Digital Audio Service | Professional Audio Equipment

5 %

Neumann NDH 30 (B-Ware)

FEATURES Herausragende Linearität und Impulstreue Hohe räumliche Auflösung Klang- und Mix-Kompatibel mit Lautsprechern der KH-Line Hoher Langzeit-Tragekomfort Intern symmetrisches, stoffummanteltes Kabel (abnehmbar) Faltbar für leichten Transport

€519.00* €545.00*

25 %

PSI Audio AVAA C214 Paar (B-Ware)

The new AVAA C214 active bass trap stands alongside its world-renowned sibling, the C20. The innovative AVAA technology eliminates room modes from 15 Hz to 160 Hz without the need for calibration or tuning. The result is much cleaner bass response in demanding listening environments such as professional studios or audiophile environments. While C20 uses pure analog technology, C214 uses innovative digital technology and employs smaller diaphragms for an even more compact design. Thanks to the integration of digital technology, AVAA C214 can be controlled via an app on a smartphone or tablet, further enhancing its outstanding sonic performance.

€5,200.00* €6,898.00*

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18 %

Neumann MT 48 (B-Ware)

VersandrückläuferThe MT 48 is an audio interface without compromise. With its huge dynamic range, superior converters, preamps and headphone amplifiers, it sets new standards in sound quality. Internal DSP power allows for monitor mixes with sophisticated EQ and dynamics processing – all intuitively controlled via touchscreen. Class-leading AD/DA converters with enormous dynamic range Intuitive touchscreen user interface DSP processing (EQ, dynamics, reverb) 4 independent mixers with integrated talkback USB, ADAT and AES67 connectivity Contents: MT 48 Audio Interface Softcase EU Power Supply incl. USB-C connection cable USB-A data cable USB-C data cable Quick Guide Safety Guide

€1,555.00* €1,888.00*

16 %

Warm Audio WA84-C-B-ST

The WA-84 is a precise reproduction of the industry standard small-diaphragm condenser mic. Unlike modern transformerless recreations, vintage units are prized for the rich & detailed tone that delivers smooth yet detailed high end. Like the original, the WA-84 delivers that signature SDC sound trusted by artists and engineers on legendary recordings by James Taylor, Fleetwood Mac, Paul Simon, Steve Gadd and many more.Like the original vintage units, the WA-84 delivers open clarity with powerful noise rejection. Unlike modern reissues that skip the transformer and “update” the circuit, the WA-84 captures creamy smooth top-end and the BEEFY mid to bottom-end that made the original the studio legend that it is. The class-A circuitry, premium transformer, and meticulous design allow the WA-84 to capture precise detail in performances with professional sound isolation. The slight 8 - 10 kHz dip / 11 - 20 kHz bump smooths out harsh highs without any lost brilliance.

€699.00* €829.00*

3 %

Burl Audio B16 B4 Mic Pre

AT LONG LAST… BURL Audio is proud to announce the new B4 4-channel MIC/LINE input daughter card for the B80 and B16 MOTHERSHIPs. The B4 boasts the new BX6 input transformer designed for true MIC/LINE input impedance. The B4 maintains a no compromise, class-A analog circuit, followed by the same ADC we use in the BAD8. Using a single B80 chassis, 40 input channels of audiophile MIC/LINE inputs can be realized. With digital control and SoundGrid or Dante, the B80 MOTHERSHIP with the B4 MIC/LINE daughter card is the ultimate studio grade stage box.

€2,319.00* €2,389.00*

23 %

Universal Audio Apollo Twin X DUO Gen 2 Essentials+

Desktop 10 x 6 Thunderbolt audio interface with two Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, Bass Management, DUO core DSP plug-in processing, and premium software suite for Mac or Windows. Key BenefitsHear next generation audio conversion with the widest dynamic range and lowest distortion of any ApolloExperience analog tones with UnisonTM preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and moreAccess the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and moreMix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the takeHear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setupQuickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console appGet thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Studio+ Editions *Coming Q4 2024, requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

€998.00* €1,289.00*

14 %

FLEA47 Vintage microphone - two heads combo (Limited Edition)

Limited Edition Set: Includes additional interchangeable F47 capsuleActually this mic is an exact replica of the U47. It is equipped with F7 capsule – our exact replica of M7 capsule, our replica of BV8 transformer and TELEFUNKEN EF12 or E80F tubes. Those are actually the next generation of EF12 tubes but with a longer lifetime. In fact, EF12, EF14, UF14 or VF14 are the same tubes with different heating. Especially we focus on EF12 tube as we consider its sound character closest to original. Of course, the price depends on the type of tube. Those of you who have knowledge of prices know that the price of a good VF14 tube can reach 1,500€, so it is obvious that this mic is not a cheap thing. But this mic is possible to use for almost everything and always sounds perfect. The body is duraluminium and is nickel plated . The grille is available in two versions: glossy chrome or matt nickel. The whole set comprises the mic in wooden box, cable, shockmount and power supply

€4,899.00* €5,699.00*

12 %

Pulse Techniques EQM-1A

As described on the EQP-1A product page, the 3U EQP-1A was/is an enhanced version of the original (1953) Pultec product, the EQP-1. The EQM-1A (mastering version) takes the EQP-1/EQP-1A evolution a significant step farther by replacing the BOOST/ATTEN potentiometers with 21-position (and BW with 11-position) ELMA switches, loaded with precision metal film resistors to achieve custom tapers for each control. The current design implements our “full-range, progressive-taper” design, which provides 0.5 dB per step precision for the first 50% of rotation and then progressively larger (1 or 2 dB) steps as the control is rotated from 50% to 100% of rotation. This allows precise control for subtle equalization for mix bus or similar applications or the full 18-20 dB BOOST/ATTEN of the potted version when tracking or mixing of individual tracks. Furthermore, the stepped controls make recall a breeze and the precise tracking between units is essential for stereo image retention when using a pair on the stereo mix bus.

€5,119.00* €5,799.00*

10 %

Telefunken DC7 Drum Pack

Telefunken DC7 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne.Das TELEFUNKEN DC7 ist ein 7-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, drei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung3 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount7 x XLR Kabel mit WinkelsteckerFlightcase

€2,744.00* €3,049.00*

10 %

Telefunken DC6 Drum Pack

Telefunken DC6 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Das TELEFUNKEN DC6 ist ein 6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, zwei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung2 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount6 x XLR Kabel mit WinkelsteckerFlightcase

€2,519.00* €2,799.00*

9 %

Telefunken DD4 Drum Pack

Telefunken DD4 Drum PackMikrofone aus der TELEFUNKEN-Dynamics-Serie, kombiniert zu Sets, die hervorragend für Drum und Percussion geeignet sind.Zum TELEFUNKEN DD4 Drum Pack gehört ein TELEFUNKEN M82 für die Kick-Drum, ein TELEFUNKEN M80-SH für die Snare sowie zwei TELEFUNKEN M81-SH-Mikrofone für die Toms. Die Sets werden in einem robusten Hartschalenkoffer mit verschiedenen Mikrofonhalterungen (Kunststoff und Metall) sowie mit vier 5m-XLR-Kabeln mit rechtwinkligem Stecker ausgeliefert. Das Drum Pack TELEFUNKEN DD5 enthält ein TELEFUNKEN M82, ein TELEFUNKEN M80-SH und drei TELEFUNKEN M81-SH-Mikrofone.Das DD4 Drum-Set besteht aus:1 TELEFUNKEN M82 mit Halterung1 TELEFUNKEN M80-SHB mit Halterung (Metall) und Halterung (Kunststoff)2 TELEFUNKEN M81-SH mit Halterung (Metall) und Halterung (Kunststoff)4 x SGMC-5R XLR-Kabel (5 m) mit rechtwinkligem Stecker1 Hartschalenkoffer

€1,498.00* €1,649.00*

4 %

Avid Pro Tools Studio Dauerlizenz Activation Card

PRO TOOLS STUDIOPerpetual (Dauerlizenz) mit Updates & Support PlanActivation Card in BoxPro Tools ist die weltweit am häufigsten verwendete und ausgezeichnete Audioproduktionssoftware für Musik, Filme und Fernsehsendungen und bietet alles, was zum Erstellen, Aufnehmen, Bearbeiten und Abmischen benötigt wird. Mit einer umfangreichen Sammlung von Plugins, Instrumenten und Sounds kann ganz einfach Musik gemacht werden. Mit den integrierten Audioschnittstellen und Steuerungsoberflächen, auf die sich Profis seit Jahren verlassen, sind höchste Klangqualität und Geschwindigkeit garantiert.Im Lieferumfang ist der Updates & Support Plan für 12 Monate enthalten, welcher zusätzlich folgende Leistungen bietet: Alle Software Updates innerhalb des Zeitraums Standard Support (online) Complete Plugin Bundle Pro Tools PlayCell, GrooveCell und SynthCell HEAT Zugriff auf den Inner Circle Der Updates & Support Plan kann jederzeit mit einem Perpetual Upgrade (AVPTUPVESD) um jeweils 12 Monate verlängert werden, auch wenn der bisherige Plan schon abgelaufen ist. Wird der Plan nicht verlängert, kann die Pro Tools Lizenz als solche natürlich weiterhin mit der zuletzt zur Verfügung gestellten Version, als der Plan noch aktiv war, verwendet werden. Dem Anwender stehen dann alle Pro Tools Werks-Plugins zur Verfügung, nicht jedoch alle Zusatzleistungen, die an den Updates & Support Plan gebunden sind. Ein Perpetual Upgrade bringt die Dauerlizenz wieder auf den aktuellen Stand.Systemanforderungen Stets aktuelle Infos: https://avid.secure.force.com/pkb/articles/compatibility/Pro-Tools-System-RequirementsEinlösen des Lizenzcodes So aktivieren Sie Ihren Pro Tools-Lizenzcode: https://avidtech.my.salesforce-sites.com/pkb/articles/en_US/How_To/Pro-Tools-Redemption?retURL=%2Fpkb%2Farti_1 Ausbaustufe Pro Tools Studio Audio Spuren 512 Aux Spuren 128 Instrument Spuren 512 MIDI Spuren 1.024 VCA Spuren 128 Master Spuren 64 Video Spuren 1 Routing Folder 128 Native Ein/Ausgänge 64 Support Standard (alle Updates innerhalb des Zeitraums, Online Support) Unterstützte Hardware nativ (Core Audio/ASIO) + Carbon + S6L DigiLink Lizenz - Surround/Atmos/Ambisonic Mischungen ja Clip FX Clip FX Editing Bounce Mix Multistem ja AAF/OMF Import/Export ja Pro Tools Sketch ja Mitgelieferte Plugins Complete Bundle (Artist Bundle + Pro Series + 304 + X-Form + Revibe II) - an einen gültigen Updates & Support Plan oder Subscription gebunden HEAT ja - an einen gültigen Updates & Support Plan oder Subscription gebunden GrooveCell/SynthCell Virtuelle Instrumente ja - an einen gültigen Updates & Support Plan oder Subscription gebunden Celemony Melodyne 5 essential ja - an einen gültigen Updates & Support Plan oder Subscription gebunden SoundFlow Cloud Avid Edition ja - an einen gültigen Updates & Support Plan oder Subscription gebunden Inner Circle ja - an einen gültigen Updates & Support Plan oder Subscription gebunden - nicht bei Mehrplatzlizenzen (EDU Institute und Multiseat Lizenzen) Sonic Drop ja - an einen gültigen Updates & Support Plan oder Subscription gebunden - nicht bei Mehrplatzlizenzen (EDU Institute und Multiseat Lizenzen) EUCON Kompatibilität ja iLok Schutz ja, iLok Cloud oder physischer iLok

€669.00* €699.00*

51 %

Newfangled Audio Generate

Novel chaotic oscillator has 8 types: Double Pendulum, Vortex, Pulsar, Discharge, Turbine, Helix, Crescent, and Magma Wavefolders based on the Buchla 259 Complex Waveform Generator, Fractals, and a special Animated Equation Low Pass Gate based on the Buchla 292 adds controls for POLES and RESONANCE Modulate all controls with MIDI/MPE, two Looping Envelopes, two LFOs, Sample and Hold/Random, and a Step Sequencer Innovative modulation UI allows modulation over almost every control from the main page, allowing up to 957 modulation routings in a single pane Innovative EQ, Chorus, Delay, Reverb, and Limiter effects to turn the sounds into magic MPE support allows amazing control from expressive controllers All mod sources have multiple outputs generated at once, and they can modulate each other, just like a modular synth Animations! The Double Pendulum, Wavefolder, and Low Pass Gate modules each have animations to show how each module responds to your input, and to modulation Color Schemes! Don’t like the look of it, change it Resizable UI Over 600 Presets, including many renowned artists

€49.00* €99.00*

16 %

Warm Audio WA-8000

Introducing the WA-8000 tube condenser microphone. The inspiration for our latest release is a highly sought-after and revered design of the early 1990s. The WA-8000 lives up to the sonic legacy that continues to foster die-hard fans to this day. Boasting a natural, open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet, let alone in this price range. Engineered true to spec, the WA-8000 meets all of the critical specifications of the original, giving you the true sound of modern R&B and Hip hop for an unprecedented value. Features New Old Stock 6AU6 tube: Rigorously tested, military-grade 6AU6 tube. Custom transformer from Lundahl Sweden: The highest grade transformers for the widest soundscape and most detail. All-brass K67-style capsule, wired straight to the tube: Custom machined out of solid brass. Optimized to capture subtle nuances External tube mount + heat sink: Lowers self-noise and draws heat away from internal components for optimal operating temperature. Boutique 7-pin GAC-7 tube cable from Gotham Switzerland: Vintage-correct construction methods, highly upgraded components, near-perfect signal transfer. Includes hard carrying case for all components: Safely transport your mic anywhere with the ultra-durable Warm Audio carrying case.

€1,139.00* €1,349.00*

12 %

Universal Audio Bock 187

Hol Dir 11 UAD Plug-ins KOSTENLOS beim Kauf eines UA Mikrofons Beim Kauf eines beliebigen Mikrofons der Standard-, Sphere-, oder Bock-Series erhältst Du das neue UAD Essentials Edition Plug-in Bundle mit 11 UAD Plug-ins, darunter klassische Teletronix LA-2A Compression, Pultec EQs, Oxide Tape Recorder und weitere. Ein Wert von 325€, absolut kostenlos! Details und Einschränkungen: Das Angebot gilt nur für Kunden, die zwischen dem 1. Oktober und dem 30. Juni 2024 ein berechtigtes Standard Series, Sphere Modeling, oder Bock Mikrofon bei einem autorisierten UA Händler kaufen. Die Krönung klassischer Chorus-, Flanger-/Doubling- und Tube Tremolo-Effekte. Mit Astra Modulation Machine sind Universal Audios Ingenieure in die Tiefen der analogen Modulationseffekte abgetaucht und haben die authentischsten Bucket-Brigade Chorus/Vibrato, Studio-Flanger/Doubler und röhrengetriebene Tremolo Effekte entwickelt, die jemals in einer Stompbox verbaut wurden. Aufgebaut auf dem leistungsstarken UAFX Dual-Engine Processing für unübertroffenen analogen Realismus, liefert Astra süchtig machende Vintage Modulation Sounds, die über Jahrzehnte hinweg inspirieren werden. Chorus Brigade Legendäre japanische Modulation Astra bietet Usern die vollständigste Schaltungsemulation der legendären grauen Bucket Brigade Chorus Stompbox. Mit einer perfekt emulierten Schaltung — einschließlich der Vorverstärkersektion für authentisch satte, gesättigte Sounds — können User ihre Sounds mit dem dicken, üppigen Chorus und dem wellenförmigen Vibrato eines berühmten Modulationseffekts der 70er Jahre verfeinern. Flanger/Doubler Ein Rackmount-Studioklassiker Classic Rackmount Studio Flanger/Doubler ist berühmt für atemberaubende Whosh-Effekte, organisches Verdicken und eine Vielzahl wilder Sounds, die über typische Flanger-Boxen hinausgehen. Der Flanger/Dblr-Effekt von Astra ist die einzige durchgängige Schaltungsemulation dieses ultraseltenen Geräts, die alle seine ursprünglichen Qualitäten einfängt und Dir dichtes, komplexes Flanging/Doubling direkt zu Füßen legt. Trem 65 Authentisches Tube Amp "Shake" Trem 65 ist eine originalgetreue Emulation des optischen, röhrengetriebenen Tremolos amerikanischer Verstärker der 60er Jahre. Von schimmernden Wellen bis zu abgehacktem Chaos hat UA jedes Detail eingefangen, inklusive den komplexen Interaktionen zwischen dem Fotowiderstand und der 12AT7-Treiberröhre. Darüber hinaus können User ihre eigenen Trem-Texturen mit variablen Sinus- und Square-Wave Einstellungen noch weiter erkunden und erschaffen. Dual Stereo Modulation Engines für endlose Kreativität Astras UAFX Engine betreibt dank dem einzigartigen Dual Engine Processing separate Stereoinstanzen für jeden Modulationseffekt. Es ist so, als ob zwei Bucket-Brigade Hardware-Einheiten gleichzeitig laufen, die dem Benutzer eine volle Stereobreite von komplexen, atemberaubenden Texturen bieten. Eine State-of-the-Art Stompbox Mit modernen, leistungsstarken Funktionen wie Wandlung in Studioqualität, Dual Processing Engines, Live/Preset Modi, sowie wählbarem True oder Buffered Bypass und Tap Tempo Fußschalter Modus über die UAFX Control App, hat Astra Modulation Machine alle Farben, die man braucht, um ein klangliches Meisterwerk zu malen. Bitte beachte, dass die Astra Modulation Machine ein modernes isoliertes 400-mA-Netzteil benötigt (separat erhältlich). Hauptmerkmale · Flaggschiff, kompromisslose Stompbox mit den authentischsten Bucket Brigade- und röhrengetriebenen Tremolo-Effekten, die je in einem Effektpedal eingefangen wurden · End-to-End Emulation des legendären japanischen Chorus/Vibrato-Pedals · Vollständige Schaltungserfassung des legendären 70er Jahre Rackmount Studio Flanger/Doubler · Vollständiges Model des röhrengetriebenen optischen Tremolos aus klassischen amerikanischen Verstärkern der 60er Jahre · Silent-Switching, Preset Fußschalter-Modus zum Speichern und Abrufen deines Favoriten-Settings · Die UAFX Control Mobile App ermöglicht das Umschalten zwischen True- und Buffered-Bypass und den Zugriff auf den Preset + Tap Fußschaltermodus für temposynchrone Effekte · Kostenlose Phaser X90 und Dharma Trem 61 Effekte bei Registrierung Spezifikationen · Stromversorgung: Isolierte 9VDC, Centrer-Negativ, mindestens 400mA (separat erhältlich) · Eingänge: 2 x 6,35mm TS Klinke (rechter Eingang für Stereoanschlüsse) · Ausgänge: 2 x 6,35mm TS Klinke (rechter Ausgang für Stereoanschlüsse) · USB Typ-C für Updates über Computer · Höhe: 6,5 cm (2,56") · Breite: 9,2 cm (3,62") · Tiefe: 14,1 cm (5,55") · Gewicht: 0,567 kg (1,24 lbs)

€1,199.00* €1,369.00*

11 %

Triton Audio FetHead Transformer

Features Low noise Class A FET amplifier 28 dB amplification XLR input/output Custom nickel core transformer Frequency response 30hz-100 kHz Circuit is powered with 48V phantom power PhilosophyFetHead Transformer is a high quality inline microphone preamplifier. It provides a very warm andthick yet articulate sound for dynamic and ribbon microphones. FetHead Transformer’s desirablecharacter is a really great addition to (interface) preamps which sound rather neutral. Our tried andtrue FET technology combined with a custom wound nickel core transformer delivers 28dB oftransformer infused gain. OperationYour Fethead Transformer will latch straight onto any XLR equipped microphone, or anywhere else inthe signal path between microphone and preamp/mixer. The electronics are housed in a robust metalchassis with a balanced female XLR input and a balanced male XLR output, rugged enough for use athome, in the studio or on tour. Recommended applicationOur FetHead Transformer is recommended in the following situations: For tracking vocals and making podcasts Adding transformer sound to your signal chain Recording direct into a DAW interface Mixers/preamps that negatively impact the sound at higher gain setting Adding warm and thick focus to the sound source Circuit topologyOur FetHead Transformer utilizes a low noise Class A FET amplifier with a nickel core outputtransformer. A low impedance output buffer provides output drive to long cables.

€79.00* €89.00*

11 %

Triton Audio FetHead Germanium

Germanium microphone preamp FetHead Germanium is a high quality, in-line microphone preamplifier. It provides a punchy and direct, ‘larger than life’ germanium sound for ribbon and dynamic microphones, adding classy Germanium harmonics. Sounding full and rich it is reminiscent of much higher priced vintage gear, making FetHead Ge's desirable coloration a really great addition to (Interface) preamps which sound rather neutral. Germanium flavour Germanium transistors were widely used in earliest transistor designs by Neve, EMI, Telefunken, and Fairchild, and have developed a reputation for a decidedly vintage mojo that remains sought after today. We created a novel hybrid circuit that consists of low noise JFets and a hand-selected ‘new old stock’ germanium transistor to take full advantage of the "Germanium" sound and at the same time achieve the same sonic quality we are known for. Protects the microphone Some ribbon microphone do not tolerate phantom power. FetHead Germanium circuit uses 48v phantom power but shields it from the microphone, your microphone is protected. Germanium microphone preamp For Ribbon and Dynamic microphones Great addition to neutral sounding preamps New old stock Germanium transistor 29dB amplification Shielded Enclosure Easy install - 2 clicks and done

€79.00* €89.00*

15 %

Sennheiser MKH 416-P48U3

Merkmale Erhöhte Richtwirkung durch InterferenzprinzipSehr niedriges EigenrauschenHohe EmpfindlichkeitSymmetrisch erdfreier Ausgang ohne ÜbertragerRobust und sehr klimafestGanzmetallgehäuse, mattschwarz Lieferumfang 1 MKH 416 P 48 U 3,1 Windschirm MZW 4151 Mikrofonklemme MZQ 100 Technische Daten Wandlerprinzip (Mikrofon)Hochfrequenz-KondensatormikrofonRichtcharakteristikSuperniere/KeuleAudio-Übertragungsbereich (Mikrofon)40.....20000 HzFreifeld-Leerlauf-Übertragungsmaß (1kHz)25 mV/Pa +- 1 dBNennimpedanz25 OhmMin. Abschlußimpedanz800 OhmErsatzgeräuschpegel A-bewertet n. DIN IEC 65113 dBErsatzgeräuschpegel CCIR-bewertet n. CCIR 468-324 dBGrenzschalldruckpegel130 dBSpannung48 +- 4 V PhantomStromaufnahme2 mAAbmessungend 19 x 250 mm

€849.00* €999.00*

18 %

Pulse Techniques MEQ-500

Pulse Techniques recently introduced a 500-series version (EQP-500X) of our popular 19″ rack-mount solid-state line amp program equalizers (EQP-1A3-SS & EQP-1S3-SS) equalizers. Based on the venerable API 2520 op-amp followed by a high-quality Triad output transformer, these are preferred by some engineers to the vacuum tube models. Before bringing the MEQ-5 midrange equalizer into the 500-series family, we discussed the project with legendary producer/engineer Jack Douglas (John Lennon, Aerosmith, Alice Cooper, Cheap Trick, etc.). Jack has indicated previously that the MEQ-5 has been a staple of his guitar, bass, vocal and keyboard sounds over the years. With Jack’s input, we made a few enhancements to the standard MEQ passive EQ section, which included the addition of 1.2k and 1.5k centers to the low-mid, addition of 1.2k and 8k to the high-mid (overlaps low-mid section and expands top-end) and some minor tweaks to the Q of the high-mid settings. We are proud to recognize Jack Douglas with the production of the MEQ-500 Jack Douglas Edition 500-series Midrange Equalizer.Just like the tube and rack-mount solid state versions, the MEQ-500JD provides exacting control of the “power region” in program material, that frequency range from about 300 Hz to 5000 Hz in which most of the sound energy is concentrated. The ear is especially sensitive to sounds in this region. In this region, even small resonances in studio acoustics and microphone and speaker responses are very evident in their effect on the listenability of the sound. Three independent sets of controls make it possible to boost on a peak curve at 200 – 1000 Hz while simultaneously boosting on a peak curve at 1.5 – 5 kHz, while simultaneously dipping at 200 – 7000 Hz. Guitars, vocals, horns, strings, keyboards, snares, toms, anything with significant midrange that requires complex contouring is a candidate for the MEQ-500JD.

€1,469.00* €1,799.00*

12 %

Pulse Techniques EQM-1S

Since rereleasing the EQP-1A & EQP-1S, customers have asked when we planned to do mastering versions of these iconic 3U products. We are excited to introduce you to the mastering version of our ever-popular EQP-1S EQ, with a couple of extra tweaks. Complete with full-range progressive-taper Elma Switch stepped controls as in our EQM-1A3, EQM-1S3 & EQM-1A mastering EQs, the BOOST/ATTEN controls provide 0.5dB steps for the initial ~50% of rotation and then increase step size as rotation is increased from 50%-100%. This provides fine control (subtle boost/cut) for mastering/mix-bus applications, while still delivering the full range (16-20 dB) of BOOST/ATTEN for more aggressive tracking/mixing applications. In addition to adding mastering controls, we’ve replaced the 6k peak boost center frequency with the 16k center, which is so popular on the 1A/1A3 models. So whether your track/mix needs the magical 16k air band or the full 5k/10k shelf boost, you have the option in a single equalizer.We think we’ve created the ultimate Pultec and we believe you’ll agree!

€5,219.00* €5,899.00*

17 %

Pulse Techniques MEQM-5

The MEQM-5 is the mastering version of our popular MEQ-5 midrange equalizer. Like our other mastering products, the potentiometers have been replaced with custom taper 21-position precision rotary switches providing enhanced control and reproducibility of settings. The MEQM-5 provides exacting control of the “power region” in program material, that frequency range from about 300 Hz to 5000 Hz in which most of the sound energy is concentrated. The ear is especially sensitive to sounds in this region. In this region, even small resonances in studio acoustics and microphone and speaker responses are very evident in their effect on the listenability of the sound. Three independent sets of controls make it possible to boost on a peak curve at 200 – 1000 Hz while simultaneously boosting on a peak curve at 1.5 – 5 kHz, while simultaneously dipping at 200 – 7000 Hz. Guitars, vocals, horns, strings, keyboards, snares, toms, anything with significant midrange that requires complex contouring is a candidate for the MEQM-5.

€4,329.00* €5,239.00*

6 %

Pulse Techniques MEQ-5

Jack Douglas (John Lennon, Aerosmith, Alice Cooper, Cheap Trick, etc.) once told us that the MEQ-5 was his go-to EQ for guitars of any type. The MEQ-5 provides exacting control of the “power region” in program material, that frequency range from about 300 Hz to 5000 Hz in which most of the sound energy is concentrated. The ear is especially sensitive to sounds in this region. In this region, even small resonances in studio acoustics and microphone and speaker responses are very evident in their effect on the listenability of the sound. Three independent sets of controls make it possible to boost on a peak curve at 200 – 1000 Hz while simultaneously boosting on a peak curve at 1.5 – 5 kHz, while simultaneously dipping at 200 – 7000 Hz. Guitars, vocals, horns, strings, keyboards, snares, toms, anything with significant midrange that requires complex contouring is a candidate for the MEQ-5.

€3,739.00* €3,989.00*

14 %

Pulse Techniques EQP-500X

Pulse Techniques is pleased to offer the EQP-500X 500-series equalizer, the next generation of our API 2520 gain stage passive equalizers.In the early 1970s, after condensing the classic 3U model EQP-1A into the 2U form-factor model EQP-1A3, Pulse introduced a solid-state line amp version of the EQP-1A3. These units have exactly the same front end (input transformer and passive EQ section) but utilize a solid-state opamp (genuine API 2520) gain stage driving a Triad output transformer. Many users of this version of the Pultec describe them as “more punchy” and having “a tighter low end” than the tube version. Pulse has taken this proven design to the next stage by packing them into the 500-series form factor as the EQP-500X module. These may come in a smaller package, but don’t be fooled! These EQs deliver all of the punch, mojo and sonic impact of their full-sized counterparts.

€1,469.00* €1,699.00*

19 %

Pulse Techniques EQP-1S3

The (formerly) extremely-rare EQP-1S3 has the same wide-bandwidth line amp as the EQP-1A3, but has modified low-frequency boost/atten response curves, adds 2 additional peak boost frequencies (1k & 2k) and most-importantly adds 2 high-frequency shelf boost curves (5k & 10k corners) to the sonic palette. The originals included 6k peak boost in place of the 16k and that’s the way we built them initially. But we had so many requests from customers for the 16k and so little interest in the 6k that we now build them with the 16k peak boost center.

€4,519.00* €5,599.00*

21 %

Pulse Techniques EQP-1S

In 2014, due to customer demand, Pulse Techniques brought back into production the 3U EQP-1A program EQ. Many of our clients prefer the look and layout of the larger unit to that of the 2U EQP-1A3 and the EQP-1A has become one of our most popular units. Almost immediately after announcing the return of the EQP-1A, we started receiving requests for the EQP-1S, the 3U version of the EQP-1S3. For those not familiar with the (formerly) extremely-rare EQP-1S/EQP-1S3, these products have the same wide-bandwidth line amp as the EQP-1A/EQP-1A3 units, but have modified low-frequency boost/atten response curves, add 2 additional peak boost frequencies, and most-importantly add 2 high-frequency shelf boost curves to the sonic palette.

€4,519.00* €5,689.00*

7 %

Pulse Techniques EQP-1A3-SS

In the early 1970s, after condensing the classic 3U model EQP-1A into the 2U form-factor model EQP-1A3 (same components, same specs), Pulse Techniques introduced a solid-state line amp version of the EQP-1A3. These units have exactly the same front end (input transformer and passive EQ section) but utilize a solid-state opamp (API 2520) gain stage driving a Triad output transformer, just like the originals. This version of the EQP-1A3 is actually preferred by some engineers for certain applications (kick, snare, bass, piano, etc.) and also serves as the core for our 500-series EQs. Many users of this version of the Pultec describe them as “more punchy” and having “a tighter low end” than the tube version. Pulse Techniques, LLC is the only company licensed to use genuine API 2520 opamps in their products. These EQs deliver plenty of the punch and mojo of their tube-amp counterparts, with just a slightly different flavor.

€3,539.00* €3,789.00*

15 %

Pulse Techniques EQP-1A3

The 2U (3.5″ tall) EQP-1A3 is a condensed version of the 3U (5.25″ high) EQP-1A. In 1971, after 10 years of EQP-1A production and due to customer demand, Gene and Ollie rearranged controls and components to reduce the height of the popular equalizer. As indicated on the original EQP-1A3 product brochures “SAME PARTS, SAME SPECS”. The EQP-1A3 was the first product in the Pultec line that we brought back into production and has continued to be very popular. New York City’s Power Station had 24 of them in each control room! We now make them both, so you can take your pick. But be assured, they both have all that Pultec mojo that you are seeking.

€4,229.00* €4,999.00*

17 %

Pulse Techniques EQM-1S3

As described on the EQP-1S3 product page, the 2U EQP-1S3 is an enhance version of the EQP-1A3. The EQM-1S3 (mastering version) takes the EQP-1S3 one step further by replacing the BOOST/ATTEN potentiometers with 21-position (and BW with 11-position) ELMA switches, loaded with precision metal film resistors to achieve custom tapers for each control. The current design implements our “full-range, progressive-taper” design, which provides 0.5 dB per step precision for the first 50% of rotation and then progressively larger (1 or 2 dB) steps as the control is rotated from 50% to 100% of rotation. This allows precise control for subtle equalization for mix bus or similar applications or the full 18-20 dB BOOST/ATTEN of the potted version when tracking or mixing of individual tracks. Furthermore, the stepped controls make recall a breeze and the precise tracking between units is essential for stereo image retention when using a pair on the stereo mix bus.

€5,119.00* €6,189.00*

13 %

Pulse Techniques EQP-1A

EQP-1A classical Pultec, vintage sound Designed and manufactured to the original specifications, this product has all the mojo of a vintage EQP-1A/EQP-1A3 EQ.

€4,619.00* €5,289.00*

7 %

PSI Audio Sub A225M Metal Black

Der A 225-M ist die optimale Ergänzung für alle PSI Lautsprecher. Er kann sowohl als Mono-Subwoofer in einer Surround-Anordnung oder als Basserweiterung in einem Stereo-System verwendet werden. Alle PSI Lautsprecher sind mit einem regelbaren Bassfilter für die Anpassung an den A 225-M vorbereitet. Die untere Grenzfrequenz Systems sinkt dann auf unglaubliche 28 Hz ! Um Stabilität zu gewährleisten und Gehäuseresonanzen zu vermeiden, ist der A 225-M im 2 Boxen-Design gefertigt. Eine perfekte Tiefbass-Erweiterung für jedes Monitor-System. Viel Druck, gepaart mit Dynamik und Präzision. Einsatzbereiche Subwoofer in SurroundInstallationen Basserweiterung für StereoSysteme Recording / Mastering Technik Aktiver Subwoofer Magnetisch geschirmt Integriertes AOI (Adaptiv Output Impedance) PSC (Phantom Standby Control) ALG (Ideal Acoustic Impedance Adaptation) System 2Gehäuse Design Power RMS 200 W Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

€3,999.00* €4,299.00*