavy duty RF shielded, powder coated chassis, designed with elegantly rounded corners. Easily “drops” into your furniture to give that exciting and contemporary radio look. A strong powder coated front panel with reliable controls gives you access to a flawless performance.   For more information visit: http://www.d-r.nl/airlite-usb.html

Mix Back Mixer The Mix Back is a flexible and affordable 16 x 12 x 2 x 2 monitor mixer that features two stereo outputs and twelve mono outputs. There are sixteen high quality Mic/Line inputs with passive split. It also features two HearBus outputs and two ADAT optical outputs. A perfect companion to our Hear Back personal monitor system. A talkback mic preamp permits talking to any mono output, master outputs and the intercom output. Included is a UV LED gooseneck lamp that makes the knob pointers and silkscreen on the front of Mix Back glow-in-the-dark! Input Channel Features: 16 quality Mic/Line inputs with passive XLR split Pin 1 lift and Mic phantom power switches Channel inserts Signal/Clip LED indicator 100 Hz high-pass filter Gain control 4 band EQ with separate controls for sweep and cut/boost on mid bands Two stereo level and pan controls (ST1 and ST2) Twelve mono level controls (1-12) Switch selectable effects 1-2 sends Master Features: 2 stereo and 12 mono TRS outputs Switch selectable meter/headphone monitoring 2 stereo TRS balanced effect returns Switch assignable FX1/FX2 returns to the 12 mono masters Stereo Aux return with level controls to both stereo busses – great for FOH mix or the studio “two mix” Buss inputs permit stacking of multiple mixers Talk back mic preamp assignable to stereo masters 1 and 2, mono outputs 1-12, and the balanced Intercom/slate output Relay contact when the talk back intercom switch is pressed 16 button talkback remote connects using standard CAT5e cable 16 channels of ADAT and HearBus output Other Features: Universal internationally approved internal power supply 11 RU chassis All analog inputs and outputs are balanced

Four selectable inputs with trim adjusts Straight wire distortion-free signal path Will not introduce color or artifact Increases artist's confidence when recording The Gold Digger is a 4-channel mic selector that enables the engineer to quickly compare the sound of four different microphones while sharing the same preamp. A 'straight wire' passive circuit design is void of any audio buffers or transformers. Instead, the Gold Digger employs military grade gold contact relays to manage the switching process, thus ensuring the pristine mic signal is maintained without introducing color, distortion or artefact of any kind. Features include four rear-mounted XLR-F mic inputs plus an XLR-m output to feed the preamp. To eliminate bleed between microphones, each channel is equipped with a 'radio style' selector switch that ensures only one mic is on at a time. The external supply provides power for the LED indicators, charges the relays and enables the Gold Digger to generate 48 volt phantom which can be turned on or off for each mic as needed. To ensure an 'honest' comparison between microphones, individual 'set & forget' trim controls let you adjust each mic level so that they produce the same relative output. Once set up, the Gold Digger not only improves workflow, but also gives the artist more confidence with the sound of the vocal, resulting in a better overall performance. The Gold Digger – A tool designed to get the very best out of each and every performance.

From the father of the recording console comes the 5060 Centerpiece: the Class-A analog heart of your 21st-century studio. Sized for your desktop, the 5060 delivers the tonality and center section features of Rupert’s flagship 5088 console at your fingertips, cementing outboard together with serious custom transformers, flexible monitoring, DAW transport controls, and the raw power of a Rupert Neve-designed 24×2 mix-buss. Define Your Workflow With a modular, hybrid analogue/digital mix system built around the 5060, you can outfit your studio with exactly what you need – and nothing that you don’t. Utilizing modern DAW control technologies, the 5060 seamlessly integrates stem outputs from the DAW with the rest of your control room, sums the final mix, and provides 2-track outputs, source selection, and speaker feed outputs from the monitor section. Used in conjunction with 5059 mixers and Portico modules, the 5060 forms the core of a scalable analogue system. In this arrangement, the 5059s provide individual channel control, aux routing, and expandable channel counts, the Portico modules provide preamplification, EQ and dynamics, and the 5060 unites it all. The 5060 brings your dreams of a seamless hybrid workflow to reality. Define Your Tone With custom transformers, a class-A mix buss and variable Silk, the 5060 can provide a wide range of tonal flavors. Drive the mix buss hard and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty. Silk reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Silk red mode accentuates the saturation in the high-mids and highs, while silk blue mode features more saturation in the lows and low mids. With Silk engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert’s class-A vintage designs. These controls add an unparalleled range of tonal options to the 5060 and should be explored creatively with a variety of different sources for best effect. Additionally, by using 5059 Satellite Mixers to feed the 5060, you can further control the tone by using different Silk & Texture settings on the dual stereo outputs,and by creating parallel processing on the stems using the insert sends into processors, and then into stereo inputs 9-24. The New Analogue Standard While digital technologies come and go, the modular, class-A analog designs Rupert created decades ago have been proven to stand the test of time. Instead of merely cloning these “classics”, Rupert has spent recent years leading a team of engineers in crafting new designs, built on the same key principals, that take sonic performance, flexibility and ergonomics to new heights.   These designs embody the high voltage, class-A, discrete and transformer coupled architectures found in the 5088 console, which represent a culmination of Rupert’s vast analogue circuitry knowledge. With the 5060 Centerpiece, the primary aim is to deliver the extraordinary quality of the 5088 in a compact, modular framework. With an abundance of interconnectivity, exceptional fidelity, and the tonal versatility of Silk, the 5060 is the ideal core of the sound-conscious modern studio.

The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required. With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout. Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities. Model VF10 Connector Panel All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF10 shown at the very top.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF10 line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard. The via Fader has high headroom that will handle balanced signals up to +28dBu.As an added convenience, on the Model VF10 line inputs and outputs 9 and 10 may be accessed with the balanced TRS jacks instead of the DB25 connectors. Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.

The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required. With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout. Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities. Model VF10M Connector Panel All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF10M shown second from the top.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF10M line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard. The master connectors are also fully balanced and available on TRS jacks.The via Fader has high headroom that will handle balanced signals up to +28dBu. Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.

The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required. With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout. Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities.   Model VF16 Connector Panel All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF16 shown third from the top.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF16 line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard. The via Fader has high headroom that will handle balanced signals up to +28dBu.Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.

The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required. With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout. Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities.   Model VF16M Connector Panel All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF16M shown at the very bottom.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF16M line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard. The master connectors are also fully balanced and available on TRS jacks.The via Fader has high headroom that will handle balanced signals up to +28dBu. Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.

What is the XTRAMIX X6 Mixer? The X6 is a rack mounted analog line mixer that offers features and flexibility for use in the most serious recording applications. It has been designed as a "quiet-transparent" platform that allows you to build a mixing system using the gear you already own. The X6 can be used to connect all your analog outboard gear regardless of the pedigree, interface to AD/DA converters, and, of course, virtually any synth or sampler. It is a fact that not all studios need a console style mixer with slide faders, so the X6 can often replace a studio desk style console and may be a good fit especially if space is at a premium. Features · 4 rack space design · 20 stereo line inputs + stereo mix + 8 group busses. · Each input channel has pannable stereo direct out. · 4 aux send busses. · 0db/12db Gain select on each input channel. · Presence of signal LED on inputs. · In-place solo on all channels. · True stereo aux sends. · 4 stereo aux returns. · Balanced inserts with bypass switch on stereo mix and 8 groups. · Two monitor outputs and independent headphone output. · Expander connectors to add another X6, X.Sum, or other line mixer. · Multi-purpose mounting brackets: 19" rack mount or configured for desktop location. The In's & Out's Connect the X6 to any line level source: balanced, unbalanced, transformer, or transformer-less. The X6 has high headroom that will handle balanced signals up to +28dBu. All audio inputs and outputs are fully balanced and available on TRS connectors. The Designer The X6 is the work of Vince Poulos, the designer and owner of Speck Electronics. Speck Electronics has been producing quality professional audio products for over 45 years. Founded in 1973, Speck Electronics has consistently provided innovations in audio products for all segments of professional recording and touring. Other products include the X.Sum rack mixer, the via Fader outboard fader system, the EQF 810 equalizer, and MicPre 5.0 preamp.

The Roots Gen I 16 Channel  Full Featured 8 and 16 channel / 2 Buss Tube Hybrid Console  Features: All Tube: Mic pre / line input / direct input (instrument in) / EQ and limiter on each channel 4 – 500 series slots Vacuum tube linear regulated power supply   Meter Bridge:  Buss master trim 1 & 2 / aux master 1 & 2 / talkback mic in XL / talkback level Stereo select external aux  in 1 & 2 / mono combine / source select Speaker select / big knob monitor level  Buss Master Module:  Big knob master stereo buss level / headphone level with headphone jack  Talkback (to stereo buss or aux master select)

The Roots Gen I  8 Channel Console ​ All channels are pure tube and transformers  Discrete Class A Solid State buss and master section Fully regulated Vacuum tube and linear power supplies ​ Shipping dimensions for a Roots Gen I 8 channel console:  1 Pallet: 48" x 40" x 25" Total weight: Approx. 200 lbs