Features: 4 x Mic / Line Eingang 4 x stereo Line Eingang Pro mono-Kanal: Insert, Gain, 48V, Phasenumkehr, Solo PFL, Signal/Peak LED, Panning / Routing Pro stereo-Kanal: Gain, Solo PFL, Signal/Peak LED, Panning / Routing Innenbeleuchtete Taster 3 x Ausgang: Left / Center / Right 8 Segment LED Metering pro Ausgang Durchweg hochwertige Komponenten (Burr-Brown, THAT, etc.)

Features: 8 x Mic / Line Eingang Pro Kanal: Insert, Gain, 48V, Phasenumkehr, Solo PFL, Signal/Peak LED, Panning / Routing Innenbeleuchtete Taster 3 x Ausgang: Left / Center / Right 8 Segment LED Metering pro Ausgang Durchweg hochwertige Komponenten (Burr-Brown, THAT, etc.)

Features: 6 x Mic / Line Eingang 2 x stereo Line Eingang Sym. Ausgänge für Left, Right, Center, Aux und dual mono mit Limiter und LED Indikatoren. Pro Kanal schaltbare Solo- und Mute-Schalter Jeder Kanal ist frei zuweisbar auf die L-R oder Center Ausgänge Pro mono-Kanal: High und Low EQ mit stufenlosem High-Pass Filter (20Hz-200Hz) Pro stereo-Kanal: High und Low EQ mit fixem High-Pass Filter. Mono-Kanäle mit Neutrik XLR/Klinke Kombobuchse und Klinken Insert / Direct Ausgängen Stereo-Kanäle mit stereo-Klinken, Chinch und USB/3,5mm Klinken Eingänge. (USB und 3,5mm nur für Kanal B) Durchweg hochwertige Komponenten (Burr-Brown, THAT, etc.)

The MixSwitch™family of products from APB-DynaSonics is a versatile, multi-channel audio switching and combining system that takes up only 1U of rack space. Typical applications include selecting between the Primary console and Backup console, or between Headline and Opening Act consoles in concert/presentation situations. When in SUM mode, MixSwitch allows for the simultaneous use of both consoles (equally mixed). In club applications, selection between FOH and DJ mixers into a common audio system can easily be performed. Each MixSwitch unit can control two sources of up to 4 line-level audio signals; Slave units can be added to jointly control additional line-level audio signal signals (2 sources of 4 Line inputs per unit). MixSwitch™ is available in its original professional touring version, referred to as MixSwitch™, or a simplified Contractor version with switching functions only and referred to as the MixSwitch™ MixSwitch™-C. When only switching functions are required, both units are interchangeable and MixSwitch™ MixSwitch™-C may be used to expand the number of line inputs switched in place of the standard MixSwitch-Expander. The MixSwitch™ master features an Announce microphone input and a Stereo Program input for music playback, each with EQ, Limiting and assignment to any of the 4 outputs. An additional Stereo XLR line input allows connection to a third console or facility input. These additional inputs are independent of the primary or secondary console selection (Slave units and MixSwitch™-C lack these additional audio input sources). One bonus provided by these additional inputs is the ability to do an early teardown of the FOH console at the end of a performance; the announce mic and exit music can be routed through the MixSwitch instead of the console reducing load out time and costs. The MixSwitch™ / MixSwitch™-C is available with a user accessible switch or a Key Lock Switch. This is a simplified version of MixSwitch optimized for Contracting applications or in lower cost touring applications. Only switching and summing functions are available though these functions may be controlled from the front panel or remotely.MixSwitch™ Features: Provides ability to easily switch between a primary digital or analog console and a backup console (MixSwitch and MixSwitch-C) Select between headline and opening act consoles In concert/presentation situations In SWITCH mode or operate both consoles simultaneously In SUM mode (MixSwitch and MixSwitch-C) Allows selection between FOH and DJ mixers In club applications (MixSwitch and MixSwitch-C) Announce microphone input with EQ and limiting independent of primary or secondary consoles (MixSwitch master unit only) Stereo program input with EQ and limiting for music playback independent of primary or secondary consoles (MixSwitch master unit only) Additional stereo XLR line input allows connection to a third console or facility input (MixSwitch master unit only) Input And Output Monitoring via LED Meters and Audio Solo (MixSwtch Model Only) Highest possible audio performance THAT ® Corporation InGenius ® devices used on all primary XLR analog inputs Slave units may be linked together for use with monitor consoles or wherever more line signals require switching (MixSwitch and MixSwitch-C) Auto-Bypass of primary input to output in case of power failure (MixSwtch model only) Connectors for remote switching and tally (MixSwtch model only) Specifications:Main Inputs (A & B) Balanced XLR Input: Rear XLR Jacks with InGenius inputs Gain: Input to Output: > 20k Ω Input Z (Differential): > 200k Ω Input Z (Common Mode): +24dBu Max Input: < 0.001% @ 15dBu Input-Output 20-20kHz BW THD + Noise: < +/- 0.5dB 10Hz to 100kHz @+15dBu (ref 1kHz) Frequency Response: < +/-5 degrees, 10Hz to 50kHz (ref 1kHz) Phase response: 0 dB (+/- 0.2dB) Main Outputs:Balanced XLR using OutSmarts® Driver ICs (also capable of unbalanced operation) Balanced Output Z: 50 Ω Max Output Level: +26dBu (into 600 ohms or greater) Residual Output Noise:< -95 dBu with all inputs unassigned (20-20kHz BW)

The MixSwitch™ master features an Announce microphone input and a Stereo Program input for music playback, each with EQ, Limiting and assignment to any of the 4 outputs. An additional Stereo XLR line input allows connection to a third console or facility input. These additional inputs are independent of the primary or secondary console selection (Slave units and MixSwitch™-C lack these additional audio input sources). One bonus provided by these additional inputs is the ability to do an early teardown of the FOH console at the end of a performance; the announce mic and exit music can be routed through the MixSwitch instead of the console reducing load out time and costs. The MixSwitch™-C is available with a user accessible switch or a Key Lock Switch. This is a simplified version of MixSwitch optimized for Contracting applications or in lower cost touring applications. Only switching and summing functions are available though these functions may be controlled from the front panel or remotely.Features: Provides ability to easily switch between a primary digital or analog console and a backup console (MixSwitch and MixSwitch-C) Select between headline and opening act consoles In concert/presentation situations In SWITCH mode or operate both consoles simultaneously In SUM mode (MixSwitch and MixSwitch-C) Allows selection between FOH and DJ mixers In club applications (MixSwitch and MixSwitch-C) Announce microphone input with EQ and limiting independent of primary or secondary consoles (MixSwitch master unit only) Stereo program input with EQ and limiting for music playback independent of primary or secondary consoles (MixSwitch master unit only) Additional stereo XLR line input allows connection to a third console or facility input (MixSwitch master unit only) Input And Output Monitoring via LED Meters and Audio Solo (MixSwtch Model Only) Highest possible audio performance THAT ® Corporation InGenius ® devices used on all primary XLR analog inputs Slave units may be linked together for use with monitor consoles or wherever more line signals require switching (MixSwitch and MixSwitch-C) Auto-Bypass of primary input to output in case of power failure (MixSwtch model only) Connectors for remote switching and tally (MixSwtch model only) Specifications:Main Inputs (A & B) Balanced XLR Input: Rear XLR Jacks with InGenius inputs Gain: Input to Output: 0 dB (+/- 0.2dB) Input Z (Differential): > 20k Ω Input Z (Common Mode): > 200k Ω Max Input: +24dBu THD + Noise: < 0.001% @ 15dBu Input-Output 20-20kHz BW Frequency Response:< +/- 0.5dB 10Hz to 100kHz @+15dBu (ref 1kHz) Phase response: < +/-5 degrees, 10Hz to 50kHz (ref 1kHz) Main Outputs:Balanced XLR using OutSmarts® Driver ICs (also capable of unbalanced operation) Max Output Level:+26dBu (into 600 ohms or greater)   Balanced Output Z: 50 Ω Residual Output Noise: < -95 dBu with all inputs unassigned (20-20kHz BW)

Der Chandler Limited Mini TG 16x2 Rack Mixer basiert auf den orginal Schaltplänen und Designdetails, die Chandler von Abbey Road und EMI zur Verfügung gestellt wurden. Jeder Eingangskanal des 16x2 Linemixers ist übertragersymmetriert, als Lineverstärker sind 20 diskrete TG MKIV Verstärker, der schon bei den legendären Chandler Limited TG1, TG2 und TG Channel Verwendung findet und eine wichtigen Teil des Chandler Sounds ausmacht. Zusätzlich zur Mixersektion besitzt der Mini TG 16x2 Rack Mixer eine Control Room Sektion mit Talkback, Lautsprecherwahl, Mute, Mono, Dim, External Input und separate Control Room und Stereo Buss Ausgänge. Der Mini TG 16x2 Rack Mixer ist das ideale Gerät, um sterilen, zweidimensionalen Mischungen im Computer (ITB= In The Box) einen fetten, analogen dreidimensionalen Sound zu geben. Der Chandler Mini Mixer ist skalierbar, sodass in diesem 19' Rahmen auch prinzipiell eine 28kanalige Version ohne Monitorcontroler und Talkback machbar ist.  Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

The Chandler Limited Mini TG Rack Mixer Expander adds another 16 channels to your Mini Rack Mixer offering a 32-channel recording mixer. The Chandler Limited Mini TG Rack Mixer Expander features transformer balanced, new Chandler Line Amp and discrete amps throughout delivering the classic 60’s and 70’s sound. In total the expander boasts no less than 20 discrete amplifiers and 22 custom wound transformers which combined deliver a whole lot of punch and colour. The Expander differs from the actual mixer by not including the Control Room section and requires the Chandler Limited PSU-2 power Supply to function. FEATURES Expands to 32 channels Speaker 1/2 and external input 2 stereo outputs Full-featured control room section Stereo insert 22 custom-wound transformers Talkback module Channel pan Meter module Provides 20 discrete amplifiers SPECIFICATIONS 19" rackmount Steel construction Weight: 50 lb. (22.7kg) 22 transformers 8 total channels 2 channel line input modules Talkback module Control room monitor panel Master module (4 slot)

The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required. With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout. Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities. Model VF10 Connector Panel All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF10 shown at the very top.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF10 line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard. The via Fader has high headroom that will handle balanced signals up to +28dBu.As an added convenience, on the Model VF10 line inputs and outputs 9 and 10 may be accessed with the balanced TRS jacks instead of the DB25 connectors. Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.

The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required. With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout. Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities. Model VF10M Connector Panel All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF10M shown second from the top.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF10M line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard. The master connectors are also fully balanced and available on TRS jacks.The via Fader has high headroom that will handle balanced signals up to +28dBu. Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.

The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required. With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout. Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities.   Model VF16 Connector Panel All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF16 shown third from the top.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF16 line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard. The via Fader has high headroom that will handle balanced signals up to +28dBu.Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.

The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required. With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout. Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities.   Model VF16M Connector Panel All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF16M shown at the very bottom.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF16M line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard. The master connectors are also fully balanced and available on TRS jacks.The via Fader has high headroom that will handle balanced signals up to +28dBu. Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.