Alle Funktionen und Extras Unbegrenzte Audio- und MIDI-Spuren Unbegrenzte Szenen 12 Send- und Return-Spuren 256 Mono-Audio-Eingänge 256 Mono-Audio-Ausgänge Capture MIDI Complex-Warp-Modi Audio Slicing Audio to MIDI Neu in Live 11: Comping Verknüpfte Spuren bearbeiten MPE (MIDI Polyphonic Expression) Wahrscheinlichkeit für Noten und Velocity-Werte Dynamische Tempo-Anpassung 1800+ Sounds (10+ GB) 6 Software-Instrumente 36 Audio-Effekte 13 MIDI-Effekte Live 11 Systemanforderungen Windows macOS Windows 10 (Version 1909 und neuer) Intel® Core™ i5-Prozessor oder AMD Multicore-Prozessor 8 GB RAM Bildschirmauflösung: 1366x768 ASIO-kompatible Audio-Hardware für die Unterstützung von Link (und für optimale Audio-Performance) Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte OS X 10.13 oder neuer Intel® Core™ i5 Prozessor 8 GB RAM Bildschirmauflösung: 1280x800 Core-Audio-kompatible Soundkarte empfohlen Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte  

ACHTUNG! Diese Softwareversion ist für Bildungszwecke und kann nur unter bestimmten, vom Hersteller festgelegten Voraussetzungen gekauft werden! Bitte kontaktieren Sie uns, bevor Sie den Artikel in den Warenkorb legen, falls Sie nicht sicher sind, ob Sie die EDU-Konditionen erfüllen. Alle Funktionen und Extras Unbegrenzte Audio- und MIDI-Spuren Unbegrenzte Szenen 12 Send- und Return-Spuren 256 Mono-Audio-Eingänge 256 Mono-Audio-Ausgänge Capture MIDI Complex-Warp-Modi Audio Slicing Audio to MIDI Neu in Live 11: Comping Verknüpfte Spuren bearbeiten MPE (MIDI Polyphonic Expression) Wahrscheinlichkeit für Noten und Velocity-Werte Dynamische Tempo-Anpassung 1800+ Sounds (10+ GB) 6 Software-Instrumente 36 Audio-Effekte 13 MIDI-Effekte Live 11 Systemanforderungen Windows macOS Windows 10 (Version 1909 und neuer) Intel® Core™ i5-Prozessor oder AMD Multicore-Prozessor 8 GB RAM Bildschirmauflösung: 1366x768 ASIO-kompatible Audio-Hardware für die Unterstützung von Link (und für optimale Audio-Performance) Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte OS X 10.13 oder neuer Intel® Core™ i5 Prozessor 8 GB RAM Bildschirmauflösung: 1280x800 Core-Audio-kompatible Soundkarte empfohlen Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte  

Upgradeversion: Setzt eine registrierte Lizenz Ableton Live Lite voraus Alle Funktionen und Extras Unbegrenzte Audio- und MIDI-Spuren Unbegrenzte Szenen 12 Send- und Return-Spuren 256 Mono-Audio-Eingänge 256 Mono-Audio-Ausgänge Capture MIDI Complex-Warp-Modi Audio Slicing Audio to MIDI Neu in Live 11: Comping Verknüpfte Spuren bearbeiten MPE (MIDI Polyphonic Expression) Wahrscheinlichkeit für Noten und Velocity-Werte Dynamische Tempo-Anpassung 1800+ Sounds (10+ GB) 6 Software-Instrumente 36 Audio-Effekte 13 MIDI-Effekte Live 11 Systemanforderungen Windows macOS Windows 10 (Version 1909 und neuer) Intel® Core™ i5-Prozessor oder AMD Multicore-Prozessor 8 GB RAM Bildschirmauflösung: 1366x768 ASIO-kompatible Audio-Hardware für die Unterstützung von Link (und für optimale Audio-Performance) Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte OS X 10.13 oder neuer Intel® Core™ i5 Prozessor 8 GB RAM Bildschirmauflösung: 1280x800 Core-Audio-kompatible Soundkarte empfohlen Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte  

Komplett integriertes Studio: Unbegrenzte Audio- und MIDI-Spuren Unbegrenzte Szenen 12 Send- und Return-Spuren 256 Mono-Audio-Eingänge 256 Mono-Audio-Ausgänge Capture MIDI Complex-Warp-Modi Audio Slicing Audio to MIDI Max for Live Neu in Live 11: Comping Verknüpfte Spuren bearbeiten MPE (MIDI Polyphonic Expression) Wahrscheinlichkeit für Noten und Velocity-Werte Dynamische Tempo-Anpassung 5000+ Sounds (70+ GB) 17 Software-Instrumente 59 Audio-Effekte 15 MIDI-Effekte Live 11 Systemanforderungen Windows macOS Windows 10 (Version 1909 und neuer) Intel® Core™ i5-Prozessor oder AMD Multicore-Prozessor 8 GB RAM Bildschirmauflösung: 1366x768 ASIO-kompatible Audio-Hardware für die Unterstützung von Link (und für optimale Audio-Performance) Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte OS X 10.13 oder neuer Intel® Core™ i5 Prozessor 8 GB RAM Bildschirmauflösung: 1280x800 Core-Audio-kompatible Soundkarte empfohlen Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte

ACHTUNG! Diese Softwareversion ist für Bildungszwecke und kann nur unter bestimmten, vom Hersteller festgelegten Voraussetzungen gekauft werden! Bitte kontaktieren Sie uns, bevor Sie den Artikel in den Warenkorb legen, falls Sie nicht sicher sind, ob Sie die EDU-Konditionen erfüllen. Komplett integriertes Studio: Unbegrenzte Audio- und MIDI-Spuren Unbegrenzte Szenen 12 Send- und Return-Spuren 256 Mono-Audio-Eingänge 256 Mono-Audio-Ausgänge Capture MIDI Complex-Warp-Modi Audio Slicing Audio to MIDI Max for Live Neu in Live 11: Comping Verknüpfte Spuren bearbeiten MPE (MIDI Polyphonic Expression) Wahrscheinlichkeit für Noten und Velocity-Werte Dynamische Tempo-Anpassung 5000+ Sounds (70+ GB) 17 Software-Instrumente 59 Audio-Effekte 15 MIDI-Effekte Live 11 Systemanforderungen Windows macOS Windows 10 (Version 1909 und neuer) Intel® Core™ i5-Prozessor oder AMD Multicore-Prozessor 8 GB RAM Bildschirmauflösung: 1366x768 ASIO-kompatible Audio-Hardware für die Unterstützung von Link (und für optimale Audio-Performance) Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte OS X 10.13 oder neuer Intel® Core™ i5 Prozessor 8 GB RAM Bildschirmauflösung: 1280x800 Core-Audio-kompatible Soundkarte empfohlen Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte

Upgradeversion: Setzt eine registrierte Lizenz Ableton Live Lite voraus Komplett integriertes Studio: Unbegrenzte Audio- und MIDI-Spuren Unbegrenzte Szenen 12 Send- und Return-Spuren 256 Mono-Audio-Eingänge 256 Mono-Audio-Ausgänge Capture MIDI Complex-Warp-Modi Audio Slicing Audio to MIDI Max for Live Neu in Live 11: Comping Verknüpfte Spuren bearbeiten MPE (MIDI Polyphonic Expression) Wahrscheinlichkeit für Noten und Velocity-Werte Dynamische Tempo-Anpassung 5000+ Sounds (70+ GB) 17 Software-Instrumente 59 Audio-Effekte 15 MIDI-Effekte Live 11 Systemanforderungen Windows macOS Windows 10 (Version 1909 und neuer) Intel® Core™ i5-Prozessor oder AMD Multicore-Prozessor 8 GB RAM Bildschirmauflösung: 1366x768 ASIO-kompatible Audio-Hardware für die Unterstützung von Link (und für optimale Audio-Performance) Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte OS X 10.13 oder neuer Intel® Core™ i5 Prozessor 8 GB RAM Bildschirmauflösung: 1280x800 Core-Audio-kompatible Soundkarte empfohlen Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen 3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz) Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte

A New, Streamlined User Interface Auto-Tune Pro features a sleek, all-new interface in both Auto Mode and Graph Mode, redesigned for ease of use and efficient workflow. Auto Mode now includes two unique screen views: Basic View which gives you quick and easy access to the core features of Auto Mode, and Advanced View which unlocks the powerful MIDI, scale editing and vibrato features. The Graph Mode interface has be redesigned from the ground up. In addition to a much larger Main Graph, the new Graph Mode features greater zoom resolution, user assignable zoom presets, and controls reconfigured to optimize workflow efficiency. Classic Mode Classic Mode is the much-requested return of the celebrated “Auto-Tune 5 sound.” As we’ve added new features to Auto-Tune (such as Formant Correction, Throat Modeling, and Flex-Tune) the Auto-Tune algorithm has evolved, and its sonic qualities have undergone subtle changes, with each Auto-Tune version having its own slightly different character. Over the years, the sound of Auto-Tune 5 has developed something of a cult following among musicians, audio engineers and producers, perhaps due in part to its use on many iconic pop recordings. Due to popular demand, we’ve made the Auto-Tune 5 sound available in Auto-Tune Pro via the new Classic Mode. Auto-Key: Automatic Key and Scale Detection Auto-Key is a brand new plug-in, included with your Auto-Tune Pro purchase, which automatically detects the key and scale of your music and sends that information to one or more instances of Auto-Tune Pro. If you already know the key and scale of your tracks, you may also find Auto-Key useful for simultaneously setting the Key and Scale parameters of multiple instances of Auto-Tune Pro from a single location. ARA: Audio Random Access Auto-Tune Pro now supports ARA (Audio Random Access) in the Studio One DAW. ARA is a technology that allows for closer integration and exchange of information between audio plugins and host applications (digital audio workstations). When used with Studio One, it’s now possible to edit in Auto-Tune Pro’s Graph Mode without first having to play audio into Auto-Tune in real time. MIDI Parameter Control Many of Auto-Tune Pro’s key parameters can now be controlled in real time with a MIDI controller, including Retune Speed, Flex-Tune, Humanize, Throat Length and all of the Vibrato functions. Assign the parameters to the controls on your MIDI device, and perform dramatic effects in real time on stage or in the studio.

Harmony Engine EVOThe quickest, easiest tool for creating realistic harmonies. From the company that revolutionized professional vocal production with Auto-Tune pitch correction technology, comes Harmony Engine Evo, the second generation of Antares' real-time harmony generating plug-in that puts professional-quality vocal harmony arrangements within reach of any songwriter, producer, musician or engineer.Building on the power and ease of use of the original Harmony Engine, Harmony Engine Evo incorporates Antares' groundbreaking Evo™ Voice Processing Technology for faster, more accurate pitch detection, smoother, artifact-free pitch shifting, and seamless, natural-sounding (if you want it to be) throat modeling. And with the addition of 5 channels of Antares' unique CHOIR Vocal Multiplier, you can now create huge vocal ensembles out of a single vocal line.With four independent harmony voices, a variety of powerful harmony generating modes, humanization features for natural sounding performances, and a flexible real-time preset system for harmony and vocal type, Harmony Engine Evo provides incredibly easy-to-use tools to quickly and easily produce virtually any vocal arrangement you can imagine.Whether you’re an experienced vocal arranger, a songwriter looking for that perfect backup vocal, or a composer experimenting with unique vocal effects, Harmony Engine Evo  gives you entirely new ways to create the harmony parts you hear in your head. In fact, experimenting with different harmonies is so easy (and, dare we suggest, fun), you may find yourself using Harmony Engine Evo to explore harmonic alternatives you may have never otherwise considered.Key Harmony Engine Evo features include: Antares' groundbreaking Evo™ Voice Processing Technology for faster, more accurate pitch detection and smoother, artifact-free pitch shifting. Four high-quality, formant-corrected harmony voices with independent vocal character, vibrato, and pan settings Five channels of our unique CHOIR Vocal Multiplier, to let you turn each voice into 2, 4, or 8 individual unison voices, perfect for creating jaw-droppingly amazing choirs out of a single vocal line Antares Throat Modeling technology that lets you process each harmony voice through a physical model of the human vocal tract The quickest, easiest tool for creating realistic harmonies. From the company that revolutionized professional vocal production with Auto-Tune pitch correction technology, comes Harmony Engine Evo, the second generation of Antares' real-time harmony generating plug-in that puts professional-quality vocal harmony arrangements within reach of any songwriter, producer, musician or engineer. Building on the power and ease of use of the original Harmony Engine, Harmony Engine Evo incorporates Antares' groundbreaking Evo™ Voice Processing Technology for faster, more accurate pitch detection, smoother, artifact-free pitch shifting, and seamless, natural-sounding (if you want it to be) throat modeling. And with the addition of 5 channels of Antares' unique CHOIR Vocal Multiplier, you can now create huge vocal ensembles out of a single vocal line. With four independent harmony voices, a variety of powerful harmony generating modes, humanization features for natural sounding performances, and a flexible real-time preset system for harmony and vocal type, Harmony Engine Evo provides incredibly easy-to-use tools to quickly and easily produce virtually any vocal arrangement you can imagine. Whether you’re an experienced vocal arranger, a songwriter looking for that perfect backup vocal, or a composer experimenting with unique vocal effects, Harmony Engine Evo  gives you entirely new ways to create the harmony parts you hear in your head. In fact, experimenting with different harmonies is so easy (and, dare we suggest, fun), you may find yourself using Harmony Engine Evo to explore harmonic alternatives you may have never otherwise considered. SPECIFICATIONSHarmony Engine Evo is available for:Macintosh (Universal Binaries)  RTAS  VST  Audio Units PC  RTAS  VST

If you've ever wished for an extensive collection of exotic mics (but shuddered at the cost), then Mic Mod EFX is the plug-in for you.Using our patented Spectral Shaping Tool™ technology, we've created precise digital models of a wide variety of historical classic and exotic microphones. Simply tell Mic Mod EFX what microphone you are actually using and what microphone you'd like it to sound like. It's as simple as that.With over 125 microphones models included in Mic Mod EFX, you can afford to record each track through a model of the specific mic that will best produce that ideal sound you're looking for. Or use it in live performance to get the sound of mics you'd never consider using on stage. You can even use it during mixdown to effectively change the mic on an already recorded track.Source Mic and Modeled Mic - Simply select the mic you're using (or used during your original recording) and the mic you want it to sound like. Proximity - Proximity Effect is a bass boost that results from placing a directional mic in close proximity to a signal source (e.g., a singer's lips). With Mic Mod EFX's Proximity controls, you can actually create the effects of different mic distances based on the specific physical properties of each individual modeled mic.Low Cut Filter - If your source mic has a low cut filter, enter its setting in the Source Mic Low Cut menu. If your selected modeled mic has a low cut filter, you can model the effects of any of its settings with the Modeled Mic Low Cut menu.Pickup Pattern - If your source mic has variable pickup patterns, enter the selected pattern in the Source Mic Pattern menu. If your selected modeled mic has variable pickup patterns, you can experiment with the effects of any of its patterns with the Modeled Mic Pattern menu.Tube Saturation - Based on the same technology as Antares' famed WARM Tube Saturation Generator, the Tube Saturation control lets you give your track the warmth of a high-quality tube pre-amp.SPECIFICATIONS Mic Mod EFX is available for: Macintosh (Universal Binaries) * RTAS * VST * Audio Units PC * RTAS * VST

For decades, engineers, producers, and musicians have marveled at Bob Clearmountain’s mixes. Recordings by iconic artists like David Bowie, Chic, Roxy Music, The Rolling Stones, Bruce Springsteen, Bryan Adams, INXS, and so many more, are prime examples of how Clearmountain’s work elevated the role of “the mixer” to that of an essential creative partner in the process of making records. Clearmountain’s ability to build a soundscape and atmosphere where voices and instruments seem to effortlessly live in an intimate space but all blend together seamlessly set new standards for mixing. And, his artistry and passion to reveal the true character of the song and highlight the emotion of the music, gets to the heart of what inspired the song from its inception. While this is a craft honed over a career of many experiences, accomplishments and hit records, there are secrets that can be shared and Clearmountain’s Domain offers one of Bob’s most refined and important techniques in a simple and streamlined plugin. Apogee’s Clearmountain’s Domain plugin reproduces Bob Clearmountain’s personalized FX signal chain for creating the cohesive spaces, expansive dimensions, and rich atmospheres where his mixes live. Classic presets help you to recreate the sonic environment of your favorite Clearmountain mixes. Advanced views reveal Clearmountain’s decades of expertise and empower you to create your own musical mix domain. Clearmountain’s Personalized FX Signal Flow • Pre Delay/Reverb De-esser• Pre Delay/Reverb EQ• Stereo Delay with Spin Time Compensation• Delay Blur (Saturation)• Stereo Unison to Octave Pitch-Shift• Clearmountain Spaces Convolution Reverbs• FX Mixer Clearmountain’s Classic PresetsClearmountain Spaces, Convolution ReverbsReal Time FX Visualizer

AU/VST/AAX The Apogee FX Rack bundle includes all 4 FX Rack plugins: ModComp, ModEq, EQP-1A, and Opto 3-A. The Apogee FX Rack bundle runs natively in your favorite macOS DAW without any Apogee hardware but also has DualPath™ functionality that allows the plugins to run on Apogee Hardware DSP in Element Series and Ensemble Thunderbolt audio interfaces. Try for Free Includes: EQP-1A Opto-3A ModEQ 6 ModComp The Apogee FX Rack bundle is FREE through December 30th, 2018 when you purchase an Ensemble Thunderbolt or Element Series interface from an authorized Apogee dealer. System Requirements Mac OS X 10.12.6 or higher – 10.14 Mojave fully supported 4 GB minimum RAM, 8 GB or higher recommended Free Pace iLok account – physical iLok not required Supported DAWs: Logic Pro 10 Pro Tools 12, Ultimate (ProTools 11 and lower not currently supported ) Ableton Live 10 Cubase 9.5 VST 1 & 2 (VST 3 not implemented in this release ) Please note that any AUv2, VST 1&2m, or AAX fully compliant DAW should work

The original convolution reverb Altiverb is a plug-in that makes your audio sound as if it was played back somewhere else, adding the acoustics of existing spaces to your own recordings or to your live audio. All spaces in Altiverb were recorded in the real world, from Sydney Opera House to a Scottish underground oil tank the size of a cathedral. Features Apart from the extensive library of impulse responses you get with this plug-in, Altiverb features some clever controls for shaping the sound of this convolution reverb. Decay This essential reverb parameter is very prominent in Altiverb 8. You can apply an exponential decay on any impulse response to reduce the reverb time, without changing the character of the room. Brightness Real spaces often contain less high frequency content than algorithmic (synthetic) reverbs. Sometimes you need that extra sparkling brightness in a reverb tail that is just hard to obtain from the real world. Damping Control the reverb length of three separate and adjustable frequency bands. Shortening is damping, lengthening is enhancing. You can see the effect of damping in the waterfall graph of the impulse response. Stage positions Altiverb can have mono or stereo inputs. When making impulse responses, we used either one speaker position in the center of the stage for mono input, or two speaker positions for stereo input. So there is a direct relation between the amount of inputs and the speakers used. Using the positioner tab, available only in mono and stereo input Altiverbs, you can switch on the speaker, in which case you can hear where it stands. You can also, right there, move the speaker around. Equalizer Altiverb features a four band equalizer. The bass and treble bands are Baxandall EQs, designed to not shift phase more than 180 degrees, which effectively means that combing or cancellation effects are unlikely when the EQ’d signal is mixed with the dry signal. The equalizer works on the wet signal only. Size Makes the selected room (impulse response) smaller or larger. This transposes room modes and resonances, tightens or spreads early reflections, and shortens or lengthens the reverb tail. Pre-delay Delays the onset of the reverb. If the note symbol is clicked, the timing of the delay is locked to the tempo of the host application so you can select an eighth-note as the delay time. Attack Fades-in the start of the impulse response, resulting in a more lush, distant reverb sound. Reverse The entire impulse response is reversed in time for backward reverb effects. Modulation This effect does not emulate anything that happens in reality, it emulates something that happens in artificial reverb algorithms. Gated Reverb Allows you to abruptly cut-off a reverb after a set amount of time. The gate time can also be locked to the tempo of the host application. Snapshots Snapshots are presets that are private to an instance of Altiverb. WHAT IS NEW IN ALTIVERB 8 Native Apple silicon M1 / M2 & Intel macs are fully supported. New scalable user interface (except AU version) Cloud size Automatic input-pan following reverb, locate each reverb around the panning of the source, even when multiple sources move in a single instance. Smooth and clickless IR switches, reverb adjustments and stage position changes all practically seemless without any clicks. Improved IR searching The newly designed browser offers more and quicker ways to find the right IR. New IR Tool This tool enables you to create your own IRs, with output support up to 9.1.6 channels. Computer activation The Altiverb license can be activated on a computer or on a USB iLok key. The iLok USB key is NO LONGER required. VST3 Plug-In To ensure compatibility with worldclass VST host applications (DAWs) like Ableton Live, Cubase, Nuendo and Digital Performer Altiverb 8 features a VST3 plug-in. Center Almost all IRs have been supplied with a real center channel for LCR or 5.0 7.0 without center bleed. New Spaces many new spaces are included with Altiverb 8, like the Zuidervermaning from the intro video, a dance club, some industrial spaces, a Tesla, camper vans , atmos plates and springs reverbs, and a selection of buckets and bins including a porta toilet. All including atmos. improved loading speed. Your sessions with many Altiverbs will load quicker than ever. WHAT IS NOT NEW IN 8 Wait? What?This is what Altiverb 8 continues to deliver, just like Altiverb 7 (and earlier) has been delivering for two decades: Backward compatibility, Altiverb 8 opens in sessions/projects that were made with Altiverb since 2006 and the session/project will sound the same. All IRs ever released for Altiverb. New IRs will be added regularly, for free. Fixes and support without yearly fees. The option to sell and transfer your license. Countless ways of manipulating the reverb sound with controls like reverb time, attack, brightness, pre delay, EQ, damping.. Revolutionary stage positioning control for placing single members of a group, ensemble or even a complete orchestra on their own individual spot on stage, in any room/concert hall

The original convolution reverb Altiverb is a plug-in that makes your audio sound as if it was played back somewhere else, adding the acoustics of existing spaces to your own recordings or to your live audio. All spaces in Altiverb were recorded in the real world, from Sydney Opera House to a Scottish underground oil tank the size of a cathedral. Features Apart from the extensive library of impulse responses you get with this plug-in, Altiverb features some clever controls for shaping the sound of this convolution reverb. Decay This essential reverb parameter is very prominent in Altiverb 8. You can apply an exponential decay on any impulse response to reduce the reverb time, without changing the character of the room. Brightness Real spaces often contain less high frequency content than algorithmic (synthetic) reverbs. Sometimes you need that extra sparkling brightness in a reverb tail that is just hard to obtain from the real world. Damping Control the reverb length of three separate and adjustable frequency bands. Shortening is damping, lengthening is enhancing. You can see the effect of damping in the waterfall graph of the impulse response. Stage positions Altiverb can have mono or stereo inputs. When making impulse responses, we used either one speaker position in the center of the stage for mono input, or two speaker positions for stereo input. So there is a direct relation between the amount of inputs and the speakers used. Using the positioner tab, available only in mono and stereo input Altiverbs, you can switch on the speaker, in which case you can hear where it stands. You can also, right there, move the speaker around. Equalizer Altiverb features a four band equalizer. The bass and treble bands are Baxandall EQs, designed to not shift phase more than 180 degrees, which effectively means that combing or cancellation effects are unlikely when the EQ’d signal is mixed with the dry signal. The equalizer works on the wet signal only. Size Makes the selected room (impulse response) smaller or larger. This transposes room modes and resonances, tightens or spreads early reflections, and shortens or lengthens the reverb tail. Pre-delay Delays the onset of the reverb. If the note symbol is clicked, the timing of the delay is locked to the tempo of the host application so you can select an eighth-note as the delay time. Cloud Size and Pan Tracking Reverb - from LCR up to 9.1.6 input Altiverbs Altiverb XL supports more than two inputs. With more then two inputs there is no longer a direct relation between an input and a speaker that was used when making the impulse response. Therefore the Positioner tab is unavailable. Instead there is a new control: cloud size. With cloud size turned down, the reverb no longer outputs to all output channels, it starts clustering around the input pan position of your sounds. Even when the input sound moves, the reverb cloud travels along with it. Attack Fades-in the start of the impulse response, resulting in a more lush, distant reverb sound. Reverse The entire impulse response is reversed in time for backward reverb effects. Modulation This effect does not emulate anything that happens in reality, it emulates something that happens in artificial reverb algorithms. Gated Reverb Allows you to abruptly cut-off a reverb after a set amount of time. The gate time can also be locked to the tempo of the host application. Mixer Everything is recorded with enough microphones to provide Atmos reverb (up to nine eye level speakers plus six over head channels). There's a new output meter and a mixer that provides full control of all outputs. Snapshots Snapshots are presets that are private to an instance of Altiverb. WHAT IS NEW IN ALTIVERB 8 Native Apple silicon M1 / M2 & Intel macs are fully supported. Dolby Atmos support Up to 9.1.6 input and output channels for fully immersive convolution reverb.  New scalable user interface (except AU version) Cloud size Automatic input-pan following reverb, locate each reverb around the panning of the source, even when multiple sources move in a single instance. Smooth and clickless IR switches, reverb adjustments and stage position changes all practically seemless without any clicks. New output level meters These allow manipulation of level and delay per output channel. Pure Dolby Atmos IRs Almost all of the hundreds of the music spaces (concert halls, churches, cathedrals, studios, scoring stages) have been upgraded to Dolby Atmos by utilizing the original extra recordings we have been routinely making throughout the years.All outputs of Altiverb are always real and distinct original speaker to microphone takes. Mono pan following Across surround busses up to Dolby Atmos (9.1.6), making multi-mono instances unnecessary, reducing session load time considerably. Improved IR searching The newly designed browser offers more and quicker ways to find the right IR. New IR Tool This tool enables you to create your own IRs, with output support up to 9.1.6 channels. Computer activation The Altiverb license can be activated on a computer or on a USB iLok key. The iLok USB key is NO LONGER required. VST3 Plug-In To ensure compatibility with worldclass VST host applications (DAWs) like Ableton Live, Cubase, Nuendo and Digital Performer Altiverb 8 features a VST3 plug-in. Center Almost all IRs have been supplied with a real center channel for LCR or 5.0 7.0 without center bleed. New Spaces many new spaces are included with Altiverb 8, like the Zuidervermaning from the intro video, a dance club, some industrial spaces, a Tesla, camper vans , atmos plates and springs reverbs, and a selection of buckets and bins including a porta toilet. All including atmos. improved loading speed. Your sessions with many Altiverbs will load quicker than ever. WHAT IS NOT NEW IN 8 Wait? What?This is what Altiverb 8 continues to deliver, just like Altiverb 7 (and earlier) has been delivering for two decades: Backward compatibility, Altiverb 8 opens in sessions/projects that were made with Altiverb since 2006 and the session/project will sound the same. All IRs ever released for Altiverb. New IRs will be added regularly, for free. Fixes and support without yearly fees. The option to sell and transfer your license. Countless ways of manipulating the reverb sound with controls like reverb time, attack, brightness, pre delay, EQ, damping.. Revolutionary stage positioning control for placing single members of a group, ensemble or even a complete orchestra on their own individual spot on stage, in any room/concert hall

Convertierungs Programm Professionelles Batch File Convertierungs Programm für Mac OSX, ermöglicht die Konvertierung von tausenden von Files in unterschiedliche Ausgangsformate in einem Durchgang, high quality Sampleraten Konvertierung, unterstützt u.a. BWF, Sonic Solutions und 32 bit float Files, verschiedene Telefonformate, incl. OS9 kompatible Version 3.9 Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

Acoustics for POST Indoor is Audio Ease's flagship convolution reverb for Audio Post. Indoor features unprecedented sound quality, flexibility and ease of operation, AAX DSP support, click-free automation, zipper-free motion and up to nine channels of reverb, in a single resizable window without tabs. Indoor can take your studio recordings from understated to overdone, always remaining stunningly real. So that hearing is believing. Features Location location Every room, hallway and kitchen from 10 houses and vehicles, 60 spaces sampled from every angle. Click to drop speaker and microphone in any room, or to open and close doors. Indoor any room to any room Any room to any room Not only the 60 rooms have been sampled but also any-room-TO-any-room is available. Over 1000 impulse responses, everything recorded in 9 channels with a consistency and quality never before presented. Indoor turning motion Turning motion The microphone system can turn, creating seamless, zipper-free and automatable motion in any surround track up to 7.0 plus Dolby Atmos, fully supporting new immersive audio requirements. Panning motion Or insert a 7.0 to 7.0 Indoor in a bus and pan sounds into it. Use the Spread knob to tighten the reverb around each incoming source, dynamically following its panning. That’s Input Pan Following Reverb and its zipper-free. Zipper- and click-free Inside is a completely new convolution engine focused on impulse response changes that are click-free, zipper-free and instant, and they cause no CPU spikes. Pre-roll for IR switches is no longer necessary and neither are multiple instances to cover up switches. AAX DSP version Use the AAX DSP version of Indoor to drop the CPU Load and reduce latency to a millisecond and a half. You can load 3 mono to stereo Indoors on a single chip. No Indoor uses more than 1 chip. AAX DSP is available up to 48 kHz and for up to 1-in 7-out, or up to 5-in 5-out. 9 channel AB or MS Easily switch between the two main surround microphone systems: Baffled Omni-directionals (AB) or Mid Side (MS), or combine them to create 7.0 DTS. Add two ceiling channels (for Dolby Atmos®) to get to a total of 9 channels of real decorrelated reverb channels. Ease and speed There are no tabs or browser windows. The window can be resized and presets are there for super quick operation. CPU load is lower than you’d expect, and because of the zipper- and click-free instant switches you will use less instances than you are used to. Quality & consistency Indoor more than doubles the domestic and vehicle categories of impulse responses available so far. Everything recorded with the same top quality system, so mixing and switching acoustics is more trouble-free than ever.