Features Low noise Class A FET amplifier 28 dB amplification XLR input/output Custom nickel core transformer Frequency response 30hz-100 kHz Circuit is powered with 48V phantom power PhilosophyFetHead Transformer is a high quality inline microphone preamplifier. It provides a very warm andthick yet articulate sound for dynamic and ribbon microphones. FetHead Transformer’s desirablecharacter is a really great addition to (interface) preamps which sound rather neutral. Our tried andtrue FET technology combined with a custom wound nickel core transformer delivers 28dB oftransformer infused gain. OperationYour Fethead Transformer will latch straight onto any XLR equipped microphone, or anywhere else inthe signal path between microphone and preamp/mixer. The electronics are housed in a robust metalchassis with a balanced female XLR input and a balanced male XLR output, rugged enough for use athome, in the studio or on tour. Recommended applicationOur FetHead Transformer is recommended in the following situations: For tracking vocals and making podcasts Adding transformer sound to your signal chain Recording direct into a DAW interface Mixers/preamps that negatively impact the sound at higher gain setting Adding warm and thick focus to the sound source Circuit topologyOur FetHead Transformer utilizes a low noise Class A FET amplifier with a nickel core outputtransformer. A low impedance output buffer provides output drive to long cables.

Germanium microphone preamp FetHead Germanium is a high quality, in-line microphone preamplifier. It provides a punchy and direct, ‘larger than life’ germanium sound for ribbon and dynamic microphones, adding classy Germanium harmonics. Sounding full and rich it is reminiscent of much higher priced vintage gear, making FetHead Ge's desirable coloration a really great addition to (Interface) preamps which sound rather neutral. Germanium flavour Germanium transistors were widely used in earliest transistor designs by Neve, EMI, Telefunken, and Fairchild, and have developed a reputation for a decidedly vintage mojo that remains sought after today. We created a novel hybrid circuit that consists of low noise JFets and a hand-selected ‘new old stock’ germanium transistor to take full advantage of the "Germanium" sound and at the same time achieve the same sonic quality we are known for. Protects the microphone Some ribbon microphone do not tolerate phantom power. FetHead Germanium circuit uses 48v phantom power but shields it from the microphone, your microphone is protected. Germanium microphone preamp For Ribbon and Dynamic microphones Great addition to neutral sounding preamps New old stock Germanium transistor 29dB amplification Shielded Enclosure Easy install - 2 clicks and done

Der Schreibtisch ist für den Computermusiker konzipiert: eine kompakte, höhenverstellbare Tastaturablage, sechs Höheneinheiten und viel Platz für Bildschirme und Peripheriegeräte.

The WA-84 is a precise reproduction of the industry standard small-diaphragm condenser mic. Unlike modern transformerless recreations, vintage units are prized for the rich & detailed tone that delivers smooth yet detailed high end. Like the original, the WA-84 delivers that signature SDC sound trusted by artists and engineers on legendary recordings by James Taylor, Fleetwood Mac, Paul Simon, Steve Gadd and many more.Like the original vintage units, the WA-84 delivers open clarity with powerful noise rejection. Unlike modern reissues that skip the transformer and “update” the circuit, the WA-84 captures creamy smooth top-end and the BEEFY mid to bottom-end that made the original the studio legend that it is. The class-A circuitry, premium transformer, and meticulous design allow the WA-84 to capture precise detail in performances with professional sound isolation. The slight 8 - 10 kHz dip / 11 - 20 kHz bump smooths out harsh highs without any lost brilliance.

Desktop 12 x 18 Thunderbolt audio interface with four Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, QUAD core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Desktop 12 x 18 Thunderbolt audio interface with four Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, QUAD core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Desktop 10 x 6 Thunderbolt audio interface with two Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, QUAD core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Desktop 10 x 6 Thunderbolt audio interface with two Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, QUAD core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Desktop 10 x 6 Thunderbolt audio interface with two Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, DUO core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and moreMix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

Hol Dir 11 UAD Plug-ins KOSTENLOS beim Kauf eines UA Mikrofons Beim Kauf eines beliebigen Mikrofons der Standard-, Sphere-, oder Bock-Series erhältst Du das neue UAD Essentials Edition Plug-in Bundle mit 11 UAD Plug-ins, darunter klassische Teletronix LA-2A Compression, Pultec EQs, Oxide Tape Recorder und weitere. Ein Wert von 325€, absolut kostenlos! Details und Einschränkungen: Das Angebot gilt nur für Kunden, die zwischen dem 1. Oktober und dem 30. Juni 2024 ein berechtigtes Standard Series, Sphere Modeling, oder Bock Mikrofon bei einem autorisierten UA Händler kaufen. Die Krönung klassischer Chorus-, Flanger-/Doubling- und Tube Tremolo-Effekte.   Mit Astra Modulation Machine sind Universal Audios Ingenieure in die Tiefen der analogen Modulationseffekte abgetaucht und haben die authentischsten Bucket-Brigade Chorus/Vibrato, Studio-Flanger/Doubler und röhrengetriebene Tremolo Effekte entwickelt, die jemals in einer Stompbox verbaut wurden.   Aufgebaut auf dem leistungsstarken UAFX Dual-Engine Processing für unübertroffenen analogen Realismus, liefert Astra süchtig machende Vintage Modulation Sounds, die über Jahrzehnte hinweg inspirieren werden.   Chorus Brigade Legendäre japanische Modulation Astra bietet Usern die vollständigste Schaltungsemulation der legendären grauen Bucket Brigade Chorus Stompbox. Mit einer perfekt emulierten Schaltung — einschließlich der Vorverstärkersektion für authentisch satte, gesättigte Sounds — können User ihre Sounds mit dem dicken, üppigen Chorus und dem wellenförmigen Vibrato eines berühmten Modulationseffekts der 70er Jahre verfeinern.   Flanger/Doubler Ein Rackmount-Studioklassiker Classic Rackmount Studio Flanger/Doubler ist berühmt für atemberaubende Whosh-Effekte, organisches Verdicken und eine Vielzahl wilder Sounds, die über typische Flanger-Boxen hinausgehen. Der Flanger/Dblr-Effekt von Astra ist die einzige durchgängige Schaltungsemulation dieses ultraseltenen Geräts, die alle seine ursprünglichen Qualitäten einfängt und Dir dichtes, komplexes Flanging/Doubling direkt zu Füßen legt.   Trem 65 Authentisches Tube Amp "Shake" Trem 65 ist eine originalgetreue Emulation des optischen, röhrengetriebenen Tremolos amerikanischer Verstärker der 60er Jahre. Von schimmernden Wellen bis zu abgehacktem Chaos hat UA jedes Detail eingefangen, inklusive den komplexen Interaktionen zwischen dem Fotowiderstand und der 12AT7-Treiberröhre. Darüber hinaus können User ihre eigenen Trem-Texturen mit variablen Sinus- und Square-Wave Einstellungen noch weiter erkunden und erschaffen.   Dual Stereo Modulation Engines für endlose Kreativität  Astras UAFX Engine betreibt dank dem einzigartigen Dual Engine Processing separate Stereoinstanzen für jeden Modulationseffekt. Es ist so, als ob zwei Bucket-Brigade Hardware-Einheiten gleichzeitig laufen, die dem Benutzer eine volle Stereobreite von komplexen, atemberaubenden Texturen bieten.   Eine State-of-the-Art Stompbox Mit modernen, leistungsstarken Funktionen wie Wandlung in Studioqualität, Dual Processing Engines, Live/Preset Modi, sowie wählbarem True oder Buffered Bypass und Tap Tempo Fußschalter Modus über die UAFX Control App, hat Astra Modulation Machine alle Farben, die man braucht, um ein klangliches Meisterwerk zu malen. Bitte beachte, dass die Astra Modulation Machine ein modernes isoliertes 400-mA-Netzteil benötigt (separat erhältlich).   Hauptmerkmale ·         Flaggschiff, kompromisslose Stompbox mit den authentischsten Bucket Brigade- und röhrengetriebenen Tremolo-Effekten, die je in einem Effektpedal eingefangen wurden ·         End-to-End Emulation des legendären japanischen Chorus/Vibrato-Pedals ·         Vollständige Schaltungserfassung des legendären 70er Jahre Rackmount Studio Flanger/Doubler ·         Vollständiges Model des röhrengetriebenen optischen Tremolos aus klassischen amerikanischen Verstärkern der 60er Jahre ·         Silent-Switching, Preset Fußschalter-Modus zum Speichern und Abrufen deines Favoriten-Settings ·         Die UAFX Control Mobile App ermöglicht das Umschalten zwischen True- und Buffered-Bypass und den Zugriff auf den Preset + Tap Fußschaltermodus für temposynchrone Effekte ·         Kostenlose Phaser X90 und Dharma Trem 61 Effekte bei Registrierung   Spezifikationen ·         Stromversorgung: Isolierte 9VDC, Centrer-Negativ, mindestens 400mA (separat erhältlich) ·         Eingänge: 2 x 6,35mm TS Klinke (rechter Eingang für Stereoanschlüsse) ·         Ausgänge: 2 x 6,35mm TS Klinke (rechter Ausgang für Stereoanschlüsse) ·         USB Typ-C für Updates über Computer ·         Höhe: 6,5 cm (2,56") ·         Breite: 9,2 cm (3,62") ·         Tiefe: 14,1 cm (5,55") ·         Gewicht: 0,567 kg (1,24 lbs)    

Telefunken DC7 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne.Das TELEFUNKEN DC7 ist ein 7-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, drei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung3 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount7 x XLR Kabel mit WinkelsteckerFlightcase

Telefunken DC6 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Das TELEFUNKEN DC6 ist ein 6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, zwei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung2 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount6 x XLR Kabel mit WinkelsteckerFlightcase

Telefunken DD4 Drum PackMikrofone aus der TELEFUNKEN-Dynamics-Serie, kombiniert zu Sets, die hervorragend für Drum und Percussion geeignet sind.Zum TELEFUNKEN DD4 Drum Pack gehört ein TELEFUNKEN M82 für die Kick-Drum, ein TELEFUNKEN M80-SH für die Snare sowie zwei TELEFUNKEN M81-SH-Mikrofone für die Toms. Die Sets werden in einem robusten Hartschalenkoffer mit verschiedenen Mikrofonhalterungen (Kunststoff und Metall) sowie mit vier 5m-XLR-Kabeln mit rechtwinkligem Stecker ausgeliefert. Das Drum Pack TELEFUNKEN DD5 enthält ein TELEFUNKEN M82, ein TELEFUNKEN M80-SH und drei TELEFUNKEN M81-SH-Mikrofone.Das DD4 Drum-Set besteht aus:1 TELEFUNKEN M82 mit Halterung1 TELEFUNKEN M80-SHB mit Halterung (Metall) und Halterung (Kunststoff)2 TELEFUNKEN M81-SH mit Halterung (Metall) und Halterung (Kunststoff)4 x SGMC-5R XLR-Kabel (5 m) mit rechtwinkligem Stecker1 Hartschalenkoffer

With the VSX from Steven Slate Audio, you can create and mix music from anywhere in the world in authentic recreations of world-class mixing studios, mastering rooms, car stereos, nightclub sound systems, and more. This is achieved through the use of a hybrid system combining a state-of-the-art beryllium driver headphone with a revolutionary plug-in that models realistic binaural perception based on the way humans perceive loudspeakers. Check your mix in precise models of: Sonoma Studio Steven's Private Mix Room Luxury SUV sound system LA nightclub sound system Four pairs of modeled popular studio headphones Two ultra-flat custom headphone models Includes all existing rooms and speakers of the VSX Modeling Headphones! Includes all future VSX Modeling Headphones rooms and speakers!  

TouchControl 5 Monitor Control & Meter Dante® based immersive monitor controller with metering. User customizable table-top device with 5” touch display and 32 Dante®-channels for stereo- surround and -immersive speaker formats including 5.1 and 7.1.4. Comprehensive feature set with speaker calibration, SPL measurement and bass management as well as an RTW precision metering section with loudness. Toolbox with independent leveling and talkback. Main Bullets • Immersive table-top monitor controller and meter with 5” touch display and 32 Dante®-channels, with support for stereo- surround and -immersive speaker formats including 5.1 and 7.1.4 • Comprehensive monitor control feature set with speaker calibration, SPL measurement, bass management and up to 4 sources/destinations • RTW precision metering with customizable bargraphs and support for international loudness standards All Bullets • Immersive table-top monitor controller and meter with 5” touch display and 32 Dante®-channels, with support for stereo- surround and -immersive speaker formats including 5.1 and 7.1.4 • Comprehensive monitor control feature set with speaker calibration, SPL measurement, bass management and up to 4 sources/destinations • RTW precision metering with customizable bargraphs and support for international loudness standards • Toolbox with independently routable leveling and talkback • Customizable view pages • Built-in microphone preamp with +48 V phantom power • Built-in calibrated microphone for talkback and SPL measurement • Powerful headphone output: 1/4 inch Headphone output with the option of monitoring a user-defined downmix • Analog speaker output: 3.5mm speaker output with the option of monitoring a user defined downmix • Easy setup with web-based user interface • Power supply via Power Over Ethernet (IEEE 802.3af compliant) • Sample rate up to 96 kHz • Lockable operation mode: Fool-proof setup with access only to relevant controls. Prevents unintentional operation during showtime DETAILS Meet TouchControl 5, our Dante® based immersive monitor controller with metering. Built on our long and proud legacy of making broadcast-ready monitor controllers, it features a 5” intuitive touchscreen and a small footprint that preserves valuable space at your desktop. It even features RTW standard precision metering with loudness and includes SPL, measured using the built-in microphone. Stereo, Surround, Immersive With support for up to 32 Dante® channels in and out, TouchControl 5 can handle channel formats from stereo to 22.2. Among the many supported formats you will find 5.1 and 7.1 surround as well as 7.1.4 and 9.1.6 immersive. Monitor Control. Tried. Tested. Approved. Tried, tested, and approved by many broadcast engineers around the world, you find the very same monitor control engine that you might know from our legacy surround monitor controllers. The list is long, but let’s emphasize downmix, DSP-powered speaker calibration (using the internal microphone OR manual set), SPL readout, 4 input sources, speaker set selection (up to 4), solo, cut, swap, phase, mono, dim, mute and test tone generator. The source compare feature lets you toggle between sources for easy comparison and lets you set individual delays for each of the sources. On the output side, you can set up four speaker sets and easily switch between them or you can listen to your work with your favorite headphones using the headphones output. Controls and meters on your monitor page The SPL meter shows the measured sound pressure level in your room, and you can show SPL either as a bar graph or as a number – or both. The downmix instrument outputs your surround or immersive mix in stereo and mono. The downmixed signal can be monitored on speakers or phones or sent to any destination in your audio network. Each speaker can be muted or soloed, and you can invert polarity. The talkback feature lets you talk to speakers or any destination in your Dante network. LF Boost lets you boost your LFE channels with 10 dB and Surr. Att. attenuates the surround channels with 3dB. Speaker Calibration The speakers in your setup can be calibrated with regards to level, delay and EQ. The support for measurement microphones, the built-in test tone generator and the live-input SPL meter is the optimal tool combination for calibrating your speaker levels to ensure they are perfectly aligned. Each speaker has a DSP section for ultimate control. You can set individual delay, gain and polarity, and a 4-band EQ is available for each speaker in your setup. Calibrated speaker levels can easily be recalled by the press of a knob. Bass Management Up to two LFE channels with adjustable crossover frequencies can be adapted to your requirements using the bass management. Full-range speakers and smaller speakers can be finely tuned to each other and operated in the same system, while LP filters for bass-controlled speakers, all-pass filters for other speakers and an additional SUB output channel for formats without LFE is also available. RTW Metering Inside As you know, metering plays a significant role in any RTW device, and so it does in the TouchControl 5. The PPM metering engine is taken from our high-end TouchMonitor meters, and you get a wealth of ways to tailor your own metering experience, including scales, color settings and more. True Peak metering is of course part of the metering story, as well as VU and ‘British PPM’. Loudness, SPL and LRA For many years, RTW has taken part of forming the international loudness standards in ITU and EBU. Loudness is key to us, so in TouchControl 5 we have implemented the full loudness engine known from our high end broadcast meters. TouchControl 5 supports all international loudness standards such as EBU R128, ITU-R BS.1770-4/1771-1, ATSC A/85, ARIB, OP-59, AGCOM, CALM, LEQ(M), TASA and SAWA. The Toolbox The Fader instrument allows level control of any Dante® channel in your network, and you can freely configure each fader to control the number of channels you wish.
More faders can be combined, so you can control multiple groups of channels, and if you do so, levels are controlled relatively, using TouchControl 5's knob. TouchControl 5's touch screen can of course also be used to control each fader, and you can create up to 4 faders each controlling single channels, stereo-, surround- or immersive formats. Toolbox instruments also include a Talkback feature that lets you talk to any audio channel in you network. Talkback sources include the built-in mic, the external XLR input or any audio network channels.   Design Your Own View Pages TouchControl 5 lets you design your own view pages. For each instrument you can decide on size, ratio and placement, and several instruments can be rotated to fit your needs. Buttons can be placed anywhere on the screen, those that are placed in the side bar are avaiable across view pages. Say you want your input selector to be avilable also on the metering page - just place it in the side bar. Extensive Routing The Routing page lets you route your audio channels to and from TouchControl 5. With support for 32 Dante® channels plus the physical I/Os, there is a lot of possibilities. For instance you could use the same channels for monitor control and metering, or split them so metering is independent from monitor control.

The new AVAA C214 active bass trap stands alongside its world-renowned sibling, the C20. The innovative AVAA technology eliminates room modes from 15 Hz to 160 Hz without the need for calibration or tuning. The result is much cleaner bass response in demanding listening environments such as professional studios or audiophile environments. While C20 uses pure analog technology, C214 uses innovative digital technology and employs smaller diaphragms for an even more compact design. Thanks to the integration of digital technology, AVAA C214 can be controlled via an app on a smartphone or tablet, further enhancing its outstanding sonic performance.

The PSI Audio A-14 M is the smallest member of the PSI Active Monitor Series. Despite its compact dimensions of the PSI Audio A-14 M a reliable reference for the evaluation of audio signals. The A-14 M PSI Audio üerträgt the entire frequency spectrum with a high sound üerraschend. The PSI Audio A M-14 has all the technologies of its "great Bruer," and is ideally suited fu studio use.Wherever high accuracy, small footprint and mobility are required.Key Data:Dimensions cabinet W x H x D mm : 163 x 243 x 170Gross / Net Weight : 6.2 / 5.5 kgResponse at -6dB : 56 - 22000 HzContinuous Max SPL, 1m : 101 dB (single)Program Max SPL, 1m : 112 dB (pair)Woofer's dim. Ext. / Diaphragm : Ø 147 mm / Ø 104 mm   Key Features: Protection circuits with overload indicator.Magnetically shielded for use close to video monitors.Metal handle for easy handling and for mic. stand or installation.Volume control on the front panel.Designed for stereo and multichannel monitoringOptimised directivity by phase coherency.Flat frequency response Real balanced input.CPR, AOI, ALG, PSC*For more information, please visit this products webpage.

VersandrückläuferThe MT 48 is an audio interface without compromise. With its huge dynamic range, superior converters, preamps and headphone amplifiers, it sets new standards in sound quality. Internal DSP power allows for monitor mixes with sophisticated EQ and dynamics processing – all intuitively controlled via touchscreen. Class-leading AD/DA converters with enormous dynamic range Intuitive touchscreen user interface DSP processing (EQ, dynamics, reverb) 4 independent mixers with integrated talkback  USB, ADAT and AES67 connectivity Contents: MT 48 Audio Interface Softcase EU Power Supply incl. USB-C connection cable USB-A data cable USB-C data cable Quick Guide Safety Guide

The MC5 offers video signal routing and distribution for various signal standards and formats at the same time. As for this, the box provides 4 BNC inputs which can be routed individually to12 BNC outputs. A new designed, simple user interface enables this unit to be installed without training time. The MC5 provides an ideal output expansion for MUTEC’s video products, e.g. iClock, iClockdp, MC-3.1, MC-3.2 and MC-3.3.

The Ultimate Live Performance Synth Meet Muse, an eight-voice analog bi-timbral polyphonic synthesizer — the culmination of over 5 years of dreams, design, and passion.

Seit seiner Veröffentlichung im Jahr 1998 hat der Manley Massive Passive den Klang unzähliger Produktionen auf der ganzen Welt veredelt. Zahlreiche renommierte Produzenten sowie Recording- und Mastering-Engineers aus aller Welt nutzen das Gerät, um ihren Produktionen einen eigenen Signature-Sound zu verleihen. Die XXV Anniversary Edition besitzt zur Feier des 25-jährigen Jubiläums des Massive Passive eine attraktive kobaltblaue Frontplatte mit eine speziellen Lasergravur und ist weltweit auf 100 Exemplare limitiert. Hochwertiges Schaltungsdesign mit passiven KomponentenWie gewohnt, wurden von Manley bei der Entwicklung des Massive Passive keine Mühen gescheut und keine unnötig komplizierten Schaltungen integriert – Massive Passive basiert auf passiven Komponenten und in der Klangbearbeitung kommen ausschließlich Metallschichtwiderstände, Folienkondensatoren und handgewickelte Spulen zum Einsatz. Aus diesem „natürlicheren“ Ansatzes resultiert auch ein natürlicher und organischere Klang. 2-Kanal 4-Band-EQ für das gesamte Spektrum von radikal bis subtilDer Massive Passive Equalizer liefert bei der drastischen Signalbearbeitung während der Aufnahme ebenso hervorragende Ergebnisse wie bei subtilsten Klangfärbungen für Gesangsspuren oder Gesamtmischungen. Obwohl es einen anderen Ansatz verfolgt bietet das 2-kanalige 4-Band-Design umfangreiche Bearbeitungsoptionen und kombiniert dabei die größten Vorteile der Pultec-EQs mit denen ausgewählter graphischer, parametrischer und Mischpult-EQs, ohne dabei das Audiosignal zu sehr zu verfremden. Ob kreative oder chirurgisch präzise Klangbearbeitung – der Manley Massive Passive holt aus jedem Signal das Beste heraus. Fünf Hoch- und vier Tiefpassfilter mit hoher FlankensteilheitDer Manley Massive Passive ist mit fünf Hoch- und vier Tiefpassfiltern bestückt, die sich einzeln oder gleichzeitig aktivieren lassen. Die Flankensteilheit der Filter ist hoch, damit störende Anteile eliminieren werden können, ohne das Musiksignal zu beeinträchtigen. Der EQ klingt auch in Kombination mit anderen Frequenzbändern hervorragend. Manley hat sich bei der Entwicklung des Massive Passive nicht auf etablierte Standards verlassen, sondern ausschließlich nützliche Funktionen integriert und macht mit diesem neuen Design-Ansatz wirklich massive Ergebnisse möglich. MANLEY POWER®-SchaltnetzteilDas MANLEY POWER®-Netzteil wurde unter der Leitung von Bruno Putzeys für Manley Labs entwickelt und ist speziell für die Verwendung mit Hochspannungsröhren und Audiosignalen optimiert. Es liefert zuverlässig alle für den Massive Passive nötigen Spannungen, wie die 300 V Röhrenspannung, die 6 V Heizspannung, Phantomspeisung und weitere Spannung für diskrete Schaltkreise. Diese herausragende Netzteil liefert die Grundlage für einen großen Dynamikumfang und "massive" Klangqualität. Alle Spannungen sind effizient reguliert und in Kombination mit geringen Leitungswiderständen optimal gegen Einstreuungen und Nebengeräusche aus dem Hochfrequenz-Netzteil geschützt. Das Universal-Schaltnetzteil akzeptiert jede Spannung und Frequenz und ermöglicht den Einsatz des Massive Passive weltweit ohne Anpassungen. Eigenschaften Limitierte Anniversary Edition des legendären Massive Passive Kobaltblaue Frontplatte mit Anniversary Lasergravur 4-Band Stereo Röhren-Equalizer Klangregelung in komplett passivem Schaltungsdesign Einzigartige Shelving-Kurven mit Bandbreiten-Steuerung Wahlweise überlappende oder getrennte Frequenzbereiche Für jedes Frequenzband Shelving- oder Glockencharakteristik wählbar Aufhol- und Ausgangsverstärker in Vollröhrentechnik Parallele, symmetrische Topologie Durchgängig hochwertige Bauteile Passive HP- und LP-Filter sowie Gain-Trim-Regler MANLEY POWER®-Schaltnetzteil

Limited Edition Set: Includes additional interchangeable F47 capsuleActually this mic is an exact replica of the U47. It is equipped with F7 capsule – our exact replica of M7 capsule, our replica of BV8 transformer and TELEFUNKEN EF12 or E80F tubes. Those are actually the next generation of EF12 tubes but with a longer lifetime. In fact, EF12, EF14, UF14 or VF14 are the same tubes with different heating. Especially we focus on EF12 tube as we consider its sound character closest to original. Of course, the price depends on the type of tube. Those of you who have knowledge of prices know that the price of a good VF14 tube can reach 1,500€, so it is obvious that this mic is not a cheap thing. But this mic is possible to use for almost everything and always sounds perfect. The body is duraluminium and is nickel plated . The grille is available in two versions: glossy chrome or matt nickel. The whole set comprises the mic in wooden box, cable, shockmount and power supply

XP-Relay64 (128 Point) 64 X 64 in 2U Rackmehr Informationen zum Produkt folgen in Kürze!

XP-Relay32 (64 Point) 32 X 32 in 1U Rack mehr Informationen zum Produkt folgen in Kürze!

The ER-MicAmp is the latest addition to the ER-Range, and joins in with the ER-Processor, ER-Patch16/32 and ER-Gain & Sum. Our goal was to create the best possible clean eurorack FET Microphone preamp, with digital control and recall from their XPatch App and the ER Processor. The ER-MicAmp brings studio quality to eurorack with clean sparkly treble response and an extended sounding presentation of the bass end of your microphone. The ER-MicAmp excels in delivering detail and lets people hear very low level signals in the top end of the spectrum. An unrivalled pristine High Impedance line/Instrument level input, to bring in very high quality audio from any source into the system. Delivering convincing front to back depth allowing the sound to reach out from the speakers and grab you. Use the breakpoint to connect Mic/Line/Instrument Input to your system and to output via Balanced XLR Line Output. An I/O Swiss army knife with, Envelope follower, Gate and Trigger outputs.

The design of the SOC-20 includes the unique Differential Drive Side Chain topology found in the SOC-1.1, This system ensures the compressor will never over compress and dig holes in your audio. The benefits of the DDSC have been well documented in our SOC-1.1 user comments - smooth and effortless analog compression is available at your finger tips.So what's actually new in the SOC-20? Well, we have added a side chain insert point to enable you to apply equalization and change how the compressor acts on a frequency basis. For example, cutting low and high frequencies in the side chain so only the vocal range is compressed on a stereo mix. A side chain monitor function allows you to hear what you are doing to the side chain signal. We have also included a set high pass filter in the side chain which reduces the compressor sensitivity at frequencies below 150Hz.Perhaps the most important SOC-20 feature is the stereo Mid/Side processing mode. At the flick of a switch a discrete Class A sum and difference circuit is enabled so that Channel A now processes the L+R (sum) signal and Channel B the L-R (difference) signal of your stereo mix. This function, along with the side chain insert point, opens up whole new ways to easily manipulate your mixes and achieve the sound you desire.Features:       Toasty Class A discrete signal path with flashy Lundahl output transformers.       On board Mid Side processor.       Side chain insert point on balanced XLR's.       Built in side chain high pass filter.       Fast attack optical compressor. Applications:       Music recording and mixing       Post production studios       Voice overs and dialog       Classical and acoustic music styles       Live sound Detailed specifications available soon. Standard Operating Level = +4dBu = 0 VU meter display. Size = 2 Unit 19" rack mount, (482Wx88Hx250D). Power requirements = 230V/115V selectable, IEC detachable power cable.  

design features So what is new in the MA2.2B: Functions are now controlled with illuminated push button switches with "clickless" operation, no more thumps on the output. The gain pot has been replaced with a calibrated 24 position Elma switch for accurate stereo matching between channels. We have added a useful 19 segment peak output level meter. But, the original audio and power supply design of the MA-2.2 has been retained. buzz audio heritage acoustic guitar mic preampDesigned to provide transparent amplification to reveal the true source, they do not come any better than this. If you wish to record your sounds with the utmost warmth and clarity possible, you have found the tool for the job. And it's not just us blowing our trumpet here, it's what hundreds of users have told us over the years since we began building the very first MA-2 back in 1993, (re-vamped as the MA2.2 in 1999). The MA2.2B is a very high end product designed without low price as a primary goal, so it is an investment for sure. However, the high standard of workmanship and meticulously engineered construction means it will last a life time - something our users who purchased 20 years ago now experience. audio path quality The circuitry used in the MA-2.2B preamp was developed by Buzz Audio designer Tim Farrant in the 1990's and was dubbed "True Class A". The resulting BE40 series of amplifiers exhibit very wide frequency response (into the mega-hertz ) and ultra fast slew rates (140V/uS) even at 60dB of gain. These attributes, plus the inherently low distortion provide the exceptionally pure top end sound of the MA-2.2B. In addition, the over engineered power supply design with localized Class A regulators for each amplifier stage supplies the grunt needed for an authoritive and accurate bottom end - it sounds tight and never over blown. Instead of an input transformer we use a stack of Wima film capacitors and these do not exhibit the low frequency phase problems associated with transformers, and sound MUCH better than polarized capacitors found in competing high end products. applications galore As many of our users have discovered, the MA-2.2B sounds amazingly vibrant when recording acoustic guitar and percussion. It is equally at home on vocal and piano duties - and you will be very surprised how tight a kick drum can sound using this preamp - no more bouncing balls! Stringed instruments, choirs and full orchestras will be reproduced with the full dynamic range they require with zero midrange harshness. One could say, this preamp records everything with an uncanny life-like accuracy. It is virtually uncolored but exhibits a huge amount of vibe and musicality. The low reactance Wima capacitor input stage stack matches well with all microphone types and the noise specification is within 0.5dB of the theoretical minimum possible, so ribbon, capacitor and dynamic mics' are no problem for this preamp. Indulge yourself! controls and functions GAIN dB - a 24 position Elma audio switch to set the gain of the preamp between +14 to +66dB. MUTE - when engaged, the audio output of the MA2.2B is switched off. On power up, the mute is always engaged to avoid thumps on the output. -20dB - when engaged, a 20dB resistive pad is inserted right at the input to cater for high input level signals. Ø REV - when engaged, the polarity or phase of the input signal is reversed 180 degrees. LO-Z - changes the mic input loading from 3k ohms to 1k ohms, which can change the overall tone of the connected microphone. 48V - when engaged 48V phantom power is supplied to the connected microphone. On power up it is always set to off to avoid disasters! POWER - A handy power on/off switch and associated power led, conveniently located on the front panel! options audio output transformerAs standard the MA-2.2B has an unbalanced output, avoiding the extra stages required for the balanced function so as to keep the signal path as simple as possible. If you treat the output of the MA2.2B as balanced, you should have no problem with interconnection to other equipment. The unit can however be supplied or retrofitted with high spec Lundahl LL1517 output transformers. When the transformers are fitted, the direct unbalanced output is still available on the rear panel via a 1/4" jack socket. When fitted, the transformer add a bit more warmth to the sound. (We can also offer the Lundahl amorphous core LL1684 transformer to special order). The MA2.2B is available with a grey (silver) or black face plate.

Black Lion Audio präsentiert mit der PBR Serie drei neue Patchbays im Rackformat. Unter anderem die PBR TRS-BT mit 46 symmetrischen Klinkenanschlüssen und einem Bluetooth®-Modul. Zum Erhalt der höchsten Klangqualität in der Signalkette wurden Bauteile und Verarbeitung klassischer Patchbays weitestmöglich optimiert. Mit ihrem praktischen und eleganten Design aus schwarz eloxierter Aluminium-Frontplatte und vergoldeten Anschlussbuchsen fügen sich die Patchbays der PBR Serie hervorragend in jedes anspruchsvolle Studio ein. Funktionen: Patchbay mit 46 symmetrischen Klinkenanschlüssen Bluetooth®-Kompatibilität für drahtlose Übertragung in die Signalkette Bluetooth®-Modul ausgestattet mit besten Codecs für verlust- und kabelfreie Audio-Übertragung alle Vorzüge klassischer Patchbays bei hochwertiger Verarbeitung und Klangqualität Einbindung von Quellen und Klangerzeugern mühelos von Smartphones und Tablets in Studio-Umgebung Optimierung von Bauteilen und Verarbeitung herkömmlicher Patchbays Umschaltung der Normalisierungsmodi auf der Rückseite per Knopfdruck Alle Anschlüsse vergoldet Frontpanel aus schwarz-eloxierten Aluminium Vielseitiges Routing mit herausragender Klangqualität Gewicht: 1,4 kg Maße (L x B x H): 53 cm x 10 cm x 5 cm

Practically Unused AVID S4 Console (16 Faders / Dual Display / 4-Foot) from Demo Stock, Expert-Plus Coverage and Updates until May 2025 This AVID S4 console was acquired as a demo unit directly from a dealer. Built in 2023, it has been used for approximately 10 hours, and most protective films are still on the modules. The console can be viewed and tested in Hamburg. It comes with an Expert-Plus warranty and update contracts until May 2025, meaning it can be seamlessly continued under a support contract without a reinstatement fee. The system includes: 4-foot desktop frame incl. network switch, power supply, and cable harness MTM Master Module Automation Module 2x S4 Channel Strip Modules 2x Display Modules We also offer delivery, installation, and commissioning/training upon request.  

PRO TOOLS STUDIOPerpetual (Dauerlizenz) mit Updates & Support PlanActivation Card in BoxPro Tools ist die weltweit am häufigsten verwendete und ausgezeichnete Audioproduktionssoftware für Musik, Filme und Fernsehsendungen und bietet alles, was zum Erstellen, Aufnehmen, Bearbeiten und Abmischen benötigt wird. Mit einer umfangreichen Sammlung von Plugins, Instrumenten und Sounds kann ganz einfach Musik gemacht werden. Mit den integrierten Audioschnittstellen und Steuerungsoberflächen, auf die sich Profis seit Jahren verlassen, sind höchste Klangqualität und Geschwindigkeit garantiert.Im Lieferumfang ist der Updates & Support Plan für 12 Monate enthalten, welcher zusätzlich folgende Leistungen bietet: Alle Software Updates innerhalb des Zeitraums Standard Support (online) Complete Plugin Bundle Pro Tools PlayCell, GrooveCell und SynthCell HEAT Zugriff auf den Inner Circle Der Updates & Support Plan kann jederzeit mit einem Perpetual Upgrade (AVPTUPVESD) um jeweils 12 Monate verlängert werden, auch wenn der bisherige Plan schon abgelaufen ist. Wird der Plan nicht verlängert, kann die Pro Tools Lizenz als solche natürlich weiterhin mit der zuletzt zur Verfügung gestellten Version, als der Plan noch aktiv war, verwendet werden. Dem Anwender stehen dann alle Pro Tools Werks-Plugins zur Verfügung, nicht jedoch alle Zusatzleistungen, die an den Updates & Support Plan gebunden sind. Ein Perpetual Upgrade bringt die Dauerlizenz wieder auf den aktuellen Stand.Systemanforderungen Stets aktuelle Infos: https://avid.secure.force.com/pkb/articles/compatibility/Pro-Tools-System-RequirementsEinlösen des Lizenzcodes So aktivieren Sie Ihren Pro Tools-Lizenzcode: https://avidtech.my.salesforce-sites.com/pkb/articles/en_US/How_To/Pro-Tools-Redemption?retURL=%2Fpkb%2Farti_1  Ausbaustufe Pro Tools Studio Audio Spuren 512 Aux Spuren 128 Instrument Spuren 512 MIDI Spuren 1.024 VCA Spuren 128 Master Spuren 64 Video Spuren 1 Routing Folder 128 Native Ein/Ausgänge 64 Support Standard (alle Updates innerhalb des Zeitraums, Online Support) Unterstützte Hardware nativ (Core Audio/ASIO) + Carbon + S6L DigiLink Lizenz - Surround/Atmos/Ambisonic Mischungen ja Clip FX Clip FX Editing Bounce Mix Multistem ja AAF/OMF Import/Export ja Pro Tools Sketch ja Mitgelieferte Plugins Complete Bundle (Artist Bundle + Pro Series + 304 + X-Form + Revibe II) - an einen gültigen Updates & Support Plan oder Subscription gebunden HEAT ja - an einen gültigen Updates & Support Plan oder Subscription gebunden GrooveCell/SynthCell Virtuelle Instrumente ja - an einen gültigen Updates & Support Plan oder Subscription gebunden Celemony Melodyne 5 essential ja - an einen gültigen Updates & Support Plan oder Subscription gebunden SoundFlow Cloud Avid Edition ja - an einen gültigen Updates & Support Plan oder Subscription gebunden Inner Circle ja - an einen gültigen Updates & Support Plan oder Subscription gebunden - nicht bei Mehrplatzlizenzen (EDU Institute und Multiseat Lizenzen) Sonic Drop ja - an einen gültigen Updates & Support Plan oder Subscription gebunden - nicht bei Mehrplatzlizenzen (EDU Institute und Multiseat Lizenzen) EUCON Kompatibilität ja iLok Schutz ja, iLok Cloud oder physischer iLok