Firewire Audiointerface und 28/16 Digital Mixer mit FX     24-Bit / 192 kHz     integrierter DSP für EQ     Compressor und Reverb     neue CueMix Console     2 Mic- Gitarren-Eingänge mit integriertem Hardware-Limiter48V Phantomspeisung     8 symmetrische Line I/O´s + 2 x XLR Main Out     2 Send     2 x ADAT I/O     coaxial S/PDIF I/O (24-bit 96kHz)     MIDI I/O     Word Clock I/O     2x Kopfhörer-Ausgang     für Mac & PC     Format: 19” - 1HE

Thunderbolt technology The future of connectivity Thunderbolt fulfills the promise of a truly state-of-the-art connectivity standard for personal computers. With massive bandwidth, Thunderbolt allows you to connect displays, hard drives, and other peripherals to your computer, along with the 828x, up to six devices total (with the 828x at the end of the chain), and the Thunderbolt bus won't even break a sweat. Thunderbolt combines plug-and-play convenience with massive bandwidth and low latency for truly professional audio interface performance. Hi-speed USB 2.0 Mac, PC, and USB 3.0 compatible As Thunderbolt becomes more widely adopted, Hi-speed USB 2.0 provides across-the-board compatibility with virtually all laptops and desktops on both Mac and Windows. Since USB 2.0 devices are compatible with USB 3.0-equipped hosts, your 828x interface is a future-proof investment in your studio. 28 inputs and 30 outputs How can one audio interface offer this much I/O? We pack it in, like no one else can: two combo-style mic/guitar inputs with preamps, 8 balanced analog in/out, XLR main outs, 16 channels of ADAT optical (8 channels at 96 kHz), plus S/PDIF, word clock and MIDI. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Recording up to 192 kHz Audio quality without compromise Now in its fifth generation, the 828 has become a benchmark for the industry, setting the bar by which others are judged. How has this level of respect been earned? Through consistent design integrity and intelligent use of current-generation parts and design technologies. Studio-grade mic channels   Enjoy extras like sends and optional hardware limiting   Do you work with outboard EQs and compressors? Each 828x mic input offers a pre-converter send for mono or stereo mic channel outboard processing. The 828x's unique V-Limit™ hardware limiter employs a proprietary design to offer an additional 12 dB of headroom over digital zero with no digital clipping or harsh artifacts, for that added protection in dynamic recording situations. The 828x's preamps are clean and neutral, allowing you to use your favorite plug-ins and host software to color the sound just the way you want for each recording application. On-board digital mixer with effects Mixing and effects for monitoring and live mixing Record, monitor, route and process all live inputs using the professional on-board CueMix FX digital mixer – with no latency and no processor strain on your computer. Apply DSP-driven compression, EQ and reverb to every input and output, independent of your host computer. Stand-alone operation as a mixer Go instantly from studio to stage After programming the on-board mixing in the studio, unplug the 828x from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD. Solid metal chassis MOTU interfaces are built to last, and last, and last… We still get calls and Facebook posts from happy users of the original 828, introduced more than 10 years ago! Like all MOTU interfaces, the 828x's aluminum alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and road. In a world awash with cheap plastic, the cool feeling of the 828x's metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction Support for Mac OS X and Windows Run all your favorite audio apps The 828x provides time-tested drivers for Mac OS X and Windows (8, 7 and Vista) for cross-platform compatibility with virtually all audio software via WDM, ASIO, and Core Audio drivers. Advanced extras The engineering behind 828x runs deep,to give your audio recordings the depth of quality they deserve MIDI I/O Connect your MIDI gear without the need for a separate MIDI interface. 96 kHz Optical With two optical banks, you get 8 channels of 96 kHz SMUX digital input and output. Expansion Add another MOTU audio interface for more inputs and outputs as your needs grow. Instrument tuner Tune your guitar or other instrument to within a hundredth of a cent with this easy-to-read meter. SMPTE time code sync Resolve your workstation software to time code, without the need for a dedicated synchronizer. Analysis tools and oscilloscope Visualize the harmonic content of your mix with dynamic animation and vivid color. Check phase. Need legacy FireWire support? The 828mk3 Hybrid is for you The 828mk3 Hybrid provides virtually identical features to the 828x (including USB 2.0 support), except that instead of Thunderbolt, it provides FireWire connectivity to any FireWire-equipped Mac or PC. The connectors are "Type B" jacks typically used for FireWire 800, but they operate as standard FireWire 400 ports and are compatible with any FireWire port on your computer (A or B).  

Multi-channel audio for your Mac or PC Thanks to MOTU’s Hybrid interface technology, the Audio Express connects to any current Mac or PC via FireWire or high-speed USB 2.0. Connect your mic, guitar, keyboard, and digital input, and you are ready to make pro-quality recordings in your personal studio. Studio-grade sound     The Audio Express delivers MOTU’s renowned, award-winning audio interface technology to your personal studio with the pristine audio quality, advanced engineering, and rock-solid performance that MOTU interfaces are known for worldwide. Simplicity by designConnect your powered speakers. Plug in your instruments. Adjust their volumes with the front panel knobs. Double-click to install the drivers. What could be easier? The Audio Express is designed to be simple to use, so you can focus on your music and performance.   Hybrid Firewire/USB 2.0 connectivityFireWire has long been recognized as a reliable, high-performance connectivity standard for professional audio interfaces. Meanwhile, high-speed USB 2.0 has also developed into a widely adopted standard for connecting audio devices to personal computers.To fully support both formats, the Audio Express hybrid audio interface is equipped with a FireWire jack (400 Mbit/sec) and a high-speed USB 2.0 jack (480 Mbit/sec). This gives you maximum flexibility and compatibility when connecting to today’s ever-expanding universe of Mac and Windows computers.If your computer doesn't have FireWire, you can use USB. If it has both, then the choice is yours and may depend mostly on other peripherals you have.Audio Express mic/guitar inputs     Mic/guitar inputsThe Audio Express combo mic/guitar inputs are equipped with pristine, transparent preamps and offer individually adjustable 48V phantom power and -20 dB pad. The quarter-inch guitar jack provides high-impedance load characteristics suitable for passive and active pickups alike. For even more authentic feel and response when using virtual guitar amp and cabinet plug-ins, use a ZBox guitar impedance adapter.Digitally controlled analog trim The Audio Express's analog trim circuits deliver clean sound, combined with the precision of digital control. Trim is adjusted at the input, before the mixer, so it applies to all mixes. Mix levels are controlled separately from trim, so you never sacrifice sound quality for a balanced mix.    Digitally controlled analog trimMIDI input and output     MIDI I/OThe Audio Express provides MIDI input and output featuring sample-accurate timing with supporting software. Connect a MIDI keyboard, sound module or control surface, and you are ready to go. The FireWire or USB connection to the computer carries both MIDI and audio so you don't need to connect an additional USB cable for MIDI.Foot switchConnect any standard momentary foot switch to trigger hands-free punch-ins during recording. Or map the foot switch to any keystrokes you wish in your host audio software. SMPTE time code syncYou can resolve the Audio Express directly to SMPTE time code, without a dedicated synchronizer, via any analog input. The Audio Express provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. This technology represents the very latest in extremely high-performance, yet cost-effective digital audio clocking. DDS also allows the Audio Express to maintain an extremely stable clock while resolved to incoming clock sources that have substantially more jitter than the Audio Express itself.SMPTE Console software SMPTE Console software The included MOTU SMPTE Console™ software (for Mac OS X and Windows) provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer. Like CueMix FX, the synchronization features are cross-platform and compatible with all audio sequencer software that supports the ASIO2 sample-accurate sync protocol. Add another Audio Express (or other MOTU audio interface) as your needs grow via a standard Firewire or USB 2.0 hub. The Audio Express provides driver-level support for resolving multiple interfaces with each other so that their audio streams never drift apart over time during recording or playback. 

MOTU Traveler MK3The Traveler-mk3 delivers innovative new features, enhanced standard features that remain unique, superb sound and reliable performance.Engineered for high-end mobile recording applications, the Traveler-mk3 delivers four very high quality mic inputs, bus power, optional battery power and DSP-driven mixing and effects processing.Features:    Sturdy lightweight construction — ready to travel with you anywhere.    Compact size (14.75 × 9 inches) — fits easily into a napsack, briefcase or computer bag and sits perfectly under any laptop.    Powered by computer* — no additional power supply necessary for complete recording freedom.    Optional battery power — standard field battery pack (sold separately) can be used for extended remote recording sessions and stand-alone operation as a complete digital mixer.    28 inputs / 30 outputs (at 44.1/48 kHz) — there's no channel sharing in the Traveler-mk3. Mic inputs, TRS analog, AES/EBU, RCA S/PDIF and phones are all handled as separate channels.    Four combo jacks provide hi-Z 1/4” guitar input or low-Z XLR mic input with transparent preamps, phantom power, pad and plenty of gain.    Clip protection — Mic/guitar input limiter prevents digital clipping and distortion from overloaded signal levels up to +12 dB over zero.    Individual 48V phantom power on each mic input — mix and match microphones.    Four 24-bit 192kHz analog inputs and eight analog outputs on balanced/unbalanced 1/4" TRS jacks.    Digital Precision Trim™ — adjust input gain in 1dB increments on all analog inputs (mic/guitar inputs + quarter-inch TRS inputs). Fine-tune the balance of your analog inputs. Save and recall multiple trim setups.    High-resolution recording — The Traveler-mk3 can operate all analog I/O at sample rates up to 192kHz.    Flexible optical I/O — 16 channels of ADAT lightpipe, 8 channels of SMUX (96 kHz) or two pairs of stereo TOSLink. Mix and match formats between the two banks.    CueMix FX™ — flexible 28 input/16 bus mixer with on-board DSP effects, including classic reverb with sends/returns, plus modeled EQ and vintage compression on every input and output.    Multiple CueMix FX mixes — for example, create different monitor mixes for the main outs and headphones. Or add send/return loops for outboard gear with no latency.    Advanced audio signal analysis — CueMix FX software provides real-time FFT and spectrogram "waterfall" displays for visual analysis of individual signals and entire mixes.    Front-panel control — access your entire mix, or any Traveler-mk3 setting, directly from the front panel.    Stand-alone operation — program your mixes at the studio and then bring the Traveler-mk3 to your gig — no computer needed. Just plug in the included DC power adapter. Tweak settings using the back-lit LCD.    Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.    Expandable — add additional interfaces for more I/O as your needs grow.    Compatible with the 8pre mic input expander — connect the 8pre via optical for 8 more mic inputs at sample rates up to 96 kHz fully integrated into the Traveler-mk3's CueMix FX mixing environment.    Eight 24-bit 192kHz outputs on balanced/unbalanced 1/4" TRS jacks.    Phone jack with front panel volume control.    Stereo 24-bit 96kHz AES/EBU in/out.    Stereo 24-bit 96kHz S/PDIF in/out.    Word clock in and out.    Built-in SMPTE time code sync — resolves to and generates time code. Allows you to directly resolve Digital Performer, Logic, Cubase, Nuendo and other compatible host software to time code with no additional synchronizer needed.    DC-coupled TRS outputs — can be used with Volta™ (sold separately) to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.    Plug-and-play operation with your Mac or PC via FireWire.    Includes native 32- and 64-bit drivers for Mac OS X and Windows 7/Vista/XP, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.    Supports all popular Mac and Windows audio software.    100% compatible with all host-based effects processing in today's popular audio programs.    Includes AudioDesk 3 full-featured sample-accurate workstation software for the Mac OS X with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.    Plug-and-play operation with your Mac or PC via FireWire — Two FireWire 400 ports allow for daisy-chaining without a hub. Works with a FireWire 800 connection via a simple adapter or FW400-to-800 cable.    Front panel volume control for monitoring. Stereo, Quad, 5.1, 7.1 and user-defined surround monitoring setups available.    Front panel meters or activity LEDs for all analog, digital and MIDI I/O, plus SMPTE sync, tach and lock LEDs.    Comprehensive level metering — Front panel LCD provides vertical meters for entire banks (8 channels at once) or horizontal long-throw metering for individual channels. Meter banks are quickly accessible via the dedicated METERS rotary encoder on the front panel.    Dedicated front panel clock status LEDs.    Chassis dimensions, excluding rack ears and front and back panel knobs and connectors: 14.75 × 9 × 1.75 inches (37.47 × 22.86 × 4.45 cm). Knobs and connectors extend up to 0.5 inch (1.27 cm) from front and back panels, adding 1 inch (2.54 cm) to depth. With rack ears attached, fits standard 19 inch (48.26 cm) rack at 1U high.

Der AFI1 ist ein 24-kanaliges FireWire Interface mit 8-kanalig bidirektionalem AES/EBU und 16-kanalig bidirektionalem ADAT Interface. Mit dem AFI1 sind folgende zeitgleiche Wandlungen möglich: FireWire zu AES/EBU (8 Kanäle)AES/EBU zu FireWire (8 Kanäle)FireWire zu ADAT (16 Kanäle)ADAT zu FireWire (16 Kanäle) Eingänge:Digitale Eingänge für FireWire (2 x FireWire Anschluss)XLR (AES/EBU)TOSLINK (2 x ADAT Anschluss)Ausgänge:Digitale Ausgänge auf FireWire (2 x FireWire Anschluss)XLR (AES/EBU)TOSLINK (2 x ADAT Anschluss)unterstützte Samplingraten:44.1, 48, 88.2, 96, 176.4, 192kHz. 16 Kanäle ADAT bei 44.1/48kHz8 Kanäle ADAT bei 88.2/96kHz4 Kanäle ADAT bei 176.4/192 kHzSoftware:Treiber für Windows™ und OSX™ Betriebssysteme.Netzteil:100 ... 240V, 10VA