Mastering-grade transparency Satori is a true analog monitoring and summing system. A Japanese Buddhist term referring to enlightenment, Satori is designed to deliver an 'epiphany' experience to the sound engineer. Antelope's renowned relay-controlled stepped attenuator, the extremely versatile connectivity options and great selection of stereo effects such as mid-side monitoring, place the Satori among the most advanced monitoring controllers in the world, equally suited to both commercial and project studios. Satori expands upon the acclaimed design architecture of Eclipse 384 – Antelope's award-winning mastering AD/DA and monitoring controller. Carefully designed analog circuits and fast, transparent relay attenuators ensure the audio integrity throughout the whole signal path. Stepped relay attenuator with precision accuracy Satori employs advanced, quiet gold-plated relays and precise resistors to facilitate fast, responsive level attenuation, without sacrificing excellent sonic performance. These relays achieve 0.05 dB stereo accuracy and stable L/R balance even at lower volume levels. The pristine, attenuator signal path fully preserves audio signal integrity while revealing even the most subtle nuances. Analog summing functionality In addition to providing outstanding monitoring capabilities, Satori includes a fully analog 8-channel summer. Analog summing allows engineers who work completely “in-the-box” to mix signals in the analog domain for a more natural blending of instruments. The summer inside Satori maintains punch, headroom and excellent dynamics, while offering the analog sound usually found only from legendary analog consoles. Analog sound with digital control The exceptionally clear sonic performance of Satori is derived from advanced analog circuit design. But the flexible and accurate control capabilities are made possible by Antelope's next generation of software control panel technology, which has opened the door to a whole new generation of analog devices, such as the Satori Monitoring System and MP32 32-channel mic preamp. For Satori this means fast and responsive source and speaker output switching, accurate remote volume control and also Mute, Mono, Dim, Mid/Side monitoring. The Satori Control Panel also features stereo peak meters for instant signal visualization. Headphone amps and talk back Surpassing most monitoring controllers, which offer one or two headphone outs, Satori features four independent headphone amps ready to provide several band members their own, unique input feed with independent volume control. Satori's headphone drivers are audiophile-grade and are the same as those used in Antelope's premium line of high-end home audio converters, able to drive both low and high impedance headphones. An abundant number of I/Os Satori provides a generous amount of connectivity options. No other 1U monitoring system has eight stereo inputs and four stereo outputs and features such a comprehensive choice of connections: XLR, ¼'' TRS and D-Sub 25. Satori also boasts a subwoofer output and four ¼'' independent headphone outs. Sleek and functional front panel control Large warmly-lit front panel buttons and an ergonomic aluminum volume knob provide the user with elegant and fast management of all major monitoring functions. The result is a powerful state-of-the-art device that still feels user-friendly and simple to operate.   Features: A complete palette of inputs and outputs Precise stepped relay volume control Four independent headphone outputs with dedicated volume controls Analog Summing allowing easy mixing Extremely flexible routing Analog sound with digital control A user friendly desktop application available for both Windows and OS X

Building on its rich heritage of manufacturing the highest quality mixing and recording consoles, API proudly introduces the new MC531 Monitor Controller. Featuring the same level of craftsmanship found throughout API’s entire product line, the MC531 offers a stand-alone version of the monitoring functionality built into the center section of API’s legendary analog consoles. Specifically designed to include fully-featured monitor control for DAW workflows, the MC531 can integrate seamlessly into any audio production environment where functionality, ease of use and an accurate reference of each audio source is required. “In our ongoing mission to provide audio professionals with products suited to their evolving workflow, the company decided that a monitor controller would be a natural next step in product design,” commented API’s Director of Engineering Todd Humora. “We’ve certainly had many requests for a unit like this over the years. The MC531 provides users with the exact same circuitry they would find in an API console, plus a few extra features that many people will find useful.” Drawing inspiration from the monitor control modules of all API consoles, the MC531 features a Main and two Alternate stereo outputs, the latter having individual trims for speaker level matching. Programmable subwoofer integration allows the user to link the Sub with the Main and/or either of the Alternate outputs. With a total of seven selectable stereo input sources (three analog line-level inputs, AES, USB, plus 3.5mm and Bluetooth), the MC531 can meet the monitoring needs of almost any studio setup. Two independent Headphone outputs and a built-in Talkback mic complement the feature set. Of course, the classic API 41-detent Control Room Knob is right at your fingertips. “API has always strived to engineer products that the audio community needs and wants,” said API President Larry Droppa. “In the case of the MC531, we’re offering a truly professional monitoring solution that’s equally at home in a commercial studio as it is in a smaller, personal creative space. Anyone familiar with an API console will immediately recognize the layout, functionality and the tradition that’s built into this incredible sounding monitor controller.”

The ASP510 integrates easily and seamlessly with any console or DAW based surround set-up to provide comprehensive control of the monitoring and record functions for multiple surround sound formats including: 5.1, LCRS, Dolby Surround, DVD-Video, DVD-Audio, DTS, and SACD. 6 preset MONITOR FORMATS. Supports three 5.1 SURROUND and three STEREO sources. 8 inputs from console ( 5.1 SURROUND plus STEREO). 8 outputs to recorders ( 5.1 SURROUND plus STEREO). Switchable ENCODER/DECODER insertion. 6 speaker outputs, each with LEVEL TRIM. Individual speaker CUT/ISOLATE functions. Universal console SOLO and MONITOR system interface. User definable Monitor REFERENCE and DIM levels. Internal PINK NOISE generator. GUIDE track input. Ergonomic control surface with clear status indication. Applications Surround sound music production. DVD-V and DVD-A authoring. Film and Video Post-Production. Film Production and Foley. SACD authoring. DTS authoring. Video games production. Digital television. Audio visual production. Multi-channel OBs.

Durch seine innovativen und vielfach preisgekrönten Produkte im Bereich Recording und Produktion hat sich der britische Hersteller im Laufe der vergangenen Jahre eine große, weltweite Fangemeinde geschaffen. Das 1997 gegründete Unternehmen aus Hampshire gilt heute als eine der Top Referenzen für professionelle Studiotechnik. Mit NERO stellt Audient seinen ersten Monitorcontroller im Desktopformat vor. Mit seinen zahlreichen Ein- & Ausgängen, den flexiblen Routing-Optionen sowie dem gewohnt hohen Qualitätsstandard bildet NERO das Zentrum für jedes anspruchsvolle Home- & Projektstudio. Eingangsseitig bietet NERO eine Vielzahl verschiedener Anschlussmöglichkeiten, darunter zwei Stereo-Line-Eingänge (6,3 mm Klinke), einen Aux-Eingang (3,5 mm Stereoklinke / Stereo-Cinch) zum schnellen Anschließen von beispielsweise Smartphones oder CD-Playern sowie einen dedizierten Cue-Mix-Eingang. Für Anweisungen aus dem Regieraum und der Kommunikation mit den Mitmusikern spendierte man NERO ein eingebautes Talkback-Mikrofon, welches alternativ auch via XLR-Eingang durch ein kabelgebundenes Mikrofon ersetzt werden kann Das Kontrollzentrum für anspruchsvolle Mixing-Sessions bieten Stereo-Ausgänge für bis zu drei Lautsprecherpaare sowie einen unabhängigen, zuschaltbaren Subwoofer-Ausgang. Dank Audients einzigartiger „Precision Matched Attenuation„-Technologie ist im Gegensatz zu den meisten Monitor-Controllern am Markt eine exakt gleiche Lautstärke des linken und rechten Lautsprechers und somit ein unverfälschtes Stereobild garantiert. Zusätzlich bietet NERO vier hochwertige Headphone-Outputs, die selbst bei lautesten Live-Recordings ein klares, verzerrungsfreies Signal liefern. Mit „Smart Touchpoints“ bieten die Briten ein äußerst durchdachtes Layout. Es gewährleistet trotz unzähliger Möglichkeiten beim Routing einzelner Ein- und Ausgangssignale einen bequemen und intuitiven Workflow, der es erlaubt, während der Session „on the fly“ komplexe Routings mit wenigen Tastendrücken nach eigenen Vorlieben zu erstellen und anschließend als Preset zu speichern. Die Bedienung des Monitor-Controllers wird somit in kürzester Zeit zur Gewohnheit, so dass man sich voll und ganz auf den Mix konzentrieren kann. Features: Monitorcontroller im Desktopformat Hochwertige Verarbeitung 4 Eingänge 2 x Stereo Line Level Input (6,3 mm Klinke) 1 x Cue Mix Input (3,5mm Miniklinke / Stereo RCA) Optical & Coaxial S/PDIF Input 3 x Stereo Speaker Outputs Zuschaltbarer Subwoofer Output 4 x Headphones-Out Eingebautes Talkback-Mikrofon XLR-Input für externes Talkback-Mikrofon „Precision Matched Attenuation“ garantiert exakt selbe Lautstärke des linken & rechten Monitors „Smart Touchpoints“ für benutzerdefinierte Routings Dim-, Cut-, Mono- & Polarity-Funktion LED Level-Meter Abmessungen: 320 x  180 x 100 mm Gewicht: 2200g

Immersive Audio Interface and Monitor ControllerMeet ORIA, the world’s first audio interface and monitor controller designed specifically with immersive audio in mind. Built for creating immersive audio mixes for formats such as Dolby Atmos, ORIA lets you calibrate, control and monitor multi-channel speaker arrays from stereo up to 9.1.6 and everything in between. Perfect for music, film, TV, game and VR production.Hardware Features:Supports up to 9.1.6 Speaker Setups2 x 16 Channel Surround Outputs (Analogue & AES)2 x Stereo Line Outputs (Relay Switched)2 x Independent Stereo Headphone Outputs2 x Audient Mic Preamps (Mic / D.I / Line)2 x ADAT Inputs • Word Clock InputWord Clock OutputORIA Motion UI24 bit / 96kHzUSB 2.0 / USB Type-CSonarworks SoundID Reference Measurement Microphone IncludedOptional AoIP Card (Dante) for 16 Input channelsSoftware Features:Immersive Monitoring ControlInput / Output SwitchingMaster Volume ControlGlobal Delay (lip sync)Individual Speaker Solo & MuteSpeaker Group Solo & MutePer Channel Metering (pre & post)Down Mix Cycling – Dolby Renderer IntegratedProgrammable Function ButtoniPad Control AppOnboard Room Calibration DSPPer Output EQPer Output DelayPer Output TrimPer Output Crossover (Bass Management)Profile Switching – Sonarworks IntegratedConfigurable Global BypassSpecifications:Microphone Inputs Gain: 60dB Max Input Level: +18dBuCrosstalk: <105dB THD+N: 0.0015% / -96dBEIN: -129dBCMRR: -85dBSNR: 100dBFrequency Response: ±0.5dB 20Hz to 40kHz Input Impedance: 1.5kΩ BalancedLine InputsGain: -10dB to +50dBMax Input Level: +18dBuTHD+N: 0.0015% / -96dBInput Impedance: 4.7kΩ BalancedD.I / Instrument InputGain: 60dBMax Input Level: +18dBuTHD+N: 0.16%SNR: 100dBFrequency Response: ±0.5dB 20Hz to 40kHzInput Impedance: 370kΩ UnbalancedLine Outputs Lineup Level: +18dBuTHD+N: 0.0006%, -105dBDynamic Range: 126.5dBCrosstalk: -123dB Frequency Response: ±0.3dB 10Hz to 40kHzOutput Impedance: &lt;100Ω Balanced Headphone Outputs Lineup Level: +18dBuTHD+N: 0.0007% (-103dB)Dynamic Range: 124dB Crosstalk: -115dB Frequency Response: ±0.25dB 10Hz to 40kHz Output Impedance: <50 Ω Unbalanced Max Level @ 30R: 5.47V Peak, 3.87Vrms, 997mW Max Level @ 60R: 7.4V Peak, 5.29Vrms, 912mW Max Level @ 600R: 8.6V Peak, 6.09Vrms, 123mW USB-CConnector: USB Type CIncluded Cable: USB Type-C to Type-CNumber of Input Channels: 34 (2x Analogue, 16 Digital, 16 AOIP*)Number of Output Channels: 38 (20 Line Outs, 2x Stereo Headphone Outs, 16x AES)*With AOIP card fitted Digital InputsADAT 16 Channels: 44.1kHz to 48kHzADAT 8 Channels (SMUX): 88.2kHz to 96kHzDigital OutputsAES Outputs: 16 Audio Channels (8x AES Data Streams) Word Clock Input and OutputWord Clock: 44.1kHz to 96kHzDSP LatencyRound Trip:44.1kHz – 6.5ms48kHz – 6.3ms88.2kHz – 5.5ms96kHz – 5.4ms AOIP (Optional Dante Expansion Card)AOIP Inputs: 16 (44.1kHz to 96kHz)Power SupplyInput Voltage: 85 – 264 VACInput Frequency: 47 – 63Hz

The ORCA is the most highly evolved of all aquatic species. One who uses sonic superiority and harmony to dominate his environment, the ORCA is the APEX PREDATOR of all of the oceans of the Earth. Thriving off of the Island of VANCOUVER, pods of ORCAS silently stalk their prey, present just under the surface; listening, threatening. The ORCAS’ superior sonic 3D imaging gives them an unfair competitive advantage over whatever they may view as prey. Surfers fear great white sharks. Great white sharks fear ORCAS.Building on its reputation of sonic superiority, BURL AUDIO introduces the ultimate in control room monitoring, the B26 ORCA. The B26 ORCA utilizes the same analog, discrete circuit path philosophy as prior BURL AUDIO products with the emphasis on the ultimate in sonic transparency and 3D stereo imaging.Evolve your listening, mixing and mastering through the B26 ORCA and give you and your ears an unfair competitive advantage.Features:• Direct coupled, discrete, class-A signal path• 3 stereo mix inputs, 2 stereo tape return inputs, RCA stereo input• 2 stereo speaker outputs• Audiophile 0.1% matched resistor, stepped attenuator for control room level• Independent studio/phones send and level• External meter output• Control room and Studio headphone outputs

The Tascam P2MMC Interface uses experience gained from both the SR and MR series remote control system. Designed to be used with existing consoles and DAW's and synchronisers the interface will connect any Sony P2 Protocol serial port to the MX2424 Midi Port. This Interface may be used as a serial slave with most RS422 editors/synchronisers Main Features Record and Record Track Arming     Muti-Track arming passed to MMC Machine (DA88, MX2424..) RS422 Input Sony P2 Protocol Input     For use with Consoles, DAW or Video Editors Timecode Output     Virtual Master for the MX2424 Timecode Input     More Accurate position information MIDI, RS22, LTC Reader, Video Indicators     Self Test Virtual Machine

The PD-1 is a new concept in DAW monitoring based on the film mixing concept of the ”PEC/Direct” panel that allows you to mix with separate Dialog, Music and Effects Stems (sub-mixes). You can monitor any combination whilst preserving the ability to ‘Solo in Place’ any source track. The solo, mute and source/playback switching are implemented within the DAW. The audio is mixed within the workstation to generate the individual monitor feeds (LCRS...). This reduces both cost and complexity by eliminating external connections and hardware.Features All audio switching performed within the DAW Solo Using Mute option for 'Solo in Place' Track and Stem names, Read from the DAW are displayed Automatic Stem/Track assignment from track names Eight Global set-ups, 16 Stems, 64 tracks Multiple PD-1 panels may be daisy chained for multi-user operation Custom low depth, light action paddle switches Integrates with CB machine control for multi-user and/or multi machine systems Interfaced with Pro-Tools version 7.2, Pyramix version 5.XX.XSP2 (via Sony 9 pin) Interfacing to other DAW's (Nuendo, Sequoia, Sadie.. .) under discussion. Fingertip record/monitor control of Track, Stem(Sub Group) or all tracks

Now with Remote II, and a ultra low jitter D/A with digital optical input "Avocet" is designed to solve the problems of accurate monitoring and volume control as required by workstation users, studios and mastering rooms alike. It is a stereo controller with three digital inputs, three analog inputs and a headphone system. It's comprised of a rack mounted unit and table top remote control. Avocet has many features including; dim, mute, phase, mono, and 16 bit truncation functions, plus a speaker select switch that sends line level balanced audio to one of three outputs. The six input sources have on the fly gain trim capability and all digital signals are up-sampled and jitter reduced to ensure highest accuracy during D/A conversion.The internal headphone amplifier can be fed from the program source or an external input. Provisions for a talk back function are included.Avocet can operate in surround up to 7.1, with the appropriate number of audio boxes in the system.

Now with Remote II, and a ultra low jitter D/A with digital optical input "Avocet" is designed to solve the problems of accurate monitoring and volume control as required by workstation users, studios and mastering rooms alike. It is a stereo controller with three digital inputs, three analog inputs and a headphone system. It's comprised of a rack mounted unit and table top remote control. Avocet has many features including; dim, mute, phase, mono, and 16 bit truncation functions, plus a speaker select switch that sends line level balanced audio to one of three outputs. The six input sources have on the fly gain trim capability and all digital signals are up-sampled and jitter reduced to ensure highest accuracy during D/A conversion.The internal headphone amplifier can be fed from the program source or an external input. Provisions for a talk back function are included.Avocet can operate in surround up to 7.1, with the appropriate number of audio boxes in the system.

Now with Remote II, and a ultra low jitter D/A with digital optical input "Avocet" is designed to solve the problems of accurate monitoring and volume control as required by workstation users, studios and mastering rooms alike. It is a stereo controller with three digital inputs, three analog inputs and a headphone system. It's comprised of a rack mounted unit and table top remote control. Avocet has many features including; dim, mute, phase, mono, and 16 bit truncation functions, plus a speaker select switch that sends line level balanced audio to one of three outputs. The six input sources have on the fly gain trim capability and all digital signals are up-sampled and jitter reduced to ensure highest accuracy during D/A conversion.The internal headphone amplifier can be fed from the program source or an external input. Provisions for a talk back function are included.Avocet can operate in surround up to 7.1, with the appropriate number of audio boxes in the system.

Allgemeine Beschreibung MOM ist der perfekte Begleiter, wenn Sie die Monitor-Controller-Funktionen des Avid MTRX, MTRX Studio, DAD AX32 oder NTP Penta 721s nutzen. MOM ist eine Fernbedienung für das Pro|Mon Monitorprofil in der DADman Steuerungssoftware. Sie verfügt über 10 frei programmierbare Tasten, einen Drehregler und einen GPI-Eingang für einen externen Schalter. Sie können fast jede Funktion des Monitorprofils einer beliebigen Taste des MOM zuweisen, so dass Sie es leicht für Ihre speziellen Anforderungen konfigurieren können. Darüber hinaus bietet das MOM 4 Tastenebenen mit insgesamt 40 programmierbaren Tasten. Mit einem Gewicht von 2 Pfund ist das MOM robust und bleibt an seinem Platz, ist aber gleichzeitig kompakt genug, um keinen wertvollen Platz auf dem Schreibtisch zu beanspruchen. Der Drehregler für die Lautstärkeregelung wurde sorgfältig für eine hervorragende Haptik entwickelt und verfügt über farbige LEDs, die die Lautstärkeeinstellung in 0,5 dB-Schritten anzeigen. Während er in Kombination mit der DADman-Software perfekt funktioniert, zeigt sich seine wahre Stärke in Verbindung mit EUCON-Bedienoberflächen wie dem Avid Dock, S4, S6 oder sogar der kostenlosen Control-App, da der MOM-Betrieb mit diesen Geräten synchronisiert ist. Wählen Sie einfach z.B. eine Quelle auf dem Dock aus und die entsprechende Taste auf dem MOM leuchtet auf und umgekehrt, was Sie auf dem MOM tun, wird auch auf dem Dock reflektiert. Sie können das MOM aber nicht nur in Kombination mit EUCON-Bedienoberflächen verwenden, sondern auch mehrere MOMs auf demselben System einsetzen. Dies ist besonders praktisch, wenn Sie mehrere Arbeitsplätze oder Abhörpositionen haben, z. B. einen Tontechniker- und einen Regieplatz, da Sie das MOM dort platzieren können, wo es benötigt wird. Das MOM verfügt auch über einen GPI-Eingang, der für einen externen Schalter verwendet werden kann, z. B. einen Fußschalter oder einen separaten Schalter am Pult. Die Funktion des GPI-Eingangs kann genau wie die der Tasten programmiert werden. Sie können das MOM entweder über PoE mit Strom versorgen, was die Installation sehr einfach macht, oder über ein mitgeliefertes Netzgerät. Das MOM wird in Dänemark hergestellt und besticht durch sein schlankes und elegantes Design, das sich in jedem Studio sehen lassen kann. Eigenschaften MOM bietet Ihnen alles, was Sie von einem erstklassigen Hardware-Monitor-Controller erwarten: - Großer Drehregler in Top-Qualität- Umschalten zwischen verschiedenen Quellen- Umschalten zwischen verschiedenen Monitor-Konfigurationen (von Mono bis Atmos)- Mute/Solo einzelner Monitorkanäle- Talkback- Dimmen- Trimmen- Referenzpegel

Dangerous Music D-Box+ The Dangerous D-BOX+ is a dramatic ground-up redesign of the award- winning controller and summing mixer that provided countless studios the superior sound and versatile control of an analog mixer, all in just one rack space. The newly designed 8-channel summing mixer and D-A stereo converter provide Dangerous Music’s bold and clear sound, while newly added features like of all major functions unleash a truly forward-looking feature set. As with all Dangerous Music products, the D-BOX+ is proudly made to exacting audiophile standards in the USA. Features: Newly upgraded 8-channel analog summing mixer (7+8 mono switchable) delivers enormous soundstage and superior sonic impact Digitally controlled volume knob with precise L/R level and adjustable dim Five analog and digital inputs at your fingertips (analog stereo, analog sum, USB, AES/SPDIF, Bluetooth) Bluetooth wireless audio streaming Free D-BOX+ app offers remote control of all major functions (volume, dim, talkback, I/O select, and more) Dedicated app runs effortlessly on current macOS and Windows computers, as well as IOS and Android devices Driverless USB audio connectivity for macOS; simple USB audio driver installation for Windows On-board talkback mic with push-button activation (on front panel or remotely from app) Talkback via smartphone (Bluetooth) Dual world-class headphone amplifiers with independent source selection and level control (front panel or app) Three independent speaker outputs (selected from front panel or from app) Programmable speaker selector allows for dedicated mono and/or sub inclusion on all outputs Speaker Outputs 2 and 3 trimmable (on the front panel) Three mastering-grade digital-to-analog stereo converter for transparent, musical monitoring of digital sources (USB, AES/SPDIF, Bluetooth) Dangerous Music’s renown audiophile-grade circuit design, components, and build quality throughout

The ultimate DAW companionThe Dangerous Monitor ST is a remote-control accessed input source switcher/speaker switcher/cue system/talkback system /headphone amplifier all in a one rack space package.The SR is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!Configure and control your entire system from the comfort of your sweet spot.Features:Analog stepped-attenuator volume controlNo level control IC’s used – pristine, accurate and repeatable.4 input sourcesSwitch between your DAW outputs, DVD player, CD player, tape machines, etc.3 speaker outputsSwitch between up to 3 sets of monitorsProgrammable input gain offsetsAdjust for and store level offsets for different source devicesInput level compensation for –10dBV and +4dBu sourcesInstantly adjust and store gain compensation for consumer devicesInput 4 has continuously variable level offsetCompensate for commercial CD levels and perform true A/B comparisons without compromising sound quality.Programmable output level offsets Fine-tune and store offsets to achieve equal apparent loudness on all your control room speakers- SR unit has continually variable level trims for L-R rear, center and LFE.Assignable subwoofer outputChoose and store which sets of speakers you want to use with your subProgrammable subwoofer level offsetAdjust and store subwoofer levels, easily alternate between sub function and LFE functionSelectable subwoofer filteringSelect and store subwoofer filter options for each set of speakers. Switch between full bandwidth for surround mixing and bottom octave only for stereo work.Comprehensive speaker Mute and SoloEasily mute and solo speakers in any combinationFlexible stereo cue system with main and auxiliary inputsMake your performers happy with a great headphone mix or use the aux input as a Beep channel to monitor computer alert tones or click tracks on the main speakers.Onboard cue power amp40 watts of clean power for your headphonesTalkback system with dual control and dedicated slate output Give the producer his own talkback button! Easily slate tracks, or send the slate output to a powered speaker for open-air talkbackSR unit has selected source outputSend source signals to meters or any other external device Specifications:Gain Tracking Accuracy: better than 0.05dB for 6 channelsTHD+N: 0.002%IMD: 0.003%Frequency Response: 1Hz-100kHz    -0.1dBCrosstalk Rejection: >96dBNominal Input Level: +4dBu or -10dBVCrossover: -3dB @ 57Hz 18dB/octave modified Butterworth/ChebyshevHeadphone amp: 0.002% THD+NHeadroom: +25dBu to main outputs

MA2CHBOX.XL is a reference class headphone amplifier for MADI (AES10) and AES3 signals. The device features three MADI ports, an AES3 port, a headphones output and a stereo line level output.  Any stereo pair or single mono channel out of three MADI streams or the AES input can be routed independently to either headphones, AES output or line out. The AES input signal may also be embedded into the MADI stream. All-Round MA2CHBOX.XL offers highest flexibility for MADI monitoring and line checking as it provides three interface standards for MADI:  optical SC (single-mode or multi-mode)  coaxial (BNC) SFP The Small Form Factor Pluggable cage can be fitted with any SFP module suitable for the customer’s application. A port routing offers independent output feeds for each MADI output. Remote Control The integral USB port allows for firmware updates, serial data embedding and remote control for extended features, e.g. an internal routing matrix. A channel based routing can be defined through a remote control software and stored inside the device. External Monitors The MADI signal from the mixing desk is fed to MADI 1. The selected channel pair is output at the stereo line out / AES3 port feeding (analog or digital) studio monitors. A laptop is connected at MADI 2 out for recording. MADI 3 could additionally be used to monitor another input signal or for output of the mixer signal.

The CMC3 Compact Monitor Controller consolidates the feature sets of Drawmer's 3 most popular monitor controllers: Whilst retaining the famed accurate, and transparent audio quality of the MC2.1, it has the precision and control of the MC3.1 and the low profile, compact design of the CMC2. It is equally at home in a serious home studio as in a professional recording facility. There is one thing that should always be absolutely guaranteed - that you can rely on the accuracy of your monitor controller. Drawmer monitor controllers do not flavour, colour, warm, improve or brighten the signal, the active circuit has been designed to faithfully produce the audio signal whilst removing many of the problems that a passive circuit will bring. For all Drawmer monitor controllers it is imperative that what you record is exactly what you hear. Accurate & TransparentWith the same Drawmer pedigree as the MC2.1, the CMC3 circuit is just as transparent and accurate. It has been designed to remove the limitations that a passive circuit brings, such as the ability to increase the volume for quiet passages and improved mix checking, without adding the artifacts that lesser quality active circuits introduce. PrecisionThe CMC3 supports 3 sets of stereo monitors, plus a dedicated mono speaker/sub-woofer output, each can be switched individually and simultaneously and in any order, especially useful for A/B comparisons. The sub-woofer can be used with multiple speakers, or turned off altogether. The volume control utilizes a parallelled custom quad pot for excellent channel matching and smooth feel, as does the secondary preset volume control on the front. This provides repeatable calibrated output level for the monitors, so that at the flick of a switch the engineer can hear the mix at the same predetermined volume, time after time, without having to meticulously adjust controls. Multiple ConnectionsThe CMC3 is very well connected with 4 stereo inputs in total: 1x SPDIF digital input (24 bit/192kHz), using the same DAC chipset as the established MC3.1 monitor controller, 2 stereo balanced jack inputs, plus a 3.5mm jack with variable level control for Smartphones/MP3 Players. In addition, it has a 2 professional quality headphone outputs with a separate amplifier and level control, that provide the same audio quality and mix checking as the CMC3 does through the speakers. Talkback is also included with internal or external microphone, level control and audio routing to a dedicated mono output jack & headphones. Advanced Mix CheckingThe comprehensive mix checking facilities of the CMC3 include dim, mono, phase reverse, left and right cut as well as an easy access mute switch, allowing to check the quality of recordings: tune into the mix to hear any unwanted artefacts, test the effectiveness of the stereo mix, check for phase cancellation, listen to the stereo difference. Features that many monitor controllers lack. CompactThe CMC3 packs a lot of features into a small unit. The whole package is presented in a very low profile desktop enclosure of just 3.5 cm high with a footprint of 27 x 16 cm.Tough & SecureWhilst being smart and stylish the rugged, all steel enclosure will withstand the knocks and bumps of the studio, and, coupled with the high quality components used, the CMC3 is built to last. In addition, a Kensington security slot provides protection from thieves. Features: Ultra low noise and transparent circuit design. Source switches can be active in any combination. 4 Inputs in Total - 1x Digital SPDIF (192 kHz / 24 Bit) & 2 on balanced analogue 1/4" jacks & 1 3.5mm Front Panel Aux jack for Smartphones/MP3-Players. 3x Speakers Plus a Mono Sub can be switched individually & simultaneously or give A/B comparisons. Timed relay protection on all speaker outputs to prevent power up/down bangs. Volume can be set via the Variable Front Panel Knob or a Preset Control. Each has parallelled custom quad pots for excellent channel matching and smooth feel. 2x Headphone Amplifiers with Individual Level Controls with easy access to the jacks on the front. Front Panel 3.5mm AUX Input & Level Control for connecting MP3 player, smartphone or tablet etc. Built In Talkback with Level Control, Internal or External Microphone, and Internal Routing to a Mono Output Jack & Headphones. Comprehensive Mix Checking facilities Include Dim, Phase Reverse and Mono, Left and Right Cut as well as an easy access Mute switch. Kensington security slot (also called a K-Slot or Kensington lock). Very low profile desktop enclosure with a footprint of just 27x16cm. Stylish and Rugged Enclosure will withstand the knocks of the studio. Designed and manufactured by Drawmer in the UK.