Digital Audio Service | Professional Audio Equipment

15 %

TK Audio TK-lizer 2

3 Baxandall bands with low Q. High and low bands switchable between shelf or peak. High Pass filter with 12 frequencies. All controls stepped for easy recall. M/S circuit. Electronically balanced for a clean path. The TK-lizer 2 is a Baxandall type of EQ, high and low bands are selectable between shelving or peak, very useful for tuning of your low’s, mid’s and high’s. The TK-lizer 2 also has a built-in M/S function which let you process the mid and side signals separately. You can also affect the stereo width of your music by using the level controls in M/S mode. We like to thank Wayne Kirkwood at KA Electronics for letting us use his genius M/S circuit!

€1,479.00* €1,732.00*

15 %

TK Audio BC1-THD

The BC1-THD provides smooth bus compression that applies for both mixing and tracking. Engineers call it “The Magic Glue” when the BC1-THD’s transparent compression strengthens mixes without compromising clarity. The built-in blend control makes it easy to apply parallel compression by adjusting the blend of dry and compressed signal. A switchable sidechain filter can be applied which makes the BC1-THD less responsive to low frequency energy. The THD function adds more harmonics to the signal and the “grab” mode selects a harder threshold knee on all four ratio settings. Smooth and transparent compression will never go out of fashion. Three HPF frequencies THD function that adds more even harmonics Grab function that selects a harder threshold knee Blend control for parallel compression All controls stepped for easy recall

€1,179.00* €1,379.00*

15 %

TK Audio T-KOMP rack

The T-Komp has a unique design which offers a modern take on the old vari-mu ratio curve. The ratio is level dependent and increases with the signal level, a feature that will give you numerous possibilities. To make the T-Komp more useful it has two ratio ranges. The first one goes up to 20:1, perfect for instrument tracking and smashing drums etc., the second, 2:1, is a more narrow range which makes it more suitable for bus compression. The T-Komp can be selected between feed-forward mode for a punchy, modern response or feed-back mode with a smoother, more musical response. The RMS detector has five settings, four from fast to slow where number four, the slowest, is similar to the old 160VU. The fifth position is a program dependent adaptive mode. Input impedance: 24kohm Output impedance: 50ohm Max in/output level: +26dBu Frequency response: 20Hz to 20kHz +/- 0,1dB Signal to noise ratio @ 0dBu: better than 94dB THD: level and compression dependent, mostly even harmonics Features:ThresholdMake-up gain: 0 to +20dBBlend control: from dry to wet Average timing: 1mS / 40mS (most useful for peak limiting) 5mS / 200mS 10mS / 400mS 25mS / 1000mS (similare to the old 160vu) Adaptive mode The attack and release are locked in relationship to each other. FB: selects feed-back modeHP filter: 150Hz, -6dB octaveIn: compression in/out2:1: selects a more narrow ratio rangeGain reduction meterLink switch115v or 230v, selectable Specifications and components may be changed or updated without further notice.

€1,279.00* €1,499.00*

61 %

Sonible smart:limit (download)

smart:limit delivers limiter settings that let your mix breathe and gives you all the loudness and dynamics info you need for confident publishing.

€49.00* €125.00*

17 %

Manley Massive Passive XXV

Seit seiner Veröffentlichung im Jahr 1998 hat der Manley Massive Passive den Klang unzähliger Produktionen auf der ganzen Welt veredelt. Zahlreiche renommierte Produzenten sowie Recording- und Mastering-Engineers aus aller Welt nutzen das Gerät, um ihren Produktionen einen eigenen Signature-Sound zu verleihen. Die XXV Anniversary Edition besitzt zur Feier des 25-jährigen Jubiläums des Massive Passive eine attraktive kobaltblaue Frontplatte mit eine speziellen Lasergravur und ist weltweit auf 100 Exemplare limitiert. Hochwertiges Schaltungsdesign mit passiven KomponentenWie gewohnt, wurden von Manley bei der Entwicklung des Massive Passive keine Mühen gescheut und keine unnötig komplizierten Schaltungen integriert – Massive Passive basiert auf passiven Komponenten und in der Klangbearbeitung kommen ausschließlich Metallschichtwiderstände, Folienkondensatoren und handgewickelte Spulen zum Einsatz. Aus diesem „natürlicheren“ Ansatzes resultiert auch ein natürlicher und organischere Klang. 2-Kanal 4-Band-EQ für das gesamte Spektrum von radikal bis subtilDer Massive Passive Equalizer liefert bei der drastischen Signalbearbeitung während der Aufnahme ebenso hervorragende Ergebnisse wie bei subtilsten Klangfärbungen für Gesangsspuren oder Gesamtmischungen. Obwohl es einen anderen Ansatz verfolgt bietet das 2-kanalige 4-Band-Design umfangreiche Bearbeitungsoptionen und kombiniert dabei die größten Vorteile der Pultec-EQs mit denen ausgewählter graphischer, parametrischer und Mischpult-EQs, ohne dabei das Audiosignal zu sehr zu verfremden. Ob kreative oder chirurgisch präzise Klangbearbeitung – der Manley Massive Passive holt aus jedem Signal das Beste heraus. Fünf Hoch- und vier Tiefpassfilter mit hoher FlankensteilheitDer Manley Massive Passive ist mit fünf Hoch- und vier Tiefpassfiltern bestückt, die sich einzeln oder gleichzeitig aktivieren lassen. Die Flankensteilheit der Filter ist hoch, damit störende Anteile eliminieren werden können, ohne das Musiksignal zu beeinträchtigen. Der EQ klingt auch in Kombination mit anderen Frequenzbändern hervorragend. Manley hat sich bei der Entwicklung des Massive Passive nicht auf etablierte Standards verlassen, sondern ausschließlich nützliche Funktionen integriert und macht mit diesem neuen Design-Ansatz wirklich massive Ergebnisse möglich. MANLEY POWER®-SchaltnetzteilDas MANLEY POWER®-Netzteil wurde unter der Leitung von Bruno Putzeys für Manley Labs entwickelt und ist speziell für die Verwendung mit Hochspannungsröhren und Audiosignalen optimiert. Es liefert zuverlässig alle für den Massive Passive nötigen Spannungen, wie die 300 V Röhrenspannung, die 6 V Heizspannung, Phantomspeisung und weitere Spannung für diskrete Schaltkreise. Diese herausragende Netzteil liefert die Grundlage für einen großen Dynamikumfang und "massive" Klangqualität. Alle Spannungen sind effizient reguliert und in Kombination mit geringen Leitungswiderständen optimal gegen Einstreuungen und Nebengeräusche aus dem Hochfrequenz-Netzteil geschützt. Das Universal-Schaltnetzteil akzeptiert jede Spannung und Frequenz und ermöglicht den Einsatz des Massive Passive weltweit ohne Anpassungen. Eigenschaften Limitierte Anniversary Edition des legendären Massive Passive Kobaltblaue Frontplatte mit Anniversary Lasergravur 4-Band Stereo Röhren-Equalizer Klangregelung in komplett passivem Schaltungsdesign Einzigartige Shelving-Kurven mit Bandbreiten-Steuerung Wahlweise überlappende oder getrennte Frequenzbereiche Für jedes Frequenzband Shelving- oder Glockencharakteristik wählbar Aufhol- und Ausgangsverstärker in Vollröhrentechnik Parallele, symmetrische Topologie Durchgängig hochwertige Bauteile Passive HP- und LP-Filter sowie Gain-Trim-Regler MANLEY POWER®-Schaltnetzteil

€6,199.00* €7,459.00*

53 %

Sonible smart:EQ 4 (download)

Sonible präsentiert den weltweit ersten Multitrack EQ. Smart:EQ4 analysiert das Eingangssignal und korrigiert dabei Probleme, wie störende Resonanzen, schwierige Frequenzbereiche sowie globale spektrale Ungleichgewichte. Neue Top-Features, wie die Gruppen-Funktion mit intelligenter kanalübergreifender Verarbeitung zur Reduzierung spektraler Maskierungseffekte in konkurrierenden Frequenzbereichen sowie der Option den smart:filter für eine laufende Anpassung an das Eingangssignal in einem dynamischen Analysemodus schalten zu können oder die Möglichkeit zwischen linearphasigen und latenzfreien Filtern zu wählen, erweitern den Funktionsumfang des beliebten smart:EQ.

€59.00* €125.00*

61 %

Sonible smart:comp 2 (download)

Hol das Beste aus deinem TrackBei der spektralen Kompression dreht sich alles darum, einen Track bestmöglich nachzuschärfen und ihm maximale Klarheit zu geben. Dank einer dynamischen Analyse des Eingangsignals in mehr als 2000 Bändern, arbeitet smart:comp wie ein hochauflösender Multiband-Kompressor, der fortlaufend dynamische Ausreißer im Spektrum reguliert. Wer den Effekt von spektraler Kompression erlebt hat, will sie nicht mehr missen.smart:comp komprimiert nur dort, wo es wirklich nötig ist und sorgt damit für durchgehende tonale und dynamische Balance. Setze das Feature ein, wenn du deine Tracks während dem Mixing aufräumen möchtest oder deinem Mix den letzten Schliff im Mastering verpassen willst.Intelligente Parametrisierung in wenigen Sekundensmart:comp beschleunigt die Kompressor-Parametrisierung maßgeblich und liefert hochpräzise Ergebnisse. Mit nur einem Klick analysiert smart:comp das Eingangssignal und findet die passendsten Parameter für eine ausgewogene Kompression – all das mit der vertrauten Handhabung eines „klassischen“ Singleband-Kompressors.Hinter der intuitiven Bedienoberfläche von smart:comp arbeitet die smart:engine – ein K.I.-basiertes System, das psychoakustische Modelle und jahrelange Erfahrung in der Musikproduktion miteinander verbindet. Obwohl das Plug-in dank dieses Systems Arbeitsabläufe wesentlich beschleunigt, hast du immer die volle Kontrolle über das Ergebnis: alle wesentlichen Parameter können manuell bestimmt und geändert werden.Gib deinem Sidechain-Signal den Raum, den es brauchtMit frequenzselektivem Ducking im Sidechain-Modus können Signale nahtlos verbunden werden, die im selben Frequenzbereich um Aufmerksamkeit kämpfen. smart:comp achtet auf potenzielle spektrale Konflikte des Input- und Sidechain-Signals und schafft durch Ducking der betroffenen Frequenzbereiche des Inputsignals Raum für das Sidechain-Signal.smart:comps frequenzselektives Ducking stellt sicher, dass der Track deiner Wahl im Rampenlicht deines Mixes bleibt. Wenn du smart:comp für Breitband-Ducking verwenden willst, kannst du das spektrale Ducking einfach ausschalten.

€49.00* €125.00*

11 %

Triton Audio FetHead Germanium

Germanium microphone preamp FetHead Germanium is a high quality, in-line microphone preamplifier. It provides a punchy and direct, ‘larger than life’ germanium sound for ribbon and dynamic microphones, adding classy Germanium harmonics. Sounding full and rich it is reminiscent of much higher priced vintage gear, making FetHead Ge's desirable coloration a really great addition to (Interface) preamps which sound rather neutral. Germanium flavour Germanium transistors were widely used in earliest transistor designs by Neve, EMI, Telefunken, and Fairchild, and have developed a reputation for a decidedly vintage mojo that remains sought after today. We created a novel hybrid circuit that consists of low noise JFets and a hand-selected ‘new old stock’ germanium transistor to take full advantage of the "Germanium" sound and at the same time achieve the same sonic quality we are known for. Protects the microphone Some ribbon microphone do not tolerate phantom power. FetHead Germanium circuit uses 48v phantom power but shields it from the microphone, your microphone is protected. Germanium microphone preamp For Ribbon and Dynamic microphones Great addition to neutral sounding preamps New old stock Germanium transistor 29dB amplification Shielded Enclosure Easy install - 2 clicks and done

€79.00* €89.00*

11 %

Triton Audio FetHead Transformer

Features Low noise Class A FET amplifier 28 dB amplification XLR input/output Custom nickel core transformer Frequency response 30hz-100 kHz Circuit is powered with 48V phantom power PhilosophyFetHead Transformer is a high quality inline microphone preamplifier. It provides a very warm andthick yet articulate sound for dynamic and ribbon microphones. FetHead Transformer’s desirablecharacter is a really great addition to (interface) preamps which sound rather neutral. Our tried andtrue FET technology combined with a custom wound nickel core transformer delivers 28dB oftransformer infused gain. OperationYour Fethead Transformer will latch straight onto any XLR equipped microphone, or anywhere else inthe signal path between microphone and preamp/mixer. The electronics are housed in a robust metalchassis with a balanced female XLR input and a balanced male XLR output, rugged enough for use athome, in the studio or on tour. Recommended applicationOur FetHead Transformer is recommended in the following situations: For tracking vocals and making podcasts Adding transformer sound to your signal chain Recording direct into a DAW interface Mixers/preamps that negatively impact the sound at higher gain setting Adding warm and thick focus to the sound source Circuit topologyOur FetHead Transformer utilizes a low noise Class A FET amplifier with a nickel core outputtransformer. A low impedance output buffer provides output drive to long cables.

€79.00* €89.00*

16 %

Mäag Audio PREQ2

MÄAG AUDIO’S NEWEST CREATION IS THE PREQ2™ DUAL MIC PREAMP WITH EQ, A COMPLETE ANALOG SYSTEM FOR EITHER RECORDING OR MIXING HOUSED IN A 1U STANDALONE UNIT. IT COMES WITH CLIFF MÄAG’S VENERABLE AIR BAND® SHELVING EQUALIZER FIRST INTRODUCED IN 1993 WITH HIS NTI EQ3 EQUALIZER. THE PREQ2 WILL HANDLE EITHER LINE OR MICROPHONE SIGNAL LEVELS WITH TWO MATCHED CHANNELS BOTH WITH SEPARATE REAR PANEL LINE LEVEL INPUT AND MICROPHONE XLR CONNECTORS AND SWITCHABLE +48-VOLT PHANTOM POWERING. THE REAR PANEL ALSO HAS XLR OUTPUT CONNECTORS FOR EACH CHANNEL AND A ON/OFF/FUSE MAINS SWITCH. ALL SWITCHES ON THE PREQ2 HAVE COLORFUL LEDS TO CONFIRM THEIR OPERATION AND ALL CONTROLS HAVE DETENTS WITH THE EXCEPTION OF THE CONTINUOUSLY VARIABLE MICROPHONE GAIN. MICROPHONE INPUTTHE MÄAG AUDIO PREQ2 MICROPHONE PREAMP HAS UP TO 71DB OF GAIN SPLIT BETWEEN A DISCRETE CLASS-A TRANSISTOR PREAMP ALONG WITH A LARGE, NICKEL-CORE MÄAG AUDIO-BUILT INPUT TRANSFORMER (ONE FOR EACH CHANNEL). THIS CIRCUIT OFFERS A CLEAN, DETAILED SOUND WITH +27DBU OF HEADROOM AND AN EIN NOISE LEVEL OF -128DB. THERE ARE TWO OPTIMIZED GAIN RANGES SELECTABLE ON THE FRONT PANEL. THE DEFAULT GAIN RANGE IS +20DB TO +42DB AND A +42 TO +71DB GAIN RANGE IN HIGH GAIN MODE USING THE FRONT PANEL’S 25DB GAIN SWITCH. MAXIMUM INPUT LEVEL IS +8DB. THE MICROPHONE INPUT SECTION HAS FRONT PANEL SWITCHES, LED INDICATORS AND BUTTONS FOR: +48-VOLT PHANTOM POWERING, -20DB ATTENUATION PAD, PLUS SIGNAL PRESENT, +26DBU PEAK LEDS, AND PHASE OR POLARITY FLIP. MICROPHONE GAIN IS CONTINUOUSLY ADJUSTABLE USING A SINGLE, LARGE MIC GAIN CONTROL KNOB. LINE INPUTTHE FRONT PANEL LINE SWITCH TOGGLES THE REAR PANEL XLR LINE INPUT CONNECTORS IN PLACE OF THE MICROPHONE PREAMP’S OUTPUT (AFTER THE INPUT TRANSFORMER AND MICROPHONE PREAMP). IT IS POSSIBLE TO KEEP BOTH A MICROPHONE AND A LINE LEVEL SOURCE ALWAYS CONNECTED TO THE PREQ2 AND TOGGLE BOTH CHANNELS SEPARATELY. YOU COULD HAVE ONE CHANNEL WORKING AS A MICROPHONE PREAMP CHANNEL AND THE OTHER AS A LINE LEVEL AMPLIFIER FOR RECORDING A DIRECT MUSICAL INSTRUMENT (BASS OR GUITAR) AT THE SAME TIME. BOTH MIC INPUT SECTIONS HAVE ¼-INCH TS JACKS FOR HIGH IMPEDANCE (1 MEGA-OHM) INSTRUMENT INPUT WITH A COMPANION ¼-INCH OUTPUT THRU JACK THAT SIMULTANEOUSLY PROVIDES AN ISOLATED, BUFFERED OUTPUT—A “COPY” OF THE INSTRUMENT INPUT SIGNAL AT UNITY GAIN. IN ADDITION TO PROVIDING AN UNBALANCED SIGNAL FOR RUNNING LONG LEADS OUT TO INSTRUMENT AMPLIFIERS IN THE STUDIO AND/OR STOMP PEDALS, FOR LIVE RE-AMPLIFYING THE THRU JACK’S OUTPUT SIGNAL IS ALSO ACTIVE WHEN USING THE XLR MICROPHONE INPUT. WHEN USING THE INSTRUMENT INPUT TS JACK, THE MÄAG AUDIO PREQ2 USES AN AUTOMATIC DETECTION CIRCUIT TO SWITCH (USING A RELAY) AND ROUTE THE UNBALANCED ¼-INCH INPUT SIGNAL TO THE MIC INPUT TRANSFORMER. THE IMPEDANCE IS LOWERED FOR A BETTER MATCH TO THE TRANSFORMER. THIS DETECTION CIRCUIT MAKES IT IS IMPOSSIBLE FOR THE 48-VOLT PHANTOM POWER TO EVER REACH THE ¼-INCH OR XLR LINE INPUT EVEN IF ALREADY TURNED ON. EQUALIZATION SECTIONSTHE MÄAG AUDIO PREQ2 HAS THREE EQUALIZER/FILTERS SECTIONS; THE LAYOUT AND CONTROL COMPLIMENT ARE IDENTICAL FOR BOTH CHANNELS. THE EQUALIZER DESIGN IS SPECIFICALLY DESIGNED FOR BOTH RECORDING AND/OR SUBTLE TOUCHUP TONALITY CHANGES AND EUPHONIC ENHANCEMENTS. ON THE LEFT SIDE OF THE CHANNEL IS THE FIRST CONTROL FOR THE 2ND ORDER, 12DB/OCTAVE HIGH PASS FILTER. IT IS FULLY VARIABLE USING A 21-DETENT CONTROL TO SWEEP FROM 20HZ TO 200HZ. IT HAS ITS OWN HARDWIRED, IN/OUT BYPASS SWITCH. NEXT IS THE LOW FREQUENCY BELL-SHAPED EQUALIZER SECTION WITH A BOOST (ONLY) CONTROL AT 6DB/OCTAVE. FREQUENCIES ARE SWITCHED USING A SIX POSITION ROTARY SWITCH AND ARE: 10HZ (SUB) SHELF, AND BELL-SHAPED CURVES FOR 40HZ, 65HZ, 100HZ, 125HZ, AND 165HZ. UP TO 9DB OF BOOST IS AVAILABLE. AIR BAND®THE THIRD BAND OF THE EQUALIZER IS THE MÄAG AUDIO AIR BAND SHELVING SECTION WITH 2.5, 5, 10, 15, 20, AND 40-KHZ FREQUENCY CHOICES WITH ITS OWN CONTROL AND UP TO 9DB OF MAXIMUM BOOST. BOTH THE AIR BAND AND LOW FREQUENCY EQUALIZERS SHARE A SINGLE BYPASS PUSH-BUTTON.

€2,899.00* €3,450.00*

39 %

Heritage Audio Tubesessor

TUBESESSOR - Optical Tube Compressor The Heritage Audio TUBESESSOR is an optical tube compressor with an absolute sweet, warm and natural dynamic control possible, but also the possibility to spice up the sound up on occasion. Tube compression, especially based on an optical design, is generally considered to be warmer than VCA and FET designs, and it tends to provide a very pleasant, more natural, smoother result. This has made it the preferred choice for seasoned engineers and producers that want to provide a very transparent control over a signal while offering a hint of enhancement but keeping true to the original tone. For this very reason optical tube compressors are usually the first thing one reaches for when dealing with critical vocals and bass signals. The TUBESESSOR is the perfect option for this. Analog excellence is achieved by combining an all tube-based amplification stage with an outstanding UTC A10 input transformer replica by AMI, as well as a custom all-silicon steel output transformer. With an elevated internal operating voltage you can be sure the TUBESESSOR will heat up any signal while also maintaining its character and vibe. No starved plate circuits here! Never has dynamics control been so easily obtainable while at the same time so invisible. Even with generous amounts of gain reduction being applied anything processed with the TUBESESSOR still maintains its clarity and depth. Thanks to the TUBESESSOR´S three unit high front panel you´ll find plenty of room to adjust the large Herchild-style knobs making it a breeze to achieve the desired sound. No cramped spaces here, just plenty of space to easily and quickly adjust the settings to taste. Now, we all know it would not be a Heritage Audio product without our expertise and passion channeled into a couple key features that take the TUBESESSOR to another dimension. First of all, for those times when a bit more texture and bite is called for, there´s nothing better than a little saturation…or maybe a lot. The innovative TUBE SATURATION section takes full advantage of a creamy sounding NOS Raytheon double triode tube to add in just a pinch of aggression or fully transform the signal into something ready for war. It, importantly, works in tandem with the custom output transformer to produce the right harmonic content. There are 4 available settings that vary from CLASSIC, no saturation, all the way to HOT, a heavily treated signal. This feature alone opens up a ton of possibilities for drums and other instruments vastly expanding the TUBESESSOR´S uses. And thanks to Heritage Audio´s use of an audiophile-grade Psvane dual output triode in a totem pole configuration, a solid output stage is guaranteed all while allowing much higher headroom than other tube compressors, whether vintage or modern. Secondly, there are also five internal sidechain filter settings to choose from. This is the exact same filter section that helped the SUCCESSOR obtain its legendary status. Two of the options make sure the compressor is not being unfairly overpowered by lower frequencies and the other three are frequency specific options for extra creativity. Continuously adjustable ATTACK & RELEASE controls in addition to a FIXED mode and a combination of the two will provide all the necessary settings possible, allowing you to mold your signal exactly as you´d like. A huge, attractive custom VU meter for monitoring either Input, Output or Gain Reduction guarantees you´ll always be informed with a clear reading of exactly what is happening. Everything you could possibly require to achieve a top-notch professional recording. As is the case with other tube offerings from Heritage Audio, the company has sourced NOS tubes for a lifetime, making sure your investment is safe and sound. Features Optical Compression Detection All Tube-Based Amplification Stage Fully Transformer Balanced Input & Output Tube Saturation Section Large Friendly Interface Extensive Attack & Release Control 5 Built-In Sidechain Filtering Options Huge Informative VU Meter Built Like A Tank

€1,799.00* €2,969.00*

3 %

Burl Audio B16 B4 Mic Pre

AT LONG LAST… BURL Audio is proud to announce the new B4 4-channel MIC/LINE input daughter card for the B80 and B16 MOTHERSHIPs. The B4 boasts the new BX6 input transformer designed for true MIC/LINE input impedance. The B4 maintains a no compromise, class-A analog circuit, followed by the same ADC we use in the BAD8. Using a single B80 chassis, 40 input channels of audiophile MIC/LINE inputs can be realized. With digital control and SoundGrid or Dante, the B80 MOTHERSHIP with the B4 MIC/LINE daughter card is the ultimate studio grade stage box.

€2,319.00* €2,389.00*

3 %

Burl Audio B80 B4 Mic Pre

AT LONG LAST… BURL Audio is proud to announce the new B4 4-channel MIC/LINE input daughter card for the B80 and B16 MOTHERSHIPs. The B4 boasts the new BX6 input transformer designed for true MIC/LINE input impedance. The B4 maintains a no compromise, class-A analog circuit, followed by the same ADC we use in the BAD8. Using a single B80 chassis, 40 input channels of audiophile MIC/LINE inputs can be realized. With digital control and SoundGrid or Dante, the B80 MOTHERSHIP with the B4 MIC/LINE daughter card is the ultimate studio grade stage box.

€2,319.00* €2,389.00*

8 %

Burl Audio B16 BDA8

The BDA8, 8-channel digital-to-analog daughter card for the B80 and B16 MOTHERSHIP is the result of over 25 years of R&D D/A design experience and thousands of hours of listening tests. Following on the success of the B2 BOMBER DAC, the BDA8 utilizes the same digital-to-analog conversion technology as the B2 BOMBER DAC coupled with the BURL AUDIO proprietary BOPA14 discrete, class-A op amp. The combination is a sound that is real, open, and huge.

€2,119.00* €2,299.00*

8 %

Burl Audio B80 BDA8

The BDA8, 8-channel digital-to-analog daughter card for the B80 and B16 MOTHERSHIP is the result of over 25 years of R&D D/A design experience and thousands of hours of listening tests. Following on the success of the B2 BOMBER DAC, the BDA8 utilizes the same digital-to-analog conversion technology as the B2 BOMBER DAC coupled with the BURL AUDIO proprietary BOPA14 discrete, class-A op amp. The combination is a sound that is real, open, and huge.

€2,119.00* €2,299.00*

8 %

Burl Audio B16 BDA4M DAUGHTER CARD

Announcing the BDA4M, a mastering grade DAC with stepped attenuators and switchable output transformers. Specifically designed for mixing and mastering, the BDA4M uses the latest BURL NextGen analog for superior fidelity and clarity. The BDA4M, switchable transformer coupled, 4-channel digital-to-analog converter Daughter Card for the B80 and B16 MOTHERSHIP is the result of over 25 years of R&D experience in pro audio digital and analog design. Following on the success of the B2 BOMBER DAC and the BDA8 for the MOTHERSHIP, the BDA4M utilizes the newly developed BOPA14 with BURL Audio’s NextGen Analog. The BOPA14 is followed by the renowned BX5 output transformer used in the B32 VANCOUVER MIX BUS.

€2,219.00* €2,399.00*

8 %

Burl Audio B80 BDA4M DAUGHTER CARD

Announcing the BDA4M, a mastering grade DAC with stepped attenuators and switchable output transformers. Specifically designed for mixing and mastering, the BDA4M uses the latest BURL NextGen analog for superior fidelity and clarity. The BDA4M, switchable transformer coupled, 4-channel digital-to-analog converter Daughter Card for the B80 and B16 MOTHERSHIP is the result of over 25 years of R&D experience in pro audio digital and analog design. Following on the success of the B2 BOMBER DAC and the BDA8 for the MOTHERSHIP, the BDA4M utilizes the newly developed BOPA14 with BURL Audio’s NextGen Analog. The BOPA14 is followed by the renowned BX5 output transformer used in the B32 VANCOUVER MIX BUS.

€2,219.00* €2,399.00*

3 %

Burl Audio B2 Bomber DAC

THE B2 BOMBER DIGITAL / ANALOG CONVERTERThe B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMBER DAC delivers sonic purity and dynamics thus far unheard of. As a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!

€3,239.00* €3,349.00*

16 %

Burl Audio B2 Bomber ADC

THE B2 BOMBER ANALOG / DIGITAL CONVERTERThe B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings.

€2,829.00* €3,349.00*

10 %

Burl Audio B1D Mic Pre

Step Back – Here come the B1 and B1D… Introducing the B1 and B1D MICROPHONE PRE AMPS from BURL AUDIO. Based on the API 500 series form factor, the B1 is meant to compliment the B2 BOMBER ADC and the B80 MOTHERSHIP and will give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 MIC PRE delivers warmth with depth and clarity. The B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1 amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.

€1,079.00* €1,199.00*

10 %

Burl Audio B1 Mic Pre

Step Back – Here come the B1 and B1D… Introducing the B1 and B1D MICROPHONE PRE AMPS from BURL AUDIO. Based on the API 500 series form factor, the B1 is meant to compliment the B2 BOMBER ADC and the B80 MOTHERSHIP and will give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 MIC PRE delivers warmth with depth and clarity.

€1,079.00* €1,199.00*

9 %

Black Lion Audio PBR TRS BT

Black Lion Audio präsentiert mit der PBR Serie drei neue Patchbays im Rackformat. Unter anderem die PBR TRS-BT mit 46 symmetrischen Klinkenanschlüssen und einem Bluetooth®-Modul. Zum Erhalt der höchsten Klangqualität in der Signalkette wurden Bauteile und Verarbeitung klassischer Patchbays weitestmöglich optimiert. Mit ihrem praktischen und eleganten Design aus schwarz eloxierter Aluminium-Frontplatte und vergoldeten Anschlussbuchsen fügen sich die Patchbays der PBR Serie hervorragend in jedes anspruchsvolle Studio ein. Funktionen: Patchbay mit 46 symmetrischen Klinkenanschlüssen Bluetooth®-Kompatibilität für drahtlose Übertragung in die Signalkette Bluetooth®-Modul ausgestattet mit besten Codecs für verlust- und kabelfreie Audio-Übertragung alle Vorzüge klassischer Patchbays bei hochwertiger Verarbeitung und Klangqualität Einbindung von Quellen und Klangerzeugern mühelos von Smartphones und Tablets in Studio-Umgebung Optimierung von Bauteilen und Verarbeitung herkömmlicher Patchbays Umschaltung der Normalisierungsmodi auf der Rückseite per Knopfdruck Alle Anschlüsse vergoldet Frontpanel aus schwarz-eloxierten Aluminium Vielseitiges Routing mit herausragender Klangqualität Gewicht: 1,4 kg Maße (L x B x H): 53 cm x 10 cm x 5 cm

€299.00* €329.00*

16 %

Warm Audio WA-8000

Introducing the WA-8000 tube condenser microphone. The inspiration for our latest release is a highly sought-after and revered design of the early 1990s. The WA-8000 lives up to the sonic legacy that continues to foster die-hard fans to this day. Boasting a natural, open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet, let alone in this price range. Engineered true to spec, the WA-8000 meets all of the critical specifications of the original, giving you the true sound of modern R&B and Hip hop for an unprecedented value. Features New Old Stock 6AU6 tube: Rigorously tested, military-grade 6AU6 tube. Custom transformer from Lundahl Sweden: The highest grade transformers for the widest soundscape and most detail. All-brass K67-style capsule, wired straight to the tube: Custom machined out of solid brass. Optimized to capture subtle nuances External tube mount + heat sink: Lowers self-noise and draws heat away from internal components for optimal operating temperature. Boutique 7-pin GAC-7 tube cable from Gotham Switzerland: Vintage-correct construction methods, highly upgraded components, near-perfect signal transfer. Includes hard carrying case for all components: Safely transport your mic anywhere with the ultra-durable Warm Audio carrying case.

€1,139.00* €1,349.00*

51 %

Newfangled Audio Generate

Novel chaotic oscillator has 8 types: Double Pendulum, Vortex, Pulsar, Discharge, Turbine, Helix, Crescent, and Magma Wavefolders based on the Buchla 259 Complex Waveform Generator, Fractals, and a special Animated Equation Low Pass Gate based on the Buchla 292 adds controls for POLES and RESONANCE Modulate all controls with MIDI/MPE, two Looping Envelopes, two LFOs, Sample and Hold/Random, and a Step Sequencer Innovative modulation UI allows modulation over almost every control from the main page, allowing up to 957 modulation routings in a single pane Innovative EQ, Chorus, Delay, Reverb, and Limiter effects to turn the sounds into magic MPE support allows amazing control from expressive controllers All mod sources have multiple outputs generated at once, and they can modulate each other, just like a modular synth Animations! The Double Pendulum, Wavefolder, and Low Pass Gate modules each have animations to show how each module responds to your input, and to modulation Color Schemes! Don’t like the look of it, change it Resizable UI Over 600 Presets, including many renowned artists

€49.00* €99.00*

9 %

Telefunken DD4 Drum Pack

Telefunken DD4 Drum PackMikrofone aus der TELEFUNKEN-Dynamics-Serie, kombiniert zu Sets, die hervorragend für Drum und Percussion geeignet sind.Zum TELEFUNKEN DD4 Drum Pack gehört ein TELEFUNKEN M82 für die Kick-Drum, ein TELEFUNKEN M80-SH für die Snare sowie zwei TELEFUNKEN M81-SH-Mikrofone für die Toms. Die Sets werden in einem robusten Hartschalenkoffer mit verschiedenen Mikrofonhalterungen (Kunststoff und Metall) sowie mit vier 5m-XLR-Kabeln mit rechtwinkligem Stecker ausgeliefert. Das Drum Pack TELEFUNKEN DD5 enthält ein TELEFUNKEN M82, ein TELEFUNKEN M80-SH und drei TELEFUNKEN M81-SH-Mikrofone.Das DD4 Drum-Set besteht aus:1 TELEFUNKEN M82 mit Halterung1 TELEFUNKEN M80-SHB mit Halterung (Metall) und Halterung (Kunststoff)2 TELEFUNKEN M81-SH mit Halterung (Metall) und Halterung (Kunststoff)4 x SGMC-5R XLR-Kabel (5 m) mit rechtwinkligem Stecker1 Hartschalenkoffer

€1,498.00* €1,649.00*

10 %

Telefunken DC6 Drum Pack

Telefunken DC6 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Das TELEFUNKEN DC6 ist ein 6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, zwei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung2 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount6 x XLR Kabel mit WinkelsteckerFlightcase

€2,519.00* €2,799.00*

10 %

Telefunken DC7 Drum Pack

Telefunken DC7 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne.Das TELEFUNKEN DC7 ist ein 7-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, drei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung3 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount7 x XLR Kabel mit WinkelsteckerFlightcase

€2,744.00* €3,049.00*

14 %

FLEA47 Vintage microphone - two heads combo (Limited Edition)

Limited Edition Set: Includes additional interchangeable F47 capsuleActually this mic is an exact replica of the U47. It is equipped with F7 capsule – our exact replica of M7 capsule, our replica of BV8 transformer and TELEFUNKEN EF12 or E80F tubes. Those are actually the next generation of EF12 tubes but with a longer lifetime. In fact, EF12, EF14, UF14 or VF14 are the same tubes with different heating. Especially we focus on EF12 tube as we consider its sound character closest to original. Of course, the price depends on the type of tube. Those of you who have knowledge of prices know that the price of a good VF14 tube can reach 1,500€, so it is obvious that this mic is not a cheap thing. But this mic is possible to use for almost everything and always sounds perfect. The body is duraluminium and is nickel plated . The grille is available in two versions: glossy chrome or matt nickel. The whole set comprises the mic in wooden box, cable, shockmount and power supply

€4,899.00* €5,699.00*

10 %

Locomotive 86B-1

86B-1 Mono Tube Preamp: American-Style Warmth & Versatility The 86B-1 Mono Tube Preamp brings rich American-style tube warmth to your setup, from smooth vocals to punchy drums. With a sound rooted in 1950s tube circuitry, this preamp breathes life into modern signal chains with its deep harmonic character and versatile controls.With a two-knob control system, the 86B-1 lets you dial in the exact amount of tonal coloration, from subtle warmth to full-bodied saturation. Key features include a 20dB pad, 85Hz high pass filter, and front-panel DI for easy direct input. Inspired by Vintage LegacyThe 86B-1 builds on the classic Ampex 601 design, a 1960s favorite for its smooth and powerful tube tone. Enhanced with modern features like phantom power and improved headroom, the 86B-1 blends vintage quality with today’s audio standards. Preorder the 86B-1 today and give your audio the warmth and detail it deserves.

€899.00* €999.00*

20 %

New

PreSonus Faderport 16

A superior solution for anyone who mixes in the box, only the FaderPort 16 provides 16 100 mm touch-sensitive, motorized faders in a compact chassis that easily sits on any desk. Like PreSonus®' popular FaderPort 8, the FaderPort 16 features digital scribble strip displays; mute and solo for every channel; complete automation and transport control; plus level, pan, send, and plug-in control modes for every fader. The unique Session Navigator makes mixing and controlling your favorite DAW application quick and easy by putting eight critical functions under your fingers, including navigation, zoom, and master fader control. The FaderPort 16 is compatible with virtually any DAW host for Mac® or Windows®, with support for HUI and Mackie Control, including customized Mackie Control modes for Logic, Cubase, and Sonar. Its native Studio One Pro support provides even more functionality with PreSonus' easy-to-use DAW, including Control Link support as well as parameter follow, allowing you quick access to any control under your mouse. Its ergonomic design makes it a comfortable companion to your keyboard and mouse.

€779.00* €969.00*